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Bill Frisell

Born in Baltimore, Bill Frisell played clarinet throughout his childhood in Denver, Colorado. His interest in guitar began with his exposure to pop music on the radio. Soon, the Chicago Blues became a passion through the work of Otis Rush, B.B. King, Paul Butterfield and Buddy Guy. In high school, he played in bands covering pop and soul classics, James Brown and other dance material. Later, Bill studied music at the University of Northern Colorado before attending Berklee College of Music in Boston where he studied with John Damian, Herb Pomeroy and Michael Gibbs. In 1978, Frisell moved for a year to Belgium where he concentrated on writing music

Americana

Label: ACT Music
Released: 2020
Track listing: Brothers in Arms; Small Town; Rain, Rain; San Luis Obispo; Back Home; Wichita Lineman; The Sail; Re: Stacks; Still.

Valentine

Label: Blue Note Records
Released: 2020
Track listing: Baba Drame; Hour Glass; Valentine; Levees; Winter Always Turns To Spring; Keep Your Eyes Open; A Flower Is A Lovesome Thing; Electricity; Wagon Wheels; Aunt Mary; What The World Needs Now Is Love; Where Do We Go; We Shall Overcome.

ARTICLE: INTERVIEW

Rudy Royston: Little Steps, Big Pictures

Read "Rudy Royston: Little Steps, Big Pictures" reviewed by Ian Patterson

Everybody needs a helping hand now and then. Rudy Royston understands that. The Covid-19 pandemic has caused gigs to completely dry up for all musicians, and with that, their main income stream. Yet there are still mortgages, rents and bills to pay, and children to feed. It says something about the precarious finances of a jazz ...

ARTICLE: ALBUM REVIEW

Rudy Royston: PaNOptic

Read "PaNOptic" reviewed by Ian Patterson

Record label bosses probably do not hear the words “solo drum album" too often. Or if they do, judging by the paucity of such exemplars on the market, they likely only have to hear the phrase the once. After three impressive albums on Dave Douglas' Greenleaf Music label, to wit, 303 (2014), Rise of Orion (2016) ...

ARTICLE: ALBUM REVIEW

Bill Frisell: Valentine

Read "Valentine" reviewed by Ian Patterson

In an extraordinarily varied career Bill Frisell has made just a handful of trio recordings as leader, which is perhaps surprising given how frequently he performs in such a setting. In recent years the Baltimore-born, Denver-raised guitarist has toured two of his most empathetic trios, that with Kenny Wollesen and Tony Scherr and, latterly, with Rudy ...

ARTICLE: RADIO

Ennio Morricone + Betty LaVette, Gordon Grdina, Billy Martin & New Releases

Read "Ennio Morricone + Betty LaVette, Gordon Grdina, Billy Martin & New Releases" reviewed by Ludovico Granvassu

This week we pay tribute to the late Ennio Morricone the way we often do, through renditions of his memorable soundtracks performed by contemporary creative jazz artists like John Zorn, Bill Frisell, Marco Cappelli, Guano Padano, and Oddjob. We then check out some great new releases that cross borders, stylistic definitions and generations. Happy ...

ARTICLE: ALBUM REVIEW

Rudy Royston: PaNOptic

Read "PaNOptic" reviewed by Karl Ackermann

Like many jazz musicians in 2020, drummer/composer Rudy Royston has felt the direct effects of living in the coronavirus world. The Texas native, now a New Jersey resident, found his streams of income drying up without gigs, but then experienced a fortunate twist of fate that stood him up. Head above water, the artist pays it ...

ARTICLE: INTERVIEW

Jerry Granelli: Updating Music of Past Heroes

Read "Jerry Granelli: Updating Music of Past Heroes" reviewed by R.J. DeLuke

"I've earned the privilege of not playing anything I don't want to play," says drummer Jerry Granelli, whose past is replete with the names of many greats in jazz for whom he supplied rhythmic support—sometimes force—over several decades. “That used to be a fear," he adds, “You figured if you turned something down, the ...

ARTICLE: RADIO

Highlights of Jazz in the Late 2000s (2004 - 2010)

Read "Highlights of Jazz in the Late 2000s (2004 - 2010)" reviewed by Russell Perry

This is the 98th of 100 programs in the Jazz at 100 series. The programs have chronologically followed the history of recorded jazz and, as we approach the present, the question of historical perspective becomes relevant. Just how well can we predict what will endure? What will have lasting importance? We are in the ...


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