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Leroy Vinnegar: Leroy Vinnegar Walks
ByIt is a bit surprising, although no one ever claimed that Vinnegar was a revolutionary. He was clearly in the line of Jimmy Blanton, with whom he was occasionally compared. But in the mid-1950s, Vinnegar was one of the hottest new talents in jazz, a poll winner and lots of that sort of thing. When he played with Shelly Manne, critics, even rough ones, praised him extravagantly, calling Manne and Vinnegar one of the best rhythm sections ever (somehow though, they left Andre Previn, who was part of it too, mostly out of the picture). People praised Vinnegar's propulsive and swinging lines, full round sound, and willingness to secure the lower register, even if it meant his choice of notes was somewhat limited. Above all, Vinnegar could walk, that most elementary, vital skill of a jazz bassist. Vinnegar was physically an imposing presence at 6'4," and his sound and pulse brought him lots of work and visibility. He was severely injured in an automobile accident in 1958, but he did return. Whether the lingering effects of the mishap affected his playing is an open question, but it would seem as if he peaked early, around 1962 or so. After that, players like Steve Swallow and Scott La Faro generated considerably more buzz.
Leroy Walks! was his debut album as a leader in 1957 on Contemporary, and has in 2023 been reissued by audiophile label Craft. For anyone who wants to get a fair sampling of what Vinnegar's playing was about, this is as good a place as any to start. Vinnegar is surrounded by players who range from competent to very good, although whether any other than Carl Perkins on piano are displayed to their best advantage is debatable. As it should be, this is Leroy Vinnegar's show, and a good show of walking bass it is. The rest tend to fade into the background. Gerald Wilson is accorded some solo space on trumpet, as is Victor Feldman on vibraharp, who also did some of the arranging. Neither is particularly memorable and Tony Bazley on drums is adequate. Nat Hentoff's liner notes made it clear that Vinnegar had his full support, which was nothing to laugh at in those days. Hentoff correctly notes that Vinnegar spent most of his time playing roots, and that rhythmic playing was clearly his forte. If Vinnegar sounds like a straightforward elaboration of the Blanton school of playing, it is because he was.
This recording is a historical artifact, but it garnered high praise in 1958. Do keep that in mind when listening to it.
Track Listing
Walk On; Would You Like to Take a Walk; On the Sunny Side of the Street; Walking; Walking' My Baby Back Home; I'll Walk Alone; Walking' By The River
Personnel
Leroy Vinnegar
bass, acousticVictor Feldman
multi-instrumentalistGerald Wilson
composer / conductorTeddy Edwards
saxophone, tenorCarl Perkins
pianoAdditional Instrumentation
Tony Bazley, drums
Album information
Title: Leroy Vinnegar Walks | Year Released: 2024 | Record Label: Craft Recordings
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Album Review
Richard J Salvucci
Leroy Vinnegard Walks
Craft Recordings
Leroy Vinnegar
Ray Brown
Oscar Pettiford
Scott LaFaro
Jimmy Blanton
Shelly Manne
Andre Previn
Carl Perkins
Gerald Wilson
Victor Feldman
Nat Hentoff