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Steve Grossman

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Steven Mark Grossman was an American jazz fusion and hard bop saxophonist. Grossman was Wayne Shorter's replacement in Miles Davis's jazz-fusion band. Then, from 1971 to 1973, he was in Elvin Jones's band. In the late 1970s, he was part of the Stone Alliance trio with Don Alias and Gene Perla. The group released four albums during this period, including one featuring Brazilian trumpeter Márcio Montarroyos. The albums also feature an array of other musicians. They went on to release three live reunion albums during the 2000s.

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Article: Profile

Miles Davis: How 9 Jazz Icons Remember His Genius

Read "Miles Davis: How 9 Jazz Icons Remember His Genius" reviewed by Rob Garratt


Like nearly every other jazz fan on the planet, I've long held an unshakeable fascination with the music of Miles Davis. Thirty years after his death, Miles's legacy, innovations and iconography continue to shape contemporary conceptions of the art form more than any other figure—his life and lessons simultaneously a road map, Holy Grail and high ...

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Article: Interview

Gary Bartz At 80: On Jazz Is Dead, Miles Davis And Why Improvisation Is A Dirty Word

Read "Gary Bartz At 80: On Jazz Is Dead, Miles Davis And Why Improvisation Is A Dirty Word" reviewed by Rob Garratt


It's hard to talk to Gary Bartz about music. Not because he's a difficult or reluctant interviewee—quite the opposite. In fact, the 80-year-old saxophonist is refreshingly unguarded and garrulous when looking back over his formidable six-decade musical career. It's just finding the right words that's the tricky part. Like many musicians, jazz isn't one ...

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Article: Radio & Podcasts

A Night at the Jazz Circus! - Companion Mixtape

Read "A Night at the Jazz Circus! - Companion Mixtape" reviewed by Ludovico Granvassu


From Charles Gayle's alter ego, Streets the Clown, to the music performed by the Kamikaze Ground Crew for the Flying Karamazov Brothers, from the countless jazz renditions of the iconi themes that Nino Rota wrote for Federico Fellini's movies to the equally countless jazz tunes inspired by circus acts... Jazz and Circus have a long history ...

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Article: Interview

Essential Michael Brecker

Read "Essential Michael Brecker" reviewed by Jason West


This article was originally published at All About Jazz in November 1999. Michael Brecker's contributions to music are generous and, like the pregnant ideas that flow from his tenor horn, they continue to grow. At 50, the saxophonist has found acceptance in a wide variety of musical settings, having performed with pop stars like ...

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Article: Radio & Podcasts

Greg Abate, Charlie Persip & Steve Grossman

Read "Greg Abate, Charlie Persip & Steve Grossman" reviewed by Joe Dimino


This week we open with the Greg Abate Quintet and then go on marking the Charlie Parker centennial. Champian Fulton has a new album honoring Bird, Birdsong and we hear her take on “Yardbird Suite." There are profiles of Kenny Washington, Daniel Hersog and Hal Galper. We also pay respects to musicians that left us in ...

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Article: Building a Jazz Library

Lift Every Voice And Sing: Twenty #BlackLives Albums That Matter

Read "Lift Every Voice And Sing: Twenty #BlackLives Albums That Matter" reviewed by Chris May


Jazz has been inextricably linked with social and political protest since at least the late 1930s, when Billie Holiday made famous the leftist songwriter and poet Abel Meeropol's “Strange Fruit." The song, which has a power to move that is undiminished by familiarity, likens the bodies of lynched African Americans to fruit hanging in trees.

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Article: Radio & Podcasts

50th Anniversary Blue Notes for December, Including The Rare Jazz Wave on Tour

Read "50th Anniversary Blue Notes for December, Including The Rare Jazz Wave on Tour" reviewed by Marc Cohn


50th anniversary Blue Notes from December 1969 this week from Jack McDuff (Moon Rappin') and Reuben Wilson (the seriously greasy Blue Mode) and part of a Donald Byrd session (Kofi) only released 25 years after the fact! Then, there's this one: Jazz Wave Ltd. on Tour, Volume 1. It's a double LP (it's in my lap ...

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Article: Catching Up With

Michael Weiss: Soul Journey

Read "Michael Weiss: Soul Journey" reviewed by Luke Seabright


Bebop is a complex craft, and like all crafts the only way to get any good at it is by learning from those who mastered it before you. Jamming through the night, getting on to that bandstand and firing away your best improvised lines, jousting with your partners (be they friends or strangers) like in the ...

Article: Interview

Tommaso Cappellato: Spiritual Jazz, Club Culture, Harry Whitaker e molte cose ancora

Read "Tommaso Cappellato:  Spiritual Jazz, Club Culture, Harry Whitaker e molte cose ancora" reviewed by Angelo Leonardi


Batterista, produttore e compositore, Tommaso Cappellato è tra i pochi musicisti italiani in piena sintonia con le ultime tendenze del jazz, dove contenuti e spirito di questa musica si legano ad afrobeat, soul, hip-hop, house, elettronica e vari generi della Club Culture. Una scena musicale che ha il suo fulcro a Londra e pubblica le sue ...


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