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Carl Perkins

Not the rockabilly guitarist/vocalist - rather, the exceptional but little-known West Coast pianist. Carl Perkins was born in Indianapolis, IN in 1928 and eventually settled in Los Angeles in the late 1940s where he passed away in 1958, at the age of only 29. He was a classic hard bop pianist whose original technique and conception were dictated by a crippled left arm. Despite this handicap and a very short career,Perkins played with Tiny Bradshaw and Big Jay McNeely, before he relocated to the West Coast. He was with Oscar Moore's trio (1953-1954) and with the Max Roach-Clifford Brown Quintet (1954), but is acknowledged for his recordings with Curtis Counce (1956-1958). Perkins made a host of exceptional recordings with most of the major West Coast artists besides Counce, including Chet Baker, Art Pepper, Harold Land and Dexter Gordon to name just a few

ARTICLE: UNDER THE RADAR

The Archive of Contemporary Music

Read "The Archive of Contemporary Music" reviewed by Karl Ackermann

In Lower Manhattan, sits a musical gold mine. It's the motherlode of recorded music though the small, brightly colored sign above a grey steel door provides only a cryptic clue. The dusty window display of rare 78 RPM records, broken into erratic pie charts serves as a vestige of the past and a cautionary tale about ...

ARTICLE: ALBUM REVIEWS

Van Morrison: The Healing Game (Deluxe Edition)

Read "The Healing Game (Deluxe Edition)" reviewed by Doug Collette

As enigmatic as Van Morrison is, the archiving of his vault reveals some logic with the reissue of The Healing Game in expanded form. Following on the heels of It's Too Late to Stop Now... Volumes II, III, IV (Legacy Recordings, 2016) and The Authorized Bang Collection (Legacy Recordings, 2017), this three-CD package of one of ...

L'ultimo hipster. La vita e la musica di Mark Murphy

Read "L'ultimo hipster. La vita e la musica di Mark Murphy" reviewed by Angelo Leonardi

Non trovate accenni a Mark Murphy nelle più recenti storie del jazz, neanche il nome. Una lacuna che appare inspiegabile (a differenza di Frank Sinatra, Mel Tormè e Tony Bennett) che si giustifica solo col ritardo a collocare il cantante di Syracuse in una prospettiva storica. Eppure già prima della sua scomparsa -il ...

ARTICLE: NEW YORK BEAT

Clifford Brown and Max Roach in 1954: New Research

Read "Clifford Brown and Max Roach in 1954: New Research" reviewed by Nick Catalano

Jazz history is all about revisionism. New material about musicians--biographical information, newly discovered recordings and photos, corrected anecdotes and stories -are some of the areas where history is constantly evolving. This is an important process and writers should always be aware of it and report its occurrences. Since I published my book on ...

ARTICLE: GENERAL ARTICLES

Il fascino sostenibile della leggerezza #2

Read "Il fascino sostenibile della leggerezza #2" reviewed by Alberto Bazzurro

In poche parole ci riproviamo: a tagliare una seconda volta in orizzontale, grosso modo a distanza di un semestre, una fetta di produzione discografica, a conti fatti dischi arrivati nell'ultimo paio di mesi (ma in due o tre casi usciti in precedenza), per soppesare quanto il titolo di quel primo “sopralluogo" (a tesi) (clicca qui per ...

ARTICLE: INTERVIEWS

Paul Jost: The First Thing is Heart

Read "Paul Jost: The First Thing is Heart" reviewed by Chris M. Slawecki

Even for a musician who has been playing and singing since age six, Paul Jost has just come through one exceptional year. First, he released his debut with The Jost Project, Can't Find My Way Home (2013, Dot.Time Records), featuring the leader on vocals, harmonica and guitar, with drummer Charlie Patierno, double bassist Kevin ...

ARTICLE: JAZZ NEAR ME

Paul Jost: Breaking Through

Read "Paul Jost: Breaking Through" reviewed by Gloria Krolak

One of the most endearing moments of jazz vocalist Paul Jost's new solo CD, Breaking Through, in an album of many such moments, is perhaps his chuckle and the “Oh, George," he lets out after a fresh rendition of “Singing in the Rain." Endearing because Jost connects with the listener by the sigh meant for and ...

ARTICLE: LIVE REVIEWS

John Fogerty at the Paramount

Read "John Fogerty at the Paramount" reviewed by Mike Perciaccante

John Fogerty The Paramount Huntington, NY January 30, 2014 John Fogerty's musical modus operandi encompasses many different styles: Americana, roots rock, Southern rock, psychedelia, swamp rock, country, rockabilly, blues and pop--in short, good old fashioned rock 'n' roll. His songs read like the soundtrack of the past forty ...

Charles Mingus: Blues and Roots/Mingus Three/Jazz Portraits/Jazzical Moods

Read "Charles Mingus: Blues and Roots/Mingus Three/Jazz Portraits/Jazzical Moods" reviewed by David Rickert

Charles MingusBlues and Roots/Mingus Three/Jazz Portraits/Jazzical MoodsAvid Records2011 (1954-59) If you have a fondness for a particular album by Charles Mingus, chances are you won't find another quite like it in his catalog. The bassist and composer had one of the most wide-ranging careers of anyone in ...


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