Results for "Joe Chambers"

Joe Chambers

Born and raised near Philadelphia to a musical family, Joe Chambers heard not only the rock and roll of Louis Jordan and Slim Gaillard, but the classical of Vivaldi, Wagner, Beethoven and Mahler. Drums came early. "I think an instrument picks you. I used to play on post and pans when I was little. I was setting them up like a kit at four years of age, so the instincts were there." More taken with Lester Young and Lionel Hampton than Little Richard, Chambers nonetheless soon joined a band playing all the R&B hits of the day. "We played 'house rock,' horn players walking the bar like Big Jay McNeely and Tiny Bradshaw

Connie Han: Iron Starlet

By C. ANDREW HOVAN

At the 2019 Detroit Jazz Festival, pianist Connie Han dazzled the crowd with a superb and well-paced set which was one of the best performances of the weekend. Although her Mack Avenue debut, Crime Zone, had hit the streets in 2018, Han's musical acumen was still hovering below the radar of most jazz listeners. The key ...

Blue Note Records: Lost In Space: 20 Overlooked Classic Albums

By CHRIS MAY

For anyone with a passion for Blue Note, it is hard to conceive of an album that has been “overlooked," let alone twenty of them. For connoisseurs of the most influential label in jazz history, the passion can be all consuming: if a dedicated collector does not have all the albums (yet), he or she will ...

Drummers as Bandleaders: An Alternative Top Ten Albums

By CHRIS MAY

Drummers have been key members of every band which has changed the course of jazz history, from Max Roach with Charlie Parker to Elvin Jones with John Coltrane and onwards. Yet drummers have been the leaders of a surprisingly small proportion of landmark bands themselves. Chick Webb in the 1920s was the first of the few. ...

Strata-East: Seizing the Time

By CHRIS MAY

Operating on minimum finance and maximum passion, Brooklyn's Strata-East label was a pivotal platform for the spiritual-jazz movement that emerged during the Civil Rights struggle of the 1970s. Its closest contemporary comparator was Chicago's Association for the Advancement of Creative Musicians. Both were non-profit organisations. The AACM was non-profit by design. With Strata-East, co-founder Charles Tolliver ...

Connie Han: Iron Starlet

By MIKE JURKOVIC

A decisively brazen talent, pianist Connie Han rushes into the fire touched off by her 2018 Mack Avenue debut Crime Zone, bringing more accelerant to bear on Iron Starlet.With an exhilarating control of her skills and vision and an intimate clairvoyance into all that has come before her, Han bids trumpeter Jeremy Pelt the ...

A Herbie Nichols' Centennial - Part II

By LUDOVICO GRANVASSU

The second part of this week's tribute to Herbie Nichols focuses on the work of champions of his music like Roswell Rudd, Misha Mengelberg, Steve Lacy and, again, the Herbie Nichols Project with some never-heard-before live recordings from the vaults of the Jazz Composers Collective. For the first part of this Herbie Nichols special ...

Tommaso Cappellato: Spiritual Jazz, Club Culture, Harry Whitaker e molte cose ancora

By ANGELO LEONARDI

Batterista, produttore e compositore, Tommaso Cappellato è tra i pochi musicisti italiani in piena sintonia con le ultime tendenze del jazz, dove contenuti e spirito di questa musica si legano ad afrobeat, soul, hip-hop, house, elettronica e vari generi della Club Culture. Una scena musicale che ha il suo fulcro a Londra e pubblica le sue ...

Wayne Shorter: Etcetera

By PATRICK BURNETTE

The mid-sixties was an incredibly busy time for Wayne Shorter, who in 1965 had transitioned out of being Art Blakey's musical director into serving more or less the same roll for Miles Davis. By that point, he already had three Vee-Jay and two Blue Note leader dates under his belt and, in '65, he went on ...

Culture Clubs: A History of the U.S. Jazz Clubs, Part III: Kansas City, Philadelphia, Los Angeles & Beyond

By KARL ACKERMANN

Beyond the Hubs While jny: New Orleans, jny: Chicago, jny: Kansas City and jny: New York City were the incubators of modern jazz, they were by no means the only locations with an appetite for live music. Jazz artists whose point of origin could not sustain multiple venues ventured to locations near and far ...