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Satoko Fujii Ma-Do: Desert Ship

by Troy Collins
On her 50th album as a leader/co-leader, prolific Japanese pianist Satoko Fujii reconvenes her newest acoustic quartet, Ma-Do, for its sophomore effort, Desert Ship. Following in the footsteps of 2008's brilliant Heat Wave (Not Two), this vivacious studio set continues to explore the darker regions of Fujii's oeuvre. More heavily notated than some of ...
Ran Blake & Anthony Braxton: A Memory Of Vienna

by Troy Collins
On November 19, 1988, a few days before the Cool Noir music festival in Vienna, composer Franz Koglmann finished recording Orte Der Geometrie (Hatart) with his Pipetet a couple hours earlier than expected. A number of high profile artists and musicians were in attendance for the festival, so efforts were made to utilize the remaining pre-paid ...
Greg Burk: Many Worlds

by Troy Collins
A startlingly original improviser, rising pianist Greg Burk straddles a confluence of traditions, seamlessly balancing the spontaneity of free jazz with the discipline of mainstream conventions. A former Either/Orchestra member and student of Paul Bley, Yusef Lateef, George Russell and Archie Shepp, Burk possesses an uncanny gift for melody that surpasses many of his peers. On ...
Dave Rempis / Frank Rosaly: Cyrillic

by Troy Collins
Since 2004, the duo of saxophonist Dave Rempis and drummer Frank Rosaly has committed to exploring the textural, tonal and rhythmic possibilities of spontaneous improvisation, drawing upon a rich legacy of similar pairings for its studio debut, Cyrillic. Chicago scene regulars whose congenial rapport has been honed in The Rempis Percussion Quartet and The Ingebrigt Haker ...
Troy Collins' Best of 2009

by Troy Collins
The titles listed below are among the most exceptional albums I've heard in a year filled with great music. Considering the quantity of recordings released in a years time, attempting to mention every high-quality session received would result in a list of ponderous proportions. As such, I have narrowed this list down to the records I ...
Anthony Braxton: Creative Orchestra (Koln) 1978

by Troy Collins
The 1970s were an exceedingly fertile time period for composer Anthony Braxton, whose considerable output was primarily documented by Arista Records, including his Creative Orchestra Music, which encapsulated the entire history of jazz--from Scott Joplin to Albert Ayler. One of these albums, the seminal Creative Orchestra Music 1976, was recently reissued as part of Mosaic Records' ...
Empty Cage Quartet: Gravity

by Troy Collins
Widely admired for its intricate mathematical construction, the Mayan calendar is far more than just a lightning rod for misguided prophets predicting the end of the world; it is also the source of inspiration for Gravity, the fourth studio recording from the young West Coast-based Empty Cage Quartet. The album consists of two extended compositions, which ...
Tony Malaby's Apparitions: Voladores

by Troy Collins
New York-based tenor saxophonist Tony Malaby's seventh album as a leader, Voladores, is named after the visually stunning Mexican dance troupes he saw while growing up in Tucson, Arizona. Inspired by their celebratory rhythmic fervor, he employs a dynamic dual drummer-based quartet on this date, revisiting the heavily percussive line-up of his 2003 sophomore release, Apparitions ...
Aram Shelton's Fast Citizens: Two Cities

by Troy Collins
One of the defining characteristics of Chicago's progressive jazz scene is the ubiquity of a tight-knit group of young, post-Vandermark improvisers who alternate sideman and leadership duties in a variety of ensembles. Whether led by individual artists or operating as loose collectives, they approach the tradition from similar angles, seamlessly incorporating aspects of swinging post-bop, edgy ...
Ahleuchatistas: Of The Body Prone

by Troy Collins
Of The Body Prone is the fifth album from the six year-old Asheville, North Carolina-based power trio Ahleuchatistas. Guitarist Shane Perlowin, bassist Derek Poteat, and new drummer Ryan Oslance fuel progressive rock structures, free improvisation and avant-garde experimentation with a brash punk rock attitude on their most expansive record to date. Invoking the lysergic ...