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Talkin' Blues with Jimmy Herring

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AAJ: Final thing, it seems like Jimmy Smith shared that blues vs. complexity dilemma with you. He seemed to really master the difficulty of playing some pretty abstract lines with great speed in a blues framework in a way that even appealed to rock fans.

JH: He reached everybody! I guess I was about 21 when I got into him. John Sutton, the drummer I was playing with then could really swing, and he was able to play real jazz, which I wasn't because I'm coming from all this rock stuff. So my friend got a call from this artist in residence at the Technical Institute in Fayetteville, North Carolina. His name was Clarence Palmer, and he was brilliant; he used to play with George Benson.

So John got this gig with him because they would do duo stuff, he was playing the bass himself without a bassist, and my God, they sounded like a whole band playing. So after getting to know him and hanging out with him and his family I got exposed to Jimmy Smith. So when I heard Jimmy Smith, I thought, "Oh my God, this is it!" I love him, he's the quintessential guy when it comes to playing Hammond.


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