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About Scott LaFaro

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Musician

Scott LaFaro

Born:

Rocco Scott LaFaro (1936-1961) was a musician of the first order, who found his 'voice' in jazz in the mid-1950s. His played the double bass violin, better known today as the acoustic bass to differentiate this instrument from the electric (or electronic) bass. His life was cut short in an automobile accident in the summer of 1961 near Geneva, New York, his home town. Although he performed for only six years (1955-1961), his innovative approach to the bass astounded his contemporaries, and to this day his recorded performances continue to surprise and delight. Those who have found the Bill Evans Jazz Resource on the Internet know of the profound interplay among Paul Motian, Scott LaFaro and Bill Evans in a jazz trio that for many musicians to this day remains a model of sonority, complexity, and swing

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Article: Interview

An Uplifting Tragedy: Everybody Digs Bill Evans

Read "An Uplifting Tragedy: Everybody Digs Bill Evans" reviewed by Peter Jones

by Peter Jones

In July 1961, 25-year-old bassist Scott LaFaro was killed in a car accident in upstate New York. Four days earlier he had accompanied Stan Getz at the Newport Jazz Festival, and a few days before that, he had made the legendary Village Vanguard live recordings with the Bill Evans Trio Trio that were released as Sunday ...

20

Article: Album Review

Randy Ingram: Sound Within

Read "Sound Within" reviewed by Dan McClenaghan

by Dan McClenaghan

Everybody digs Bill Evans. Beginning in the late 1950s and early 1960s, Evans revolutionized the piano trio format, bringing a near equality of input of the three instruments into the mix. However, the piano itself was still the main voice. Bassist Scott LaFaro and drummer Paul Motian were his running mates. Sunday At The Village Vanguard ...

14

Article: Interview

Sunna Gunnlaugs: A Merry Old Time

Read "Sunna Gunnlaugs: A Merry Old Time" reviewed by Ian Patterson

by Ian Patterson

From the kinetic hurly burly of New York to the dramatic landscape and wide-open spaces of volcanic Iceland. Both environments have informed the music of Icelandic pianist-composer Sunna Gunnlaugs. Twelve years in New York, saw her play and record with some of the city's finest jazz musicians, including drummer Scott McLemore, her husband, and closest musical ...

32

Article: Album Review

Bill Evans: At The BBC 1965

Read "At The BBC 1965" reviewed by Jack Bowers

by Jack Bowers

Pianist Bill Evans' only performances at London's British Broadcasting Corporation (BBC) were taped in March 1965 and broadcast in May and December of that year in two half-hour segments. As it is impossible to invoke Evans' name without adding the word “legendary," that will be done now to avoid needless repetition. This was Evans' ...

4

Article: Album Review

Bill Evans: At The BBC 1965

Read "At The BBC 1965" reviewed by Jack Kenny

by Jack Kenny

Producer Zev Feldman recalls having once purchased a laserdisc of this BBC session--an early testament to his devotion to the music of Bill Evans. Feldman has curated numerous Evans projects for both Elemental Records and Resonance Records; this album marks the fifteenth occasion he has collaborated with the Evans' estate. His earlier releases include Behind the ...

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News: TV / Film

'Everybody Digs Bill Evans' Film by Director Grant Gee Debuts at the Berlin International Film Festival

'Everybody Digs Bill Evans' Film by Director Grant Gee Debuts at the Berlin International Film Festival

New York, June 1961. Legendary jazz pianist Bill Evans has found his musical voice and created the perfect trio, including bassist Scott LaFaro, his musical soulmate. A residency at New York’s Village Vanguard culminates in the live taping of two of the greatest jazz records of all time in one day. Only a few days later, ...

30

Article: Interview

Ralph Towner: The Accidental Guitarist

Read "Ralph Towner: The Accidental Guitarist" reviewed by Mario Calvitti

by Mario Calvitti

This article was first published on All About Jazz on May 16, 2017. Ralph Towner is a rather atypical figure in the vast world of jazz guitar. His instruments of choice are the classical guitar, which when he started, in the '60s, was played almost exclusively by guitarists related to Brazilian music like Charlie ...

14

Article: Album Review

Bill Evans: Haunted Heart: The Legendary Riverside Studio Recordings (Remastered 2025)

Read "Haunted Heart: The Legendary Riverside Studio Recordings (Remastered 2025)" reviewed by C. Andrew Hovan

by C. Andrew Hovan

The past five years have been a banner period for recordings drawn from the vast canon of Bill Evans work, encompassing both previously issued material and newly discovered performances. Adding to the fact that one can easily hunt down previously issued expansive reissues of Evans' Riverside, Verve, and Fantasy catalogs, many unearthed tapes have finally seen ...

6

Article: Album Review

John Scofield Dave Holland: Memories Of Home

Read "Memories Of Home" reviewed by Jack Kenny

by Jack Kenny

This album is fundamentally about rapport, deep listening, and a shared musical history that traces back to Miles Davis, Herbie Hancock, and the quartet with Joe Lovano and Al Foster. John Scofield's distinctive guitar style seamlessly integrates post-bop, fusion, funk, and roots-based influences. His dry, idiosyncratic tone and subtle inflections have helped redefine modern ...


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