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Billy Strayhorn
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If you are familiar with the jazz composition, "Take the A Train," then you know something about not only Duke Ellington, but also Billy "Sweet Pea" Strayhorn, its composer. Strayhorn joined Ellington's band in 1939, at the age of twenty-two. Ellington liked what he saw in Billy and took this shy, talented pianist under his wings. Neither one was sure what Strayhorn's function in the band would be, but their musical talents had attracted each other. By the end of the year Strayhorn had become essential to the Duke Ellington Band; arranging, composing, sitting-in at the piano
Heirloom: Familiar Beginnings
by Kyle Simpler
New music often serves a dual purpose. While it usually introduces fresh sounds, the music's structure generally contains a degree of familiarity, combining recognition with discovery. This idea of exploring new musical territory without abandoning its roots seems to be the guiding concept for the Milwaukee-based quartet Heirloom. With their debut album, Familiar Beginnings, they introduce ...
Lost and Found, part 3: Rare recordings of Ellington, Ben Webster, Art Tatum and Gil Evans
by Larry Slater
There are so many Duke Ellington recordings available. How much undiscovered music of the band can there be? In this hour, you'll hear rarely heard gems from the Ellington discography. Music that's so rare, I doubt even die-hard Ellington aficionados have heard some of these tracks. The Duke Ellington Orchestra with Django Reinhardt at ...
Roberto Magris: Lovely Day (s)
by Dan McClenaghan
Italian pianist Roberto Magris began his journey to the United States--specifically, Kansas City--in 2007, although his recording career began in 1990, in Europe. He expresses himself, for the most part, in the bebop mode--good old-fashioned bop. His inspirations: Lee Morgan, Elmo Hope, Cannonball Adderley and more. Magris found a home at Kansas City's JMood ...
Dave Burrell / Sam Woodyard: The Lost Session, Paris 1979
by John Sharpe
A lot of hoohah gets thrown around about legendary lost dates, but few live up to the billing. But The Lost Session by pianist Dave Burrell and drummer Sam Woodyard assuredly does. During the summer of 1979, Burrell had a three-month stand at the Campagne Premiere Club in Paris, which allowed him to fully explore and ...
Roberto Magris: Lovely Day (s)
by Edward Blanco
Veteran Italian jazz pianist Roberto Magris has enjoyed a four-decade career with the accumulation of over thirty albums as leader, in addition to appearing as a sideman on another 10 recordings. Yet, this highly versatile, creative and talented musician has never recorded a solo performance project until now. With Lovely Day(s), Magris finally keeps his promise ...
Sinne Eeg & Jacob Christoffersen: Shikiori 想帰庵
by Dan Bilawsky
Vocalist Sinne Eeg and pianist Jacob Christoffersen have been collaborating for two decades. Surprisingly, though, this is their first duo album. And it's a beaut--truly well worth the wait. The musicianship from each is first-rate, their chemistry is palpable, the material--a balanced mix of originals and familiar fare--is both highly sophisticated and completely accessible, and the ...
Reddish Fetish: Llegue
by Jack Bowers
Once the opening number is discounted as an anomaly, Llegue (pronounced yeh-geh) is a generally pleasing debut recording by the New Jersey-based Reddish Fetish octet, led by drummer Jason Reddish and featuring the Jersey City All-Stars. Reddish Fetish is the fresh incarnation of a group established in the late 1960s by the leader's father, saxophonist Bill ...
Sly Stone, Tessa Souter, Cedar Walton
by David Brown
This week we remember progressive soul and funk pioneer Sly Stone of Sly and the Family Stone with two interpretations of his classic tunes: “Family Affair" from Bobby Hutcherson and “If You Want Me to Stay" from David Murray. Songs featuring some wonderful “oohs" and “aahs" in the background will be follow from Nina Simone and ...
Dave Burrell / Sam Woodyard: The Lost Session, Paris 1979
by Mark Corroto
Listeners would be hard-pressed to name another artist besides Dave Burrell who commands such mastery across jazz's entire timeline, from its ragtime origins to its most adventurous avant-garde territories. The pianist, born in 1940, brings equal authenticity to Jelly Roll Morton's classic compositions and completely free improvisation. His discography spans the works of Thelonious Monk, Billy ...
