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Miles '56: The Prestige Recordings
By Miles Davis
Label: Craft Recordings
Released: 2026
Track listing: CD 1: In Your Own Sweet Way (March 16, 1956 version); No Line; Vierd Blues; In Your Own Sweet Way (May 11, 1956 version); Diane; Trane’s Blues; Something I Dreamed Last Night; It Could Happen to You; Woody’n You; Ahmad’s Blues. CD2: Surrey with the Fringe on Top; It Never Entered My Mind; When I Fall in Love; Salt Peanuts; Four; The Theme (Take 1); The Theme (Take 2); If I Were a Bell; Well, You Needn’t. CD3: ’Round Midnight; Half Nelson; You’re My Everything; I Could Write a Book; Oleo; Airegin; Tune Up; When Lights Are Low; Blues by Five; My Funny Valentine.
That's Him
Label: Craft Recordings
Released: 2026
Track listing: Strong Man; Happiness is Just a Thing Called Joe; My Man; Tender as a Rose; That's Him; I Must Have That Man; Porgy;
When a Woman Loves a Man; Don't Explain.
Craft Mines the Vaults: New Moodsville Titles from Red Garland, Frank Wess, and Coleman Hawkins
by C. Andrew Hovan
When it comes to independent record labels of the past that ventured across such a broad musical landscape, few could rival the efforts of Bob Weinstock and his Prestige imprint. Recognizing the advantages of appealing to multiple markets, Weinstock expanded well beyond his core jazz catalog, issuing rare blues titles through the Bluesville subsidiary and turning ...
New Reissue Series Offers A First-Class Ticket To Moodsville
by Joshua Weiner
With the rise of consumer culture in the 1950s and 1960s, hi-fi systems on which to play newly available stereo records became de rigueur for those who aspired to sophisticated leisure time. A wide variety of “mood music" albums, from classical to exotica to jazz, promised the perfect soundtrack for any emotional state or social gathering. ...
The Golden Era of Art Pepper on Contemporary Records (1957-1960)
by C. Michael Bailey
The arc of alto saxophonist Art Pepper's early career is one of the most dramatic narratives in jazz history--a relentless tug-of-war between transcendent musical genius and the devastating grip of heroin addiction. Between 1957 and 1960, Pepper recorded a sequence of five albums for Lester Koenig's Contemporary Records that redefined the jazz capabilities of the alto ...
Miles Davis: Miles '56: The Prestige Recordings
by Mark Corroto
The ancient Greek philosopher Heraclitus never met Miles Davis, but his famous observation, “No man ever steps in the same river twice, for it's not the same river and he's not the same man," seems tailor-made for the trumpeter. Few artists transformed themselves as completely or as often as Davis. Listeners encountering his music today can ...
Abbey Lincoln: That's Him
by C. Andrew Hovan
An intriguing byproduct of the current vinyl renaissance, Record Store Day has become a proving ground for labels looking to balance archival reverence with commercial opportunity. Craft Recordings has carved out a particularly compelling niche, frequently issuing mono editions of classic titles from its catalog. Following previous releases featuring Gerry Mulligan, Bill Evans, Max Roach, and ...
Vince Guaraldi and Bola Sete: From All Sides
by C. Andrew Hovan
When it comes to West Coast jazz of the highest order, Lester Koenig's Contemporary label set the standard, although Fantasy Records would also carve its own niche. Founded by the Weiss Brothers in 1949, Fantasy would be the home to two early jazz crossover artists, Dave Brubeck and Vince Guaraldi. With a taste for multiple ...
In the Land of Giants: OJCs from Thad Jones and Red Garland
by C. Andrew Hovan
The late 1950s marked a particularly fertile period in jazz. Big bands still commanded audiences, while smaller combos often blended veterans of the swing era with the rising architects of modern bop. Musicians such as Thad Jones, Frank Wess, Illinois Jacquet, and Coleman Hawkins moved fluidly among ensembles, thriving in a moment before the stylistic fault ...
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