Results for "Carl Perkins"
Carl Perkins
Born:
Not the rockabilly guitarist/vocalist - rather, the exceptional but little-known West Coast pianist. Carl Perkins was born in Indianapolis, IN in 1928 and eventually settled in Los Angeles in the late 1940s where he passed away in 1958, at the age of only 29. He was a classic hard bop pianist whose original technique and conception were dictated by a crippled left arm. Despite this handicap and a very short career,Perkins played with Tiny Bradshaw and Big Jay McNeely, before he relocated to the West Coast. He was with Oscar Moore's trio (1953-1954) and with the Max Roach-Clifford Brown Quintet (1954), but is acknowledged for his recordings with Curtis Counce (1956-1958). Perkins made a host of exceptional recordings with most of the major West Coast artists besides Counce, including Chet Baker, Art Pepper, Harold Land and Dexter Gordon to name just a few
Stuff Smith: Swing Violinist
by AAJ Staff
From the 1995-2003 archive: This article first appeared at All About Jazz in 2002. When Hezekiah Leroy Gordon “Stuff" Smith picked up the violin, the house began to rock. The second major popularizer of the violin in jazz after Joe Venuti, Stuff received great success with his small high energy swing band in the ...
Chet Baker: An Alternative Top Ten Albums To Get Lost In
by Chris May
Chet Baker was born to a farmer's daughter and a hard-drinking, weed-smoking singer and guitarist in a Western Swing band in Yale, Oklahoma in 1929. Like many Okies, the family fared badly during the Great Depression but did a little better after moving to Glendale, California in 1939. Largely self-taught as a trumpeter, Baker honed his ...
The Archive of Contemporary Music
by Karl Ackermann
In Lower Manhattan, sits a musical gold mine. It's the motherlode of recorded music though the small, brightly colored sign above a grey steel door provides only a cryptic clue. The dusty window display of rare 78 RPM records, broken into erratic pie charts serves as a vestige of the past and a cautionary tale about ...
Van Morrison: The Healing Game (Deluxe Edition)
by Doug Collette
As enigmatic as Van Morrison is, the archiving of his vault reveals some logic with the reissue of The Healing Game in expanded form. Following on the heels of It's Too Late to Stop Now... Volumes II, III, IV (Legacy Recordings, 2016) and The Authorized Bang Collection (Legacy Recordings, 2017), this three-CD package of one of ...
L'ultimo hipster. La vita e la musica di Mark Murphy
by Angelo Leonardi
Non trovate accenni a Mark Murphy nelle più recenti storie del jazz, neanche il nome. Una lacuna che appare inspiegabile (a differenza di Frank Sinatra, Mel Tormè e Tony Bennett) che si giustifica solo col ritardo a collocare il cantante di Syracuse in una prospettiva storica. Eppure già prima della sua scomparsa -il ...
Clifford Brown and Max Roach in 1954: New Research
by Nick Catalano
Jazz history is all about revisionism. New material about musicians--biographical information, newly discovered recordings and photos, corrected anecdotes and stories -are some of the areas where history is constantly evolving. This is an important process and writers should always be aware of it and report its occurrences. Since I published my book on ...
Il fascino sostenibile della leggerezza #2
by Alberto Bazzurro
In poche parole ci riproviamo: a tagliare una seconda volta in orizzontale, grosso modo a distanza di un semestre, una fetta di produzione discografica, a conti fatti dischi arrivati nell'ultimo paio di mesi (ma in due o tre casi usciti in precedenza), per soppesare quanto il titolo di quel primo “sopralluogo" (a tesi) (clicca qui per ...
Paul Jost: The First Thing is Heart
by Chris M. Slawecki
Even for a musician who has been playing and singing since age six, Paul Jost has just come through one exceptional year. First, he released his debut with The Jost Project, Can't Find My Way Home (2013, Dot.Time Records), featuring the leader on vocals, harmonica and guitar, with drummer Charlie Patierno, double bassist Kevin ...
Paul Jost: Breaking Through
by Gloria Krolak
One of the most endearing moments of jazz vocalist Paul Jost's new solo CD, Breaking Through, in an album of many such moments, is perhaps his chuckle and the “Oh, George," he lets out after a fresh rendition of “Singing in the Rain." Endearing because Jost connects with the listener by the sigh meant for and ...
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