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Bill Evans
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Who Was Bill Evans?
Bill Evans, one of the most influential and tragic figures of the post-bop jazz piano, was known for his highly nuanced touch, the clarity of the feeling content of his music and his reform of the chord voicing system pianists used. He recorded over fifty albums as leader and received five Grammy awards. He spawned a school of "Bill Evans style" or "Evans inspired" pianists, who include some of the best known artists of our day, including Michel Petrucciani, Andy Laverne, Richard Beirach, Enrico Pieranunzi and Warren Bernhardt. His inescapable influence on the very sound of jazz piano has touched virtually everybody of prominence in the field after him (as well as most of his contemporaries), and he remains a monumental model for jazz piano students everywhere, even inspiring a newsletter devoted solely to his music and influence.
Tales: Live in Copenhagen (1964)
By Bill Evans
Label: Elemental Music
Released: 2024
Track listing: Waltz for Debby; My Foolish Heart; How My Heart Sings; Sweet and Lovely; I Didn't Know What Time
it Was; Five; My Foolish Heart #2; How My Heart Sings #2; Sweet and Lovely; Five#2 'Round
Midnight.
The Legendary Trio At Birdland 1960 Revisited
By Bill Evans
Label: Ezz-thetics
Released: 2024
Track listing: Our Delight; Autumn Leaves; Beautiful Love; Autumn Leaves; Come Rain Or Come Shine; Come Rain Or Come
Shine; Nardis; Blue In Green; Autumn Leaves; All Of You; Come Rain Or Come Shine; Speak Low.
A Conversation with Brad Mehldau
by AAJ Staff
This article was first published at All About Jazz in 2002. All About Jazz: Do you recall your first jazz record? Brad Mehldau: I think the first real jazz record I listened to was an Oscar Peterson and Joe Pass duo album, one of those Pablo things. A friend of my father's ...
Meet Drummer Danny Gottlieb
by Mike Brannon
This article was first published at All About Jazz in January 2001. If you don't know drummer Danny Gottlieb or you know him from only the earliest incarnations of the Pat Metheny Group, there's a lot you don't know about this talented, multi-faceted musician. Not complacent to rest on past laurels of any kind, ...
Dave Solazzo: Locrian Skye
by Dan McClenaghan
Pianist Dave Solazzo and The Bridge--a trio that includes drummer Bill D'Augustino and bassist Matthew Vacanti--may be better known in the jazz world as accomplished sidemen, but they came together in 2023 to record Locrian Skye, with the pianist serving as the leader. In some ways, the music recalls the standard jazz piano trio mode--the music ...
Federica Michisanti, un preciso disegno musicale
by Neri Pollastri
Federica Michisanti, un preciso disegno musicale Contrabbassista, bassista elettrica, compositrice e band leader romana sulla cresta dell'onda da una decina d'anni, Federica Michisanti è autrice del recente album Afternoons, registrato in quartetto con musicisti del calibro di Louis Sclavis, Vincent Courtois e Michele Rabbia, che le è giustamente valso un'impressionante cascata di premi nell'ultimo ...
Lauren White: Making It Up As We Go Along
by Nicholas F. Mondello
With this, her fifth album, Los Angeles-based Renaissance lady, Lauren White offers eleven intriguing selections across a range of styles and sources, backed up by some of the city's best. While shrewdly avoiding the tried, true and over-recorded, White uses her subtle skills with taste and maturity. Interestingly, the album plays sequentially as if it were ...
Pianist Michael Wolff Guests with Bassist Leon Lee Dorsey and Drummer Mike Clark on Evocative Tribute Album, 'Letter to Bill Evans'
For their seventh outing together as a close-knit, collaborative rhythm tandem, bassist Leon Lee Dorsey and drummer Mike Clark tapped pianist Michael Wolff as third man in their ongoing trio adventures. Wolff, who had previously appeared with Dorsey and Clark on 2020’s Play Sgt. Pepper, was indeed the perfect choice to complete the triumvirate on this ...
Bill Evans: Waltz for Debby
Bill Evans performed his composition Waltz for Debby at dozens of clubs and concert halls and recorded it several times in the studio between 1955 and 1980. In my opinion, he aced it only once. Waltz for Debby sounds deceptively easy to play but it isn't. Having played Bill Evans transcriptions in my teens, I can ...