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Musician

Victor Feldman

Born:

Victor Feldman was born in Edgware, Middlesex in 1934. He caused a sensation as a musical prodigy when he was "discovered" at age 7. His family were all musical and his father founded the Feldman Swing Club in London in 1942 to showcase his talented son. His first professional appearance was playing drums at No 1 Rhythm Club as a member of the Feldman Trio with brothers Robert on clarinet and Monty on piano accordion. In 1944 he was featured at a concert with Glenn Miller's AAAF band, featured inevitably as "Kid Krupa". Carlo Krahmer encouraged Feldman to play the vibes which he did first in the Ralph Sharon Sextet and later in the Roy Fox band

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Article: Interview

Brian Auger: To Oblivion and Beyond

Read "Brian Auger: To Oblivion and Beyond" reviewed by Maurizio Comandini


Brian Auger is recognized as one of the most charismatic organists on the planet. For six decades he has stayed current through projects that were in sync with, and often ahead of, the times, thanks to a firm vision and well-chosen artistic partnerships. Through a career that has seen him play with the likes of Tony ...

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Article: Album Review

Out To Dinner: Episodes Of Grace

Read "Episodes Of Grace" reviewed by Kyle Simpler


When Blue Note Records released Eric Dolphy's Out to Lunch! in 1964, they probably did not imagine the album would one day become a jazz classic. However, it remains one of the most influential jazz albums and, in 2022, it was reissued in the Blue Note Classic Vinyl series. In 2019, Posi-Tone Records tapped into the ...

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Article: Building a Jazz Library

Miles Davis: The Real Second Great Quintet

Read "Miles Davis: The Real Second Great Quintet" reviewed by Chris May


Miles Davis' first great quintet is generally agreed to be the one with tenor saxophonist John Coltrane, pianist Red Garland, bassist Paul Chambers and drummer Philly Joe Jones—the group which in 1955-56 recorded Columbia's 'Round About Midnight and Prestige's The New Miles Davis Quintet, Steamin', Workin', Relaxin' and Cookin'. Davis' second great quintet ...

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Article: History of Jazz

Vince Guaraldi’s Christmas Sauce: Adding Spice to Charlie Brown Vanilla

Read "Vince Guaraldi’s Christmas Sauce: Adding Spice to Charlie Brown Vanilla" reviewed by Arthur R George


It's not simply that pianist Vince Guaraldi slipped jazz past the unsuspecting in composing A Charlie Brown Christmas, the evergreen “Peanuts" animation and soundtrack that has become inescapably part of the holiday. First broadcast in 1965, going on to six decades ago, A Charlie Brown Christmas is a tradition unto itself. It returns to television through ...

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Article: SoCal Jazz

John Patitucci: The Quintessence of Acoustic and Electric

Read "John Patitucci: The Quintessence of Acoustic and Electric" reviewed by Jim Worsley


John Patitucci had his life's work in mind at age twelve, At a time when most of us were worried about junior high school and pimples, Patitucci concluded that he was to be a professional musician. This was no typical young boy fantasy of playing center field for the Yankees, being an astronaut, or even being ...

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Article: Album Review

Lorne Lofsky: This Song Is New

Read "This Song Is New" reviewed by Jack Bowers


Over the years the guitar has earned a unique position in the annals of jazz. At times strident, ear-splitting and generally distasteful, at others one of the loveliest, most amiable and pleasing instruments in any circumstance, especially when placed in the capable hands of a master such as Canada's Lorne Lofsky. This is the guitar as ...

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Article: What is Jazz?

Ghosts In The Machine, Part 3: Jazz Musicians And Popular Music

Read "Ghosts In The Machine, Part 3: Jazz Musicians And Popular Music" reviewed by Kurt Ellenberger


Part 1 | Part 2 | Part 3 | Part 4 | Part 5 Part 3: The GhostsIn a recent essay in Commentary, Terry Teachout, arts and culture critic for the Wall Street Journal, makes an argument for the date on which the jazz era officially ended and the rock/pop era began--May 9, ...

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Article: Building a Jazz Library

Impulse! Records: An Alternative Top 20 Zeitgeist Seizing Albums

Read "Impulse! Records: An Alternative Top 20 Zeitgeist Seizing Albums" reviewed by Chris May


There can be little argument that a jazz label ever captured a zeitgeist more completely than Impulse! did during its original 1960s incarnation. In the US, the fight back against white racism was cresting, opposition to the Vietnam war was growing, outrage over the assassinations of figures of hope such as President Kennedy, Martin Luther King ...

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Article: Album Review

Lolly Allen: Coming Home

Read "Coming Home" reviewed by Jack Bowers


There was a time, and it wasn't that long ago, when women in jazz—apart from singers and the occasional pianist—were seen by many observers as unsolicited interlopers whose impact in what was essentially a male bastion could be no more than minimal at best. Needless to say that is no longer the case, as women's voices ...


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