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Musician

Ray Brown

Born:

Ray Brown was born in Pittsburgh, Pennsylvania, and had piano lessons from the age of eight. After noticing how many pianists attended his high school, he thought of taking up the trombone, but was unable to afford one. With a vacancy in the high school jazz orchestra, he took up the double bass. A major early influence on Brown's bass playing was the bassist in the Duke Ellington band, Jimmy Blanton. As a young man Ray Brown became steadily more well known in the Pittsburgh jazz scene, with his first experiences playing in bands with the Jimmy Hinsley Sextet and the Snookum Russel band. After graduating from high school, hearing stories about the burgeoning jazz scene on 52nd Street, in New York City, he bought a one way ticket to New York. Arriving in New York at the age of twenty, he met up with Hank Jones, with whom he had previously worked, and was introduced to Dizzy Gillespie, who was looking for a bass player

Album

Rock With Flip

Label: Clef Records
Released: 2021
Track listing: Almost Like Being in Love; Singin' the Blues; All of Me; I'll Never Be the Same; Lemon Aid 21; Birth of the Blues; I've Got the World on a String; The Lady's in Love With You.

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Article: SoCal Jazz

John Patitucci: The Quintessence of Acoustic and Electric

Read "John Patitucci: The Quintessence of Acoustic and Electric" reviewed by Jim Worsley


John Patitucci had his life's work in mind at age twelve, At a time when most of us were worried about junior high school and pimples, Patitucci concluded that he was to be a professional musician. This was no typical young boy fantasy of playing center field for the Yankees, being an astronaut, or even being ...

7

Article: Take Five With...

Take Five with Will Lyle

Read "Take Five with Will Lyle" reviewed by AAJ Staff


Meet Will Lyle Born in Southern California, Will began studying cello when he was three and also played drums, guitar, piano and percussion, taking up the electric bass at the age of 12. “I had aspirations to become a producer and I originally went to Berklee for musical production, but during my freshman year I heard ...

24

Article: Building a Jazz Library

Instrumental Duos

Read "Instrumental Duos" reviewed by Karl Ackermann


The early days of jazz were not always harmonious. Converted dance orchestras often sounded like unbalanced acoustic junkyards; a single violin, cornet, trombone, clarinet, tuba, drums, banjo, and piano, all fighting for attention. The piano was meant to be the glue holding the shrill and boisterous elements together. In 1921 a prodigy pianist named Zez Confrey ...

6

Article: Album Review

Lorne Lofsky: This Song Is New

Read "This Song Is New" reviewed by Jack Bowers


Over the years the guitar has earned a unique position in the annals of jazz. At times strident, ear-splitting and generally distasteful, at others one of the loveliest, most amiable and pleasing instruments in any circumstance, especially when placed in the capable hands of a master such as Canada's Lorne Lofsky. This is the guitar as ...

12

Article: SoCal Jazz

Bill Cunliffe: Always Doing It The Right Way

Read "Bill Cunliffe: Always Doing It The Right Way" reviewed by Jim Worsley


Most notably a jazz pianist, it comes as more than a surprise that Bill Cunliffe was not in the same orbit as jazz until he was in college. With the sheer volume of top shelf jazz he has written and recorded since, he would seem to have made up for any lost time. That time, those ...

19

Article: Album Review

Roberto Miranda's Home Music Ensemble: Live at the Bing Theater; Los Angeles, 1985

Read "Live at the Bing Theater; Los Angeles, 1985" reviewed by Karl Ackermann


Roberto Miranda has appeared on almost one-hundred albums but has been lightly recorded as a leader, and inexplicably struggled to generate interest among labels. Dark Tree Records has released some great Horace Tapscott performances from the '70s and '80s. The label resurrected a Miranda-led session on Live at the Bing Theater; Los Angeles, 1985. Recorded at ...

1

Article: Interview

Larry Fuller: It's a Dream to Play with Ray

Read "Larry Fuller: It's a Dream to Play with Ray" reviewed by Jason West


Born in Toledo, Ohio, Larry Fuller began playing the piano at the age of 11. The son of a factory worker, Fuller was the sole musician in his parents' blue-collar family. He earned his first big break in 1988 accompanying jazz vocalist Ernestine Anderson. Their musical partnership continued until 1994 when Fuller joined Jeff Hamilton's trio. ...

8

Article: Book Review

This Is Bop: Jon Hendricks And The Art Of Vocal Jazz

Read "This Is Bop: Jon Hendricks And The Art Of Vocal Jazz" reviewed by Ian Patterson


This Is Bop: Jon Hendricks And The Art Of Vocal Jazz Peter Jones 263 Pages ISBN: 978 1 78179 874 4 Equinox Publishing 2020 Few are the jazz singers accorded the fanfare usually reserved for the music's great instrumentalists. Jon Hendricks was one, taking scat and vocalese to unprecedented ...


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