A complete summary of trombonist Ed Neumeister's musical career would date back to his pre-school years. Initially a regular fixture on the San Francisco circuit, he later immersed himself in the New York jazz scene dividing almost thirty-five years between the Duke Ellington
Orchestra and the Mel Lewis
Big Band. His additional experiences with classical orchestras and ensembles helped solidify his skills as a conductor and composer. On Suite Ellington
, Neumeister and his sextet take on some familiar and less covered Ellington compositions, leaving their distinctive mark on each piece.
Reed player Billy Drewes
has recorded and toured with many well-known artists like Herbie Hancock
, Bill Frisell
, Randy Brecker
and John Abercrombie
. Trumpeter Jim Rotondi
has most notably worked in the big bands of Ray Charles
, Lionel Hampton
and Toshiko Akiyoshi
. He is a founding member of the sextet One For All, which features saxophonist Eric Alexander
. The late pianist Fritz Pauer
play with Art Farmer
, Dexter Gordon
and others, while bassist Peter Herbert
spread it around with pop luminaries like Paul Simon
and the third-stream composer Franz Koglmann
. The best known member of the group is drummer Jeff Ballard
whose associations with Pat Metheny
and especially Brad Mehldau
make him the contemporary jazz household name in this sextet.
While Billy Strayhorn
is a key element in Suite Ellington
, the set opens with the exception, the classic "Caravan" composed by Juan Tizol and Ellington. Typical of most tracks here, Neumeister unwraps the piece with some degree of reverence to the original. But his ability to literally and figuratively make the trombone speak in a humanoid voice, is a big part of the interpretation of these compositions. The Queens Suite
, written for the UK monarch, is a lesser known work but a great example of Ellington/Strayhorn's rhythmic flexibility. The Far East Suite
is represented with "DEPK.' The suite, motivated by a 1963 tour of the Middle East was, like The Queens Suite
, rarely performed by Ellington. Neumeister and company take this piece first on face value and then reinvent the arrangements.
Neumeister and Pauer lead the way in the creative license taken with these legacy compositions. In most cases, they are surprising bold in their scope and tractability. Along with Drewes and Rotondi, the players infuse their unique creative spirit while maintaining the solid foundation that these Ellington/Strayhorn pieces deserve. Aside from Neumeister's own artistic accomplishment on Suite Ellington
, we are reminded that Strayhorn was Ellington's equal in every way short of notoriety and a public face.
Caravan; Come Sunday; The Queens Suite: (Sunset and the Mocking Bird; Lightning Bugs & Frogs; Le Sucrier Velours; The Single Pedal of a Rose; Northern Lights; Apes and Peacocks); DEPK.
Ed Neumeister: trombone; Billy Drewes: clarinet and alto sax; Jim Rotondi: trumpet and flugelhorn; Fritz Pauer: piano; Peter Herbert: bass; Jeff Ballard: drums.