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Jimmy Cobb

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Legendary jazz drummer, Jimmy Cobb, was born in Washington, D.C. on January 20, 1929. A superb, mostly self-taught musician, Jimmy is the elder statesman of all of the incredible Miles Davis bands. Jimmy's inspirational work with Miles, John Coltrane, Cannonball Adderly and Co. spanned 1957 until 1963, and included the masterpiece "Kind of Blue", the most popular jazz recording in history. He also played on "Sketches of Spain", Someday My Prince will Come", "Live at Carnegie Hall, "Live at the Blackhawk", "Porgy and Bess", and many, many other watermark Miles Davis recordings. The Miles recordings and live performances are not the only high points of Jimmy's quiet, but truly outstanding career
Kelly Blue

by C. Michael Bailey
The classic Wynton Kelly Trio comprised Kelly on piano, bassist Paul Chambers, and drummer Jimmy Cobb. Besides being Kelly's most stable trio, this rhythm section provided the underpinning for several important recordings and tours for Miles Davis in the late '50s and early '60s. These include Kind of Blue (Columbia Records, 1959) and Davis' 1960 European ...
The Unlikely Story of Cannonball Adderley's Rise to the Top

by Alan Bryson
For me, the most gripping music stories are the tales of overnight sensations." In the jazz sphere, we have our share. There is the story of an eighteen-year-old Billie Holiday, discovered by producer John Hammond while she was a hostess in a Harlem club. There is the tale of a seventeen-year-old Ella Fitzgerald, whose triumphant debut ...
Meet Alto Saxophonist Erena Terakubo

by Sanford Josephson
For many years, trumpeter/educator Tiger Okoshi has been directing the Hokkaido Grove Jazz Camp during summers in Sapporo, Japan. At one of his first camps, he met a 12-year-old alto saxophonist named Erena Terakubo."She was shining, and she knew it," he recalled. She was determined, driven, and already sounded like a young Charlie Parker."
Hal Galper: Adventures In The Zone

by Paul Rauch
This article was first published on All About Jazz on October 20, 2020. The career of Hal Galper has earned the pianist acclaim as both a performer and educator. Perhaps most importantly, it has drawn attention to his contributions to the music as a true innovator. While other pianists of his era gained more ...
The Emmet Cohen Trio At Buffalo’s 'Art Of Jazz'

by Frank Housh
The Emmet Cohen TrioBuffalo AKG Art Museum Auditorium Art of Jazz Buffalo, NYMay 19, 2025 The Emmet Cohen Trio closed the 2025 Art of Jazz" Season with a high-energy performance featuring dynamic interplay and a dive into jazz history. In 2019 Emmet Cohen received the American Pianists Association's ...
LaMP: The Three Of Me Blend Into One Of Us

by Dean Nardi
LaMP's rousing albums have a knack for keeping you listening, whether it is Russ Lawton propelling the trio along through punchy, substantial snare, Ray Paczkowski indulging in the inner point-of-view of melody and harmony on both organ and clavinet, or Scott Metzger inserting reveal after reveal in a twist-laden odyssey of gleeful, darting notes. But there ...
Remembering Dan Morgenstern

by Sanford Josephson
This article previously appeared in Jersey Jazz Magazine. In 1938 when Dan Morgenstern was eight years old, he and his mother fled Nazi-controlled Austria for Copenhagen. Nine years later, they arrived in New York, and Morgenstern was not interested in seeing the Statute of Liberty or the Empire State Building. He just wanted to ...
Jeremy Monteiro Organ Quartet: Live Upon Nassim Hill

by Ian Patterson
Singaporean Jeremy Monteiro is primarily known as a pianist, having played with James Moody, Jimmy Cobb, Carmen Bradford, Charlie Haden and Ernie Watts, no less. But he is also a fine organist, an instrument he taught many moons ago. Monteiro returned to those roots with the trio Organamix, whose energy was captured on the live Kuala ...
Emmet Cohen: Vibe Provider

by Mike Jurkovic
All round shaman, musical advocate, and positive vibe provider, Nigerian-born Michael Olufunmilola (Funmi) Ononaiye (1968-2023) was known and beloved by everyone in the artistic and social circles of Manhattan's music scene. He was an A&R rep at Atlantic Records. He was a DJ, percussionist, and chief programmer at Jazz at Lincoln Center. He had a deep ...