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Article: Album Review

Marc Seales: People & Places

Read "People & Places" reviewed by Jack Bowers


When planning an album, one good idea can make a world of difference. If, for example, a trio is in place but a horn is needed to make it a quartet, asking the incomparable Ernie Watts to fill that chair is always a good idea. That is what Jazz Hall of Fame pianist Marc Seales has ...

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Article: Album Review

Mats Gustafsson / Ken Vandermark / Tomeka Reid / Chad Taylor: PIVOT

Read "PIVOT" reviewed by Mark Corroto


Do not judge a friend for buying a lottery ticket when the jackpot climbs to some astronomical sum. The odds of hitting the winning combination may be just as astronomical, but the dollar spent buys something more valuable than probability: a few hours of dreaming, imagining another life. Speaking of combinations, the newly formed quartet Pivot ...

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Article: Album Review

Benjie Porecki: All That Matters

Read "All That Matters" reviewed by Richard J Salvucci


From the cover graphics to its musical content, this is a funky, soulful, bluesy, and yet oddly reassuring recording. Benjie Porecki has at least a half a dozen other titles to his name, and has played with Carlos Santana, Chaka Khan, Nnenna Freelon Stevie Wonder and Tom Scott. Porecki is primarily a pianist, but ...

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Article: Album Review

Jacob Chung: Live At Frankie's Jazz Club

Read "Live At Frankie's Jazz Club" reviewed by Jack Bowers


Boss tenor Jacob Chung is back, performing Live at Frankie's Jazz Club in Vancouver, British Columbia. It is the reed master's second recording for Cory Weeds' Cellar Music Group (following 2024's The Sage), this time leading a quartet rather than a quintet as he did on that earlier album. Chung, who moved from ...

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Article: Album Review

Hyperlynx: Rest Energy

Read "Rest Energy" reviewed by Neil Duggan


Hyperlynx operates at the fringes of contemporary jazz, where preparation meets improvisation. This Swiss-Irish trio has assembled an eclectic instrumental arsenal: Rhodes piano, prepared zither, electric guitar, synthesizers and drums. This allows them to sculpt soundscapes both alien and familiar. On their album Rest Energy, these elements coalesce into something firmly rooted in the avant-garde, where ...

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Article: Album Review

Phillip Greenlief: Citta Di Vitti

Read "Citta Di Vitti" reviewed by Max Kutner


An exponent of the Bay Area music community, saxophonist Philip Greenlief has few equals in terms of his prolific output and diverse list of collaborative projects since the late 1970s. His Citta di Vitti is a tribute to the films of Michelangelo Antonioni and the director's main actor and muse, Monica Vitti. Taken as a whole, ...

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Article: Album Review

William Hill III: Keep it Movin'

Read "Keep it Movin'" reviewed by Paul Rauch


The story surrounding the young Detroit pianist William Hill III reads like many in today's jazz world--raised in the fertile ground of a dynamic local jazz scene and then on to New York to pursue the music. This is the case even when that local scene is one of the most prolific in the history of ...

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Article: Album Review

Anouar Brahem: After the Last Sky

Read "After the Last Sky" reviewed by Scott Gudell


Although ECM Records has released straight-ahead jazz, free form and more, many of their recordings sweep over listeners with mysterious, ethereal and hypnotic sounds creating alluring siren calls. When those sessions are taking place with an ECM release on the horizon, it is easy to imagine the artists are thinking about 'where's the mystery?'--which is what ...

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Article: Album Review

George Coleman: With Strings

Read "With Strings" reviewed by Jack Bowers


Sooner or later (usually later), a jazz saxophonist (or other instrumentalist) will entertain a desire to leave his or her normal comfort zone and record an album with “class." In other words, cue the string section and get ready to score some ballads. Tenor virtuoso George Coleman, who likely needs no introduction to even the more ...

Article: Album Review

Bruno Marini: Untouchable Standards

Read "Untouchable Standards" reviewed by Neri Pollastri


Un trio pianoless --ma con un percorso di avvicinamento, perché in avvio il leader è giustappunto al pianoforte--per un disco “alla vecchia," ma tutto incentrato su brani (relativamente) recenti, provenienti dal cinema e che proprio “standard" non sarebbero: questo in estrema sintesi Untouchable Standards, ultimo lavoro di Bruno Marini, qui impegnato esclusivamente al sax baritono.


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