Home » Search Center » Results: Album Review
Results for "Album Review"
Bobby Wellins Quartet: What Was Happening
by Chris May
In 1965 tenor saxophonist Bobby Wellins made an indelible mark on jazz history with his contribution to pianist Stan Tracey's Jazz Suite Inspired By Dylan Thomas's Under Milk Wood (Columbia). The exquisite Starless And Bible Black" is the most frequently cited track (check the YouTube below) and is indicative of the album's overall beauty. For a ...
Ches Smith: Laugh Ash
by Glenn Astarita
Ches Smith's Laugh Ash is not your garden-variety jazz concoction. Instead, it is a genre-defying, shape-twisting auditory escapade that does not just push the envelope--it sends it soaring into the stratosphere. It is both bewildering and bedazzling. These compositions stand as a towering testament to Smith's impressive acumen as a drummer, percussionist, and composer, a veritable ...
Ulysses Owens, Jr. and Generation Y: A New Beat
by Jack Bowers
The rhythms presented on award-winning drummer Ulysses Owens Jr.'s latest album are not exactly A New Beat, as they have been heard in various configurations for at least eighty years or more, but they do provide a plausible indication of the path that Art Blakey's legendary Jazz Messengers would presumably have followed had Blakey lived into ...
Christine Correa: Just You Stand and Listen with Me
by Angelo Leonardi
«Il primo incontro con la musica di Abbey Lincoln l'ho avuto nel 1979 tramite Ran Blake, poco dopo il mio arrivo negli Stati Uniti--ha ricordato Christine Correa--. Non avevo mai ascoltato registrazioni così intense come la Freedom Now Suite e Straight Ahead. Il messaggio di Abbey era appassionato, espressivo, con un potere tutto suo. (...) Quella ...
Matt Anderson: Live at Leeds Jazz Festival
by Neil Duggan
To appreciate the synergy and spirit of a band it often pays to hear them play live. The quality of their playing and their abilities to interact are laid bare. Releasing their first live recording, the Matt Anderson Quartet can do so confidently having spent nearly a decade touring and recording together. Live at ...
Roberto Magris: Love Is Passing Thru
by Dan McClenaghan
Italian pianist Roberto Magris started his jazz journey on his home turf, notably with a trio of albums on the Soul Note label: Check-In (2005), Il Bello del Jazz (2006) and Current Views (2009). But his profile rose substantially when he got involved with JMood Records, beginning with Kansas City Outbound (2008). He offered his masterpiece ...
Sunny Five: Candid
by Glenn Astarita
With the ever-evolving tapestry of experimental jazz, striking the perfect balance between familiar echoes and trailblazing sounds can be a delicate act. Intakt's latest release, Sunny Five, not only navigates this tightrope with finesse but also performs a dazzling dance across it. This album serves as a vibrant reminder of the joy and spontaneity that lie ...
Anat Fort Trio: The Berlin Sessions
by Angelo Leonardi
Non credo esista oggi nel jazz un altro piano trio che operi stabilmente da 20 anni. La pianista israeliana Anat Fort l'ha formato nei primi anni duemila col bassista Gary Wang e il batterista Roland Schneider, registrando notevoli album per l'ECM (uno ampliato al nostro Gianluigi Trovesi) e la Sunnyside. Come altri dischi ...
Roberto Ottaviano & Pinturas: A che punto è la notte
by Neri Pollastri
Pinturas è la formazione casalinga" di Roberto Ottaviano, quella che il sassofonista barese ha in piedi da anni e che condivide con artisti delle sue terre quali il chitarrista Nando Di Modugno, il contrabbassista Giorgio Vendola e il batterista Pippo D'Ambrosio. Una formazione che suona spesso, specie nei festival del meridione, e che di tanto in ...
Julie Sassoon: Inside Colours Live
by Mike Jurkovic
Shedding warm illuminations on all our fragile, secretive, sensuous moments, is the underlying axiom behind British pianist/composer Julie Sassoon 's vulnerable and telling music. A classicist at heart who, whether she is aware of it or not, comes at her music in much the manner as Marilyn Crispell--visceral, personal, labyrinthine, yet ultimately accessible--Sassoon's sense of the ...