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Musician

Bill Frisell

Born:

Born in Baltimore, Bill Frisell played clarinet throughout his childhood in Denver, Colorado. His interest in guitar began with his exposure to pop music on the radio. Soon, the Chicago Blues became a passion through the work of Otis Rush, B.B. King, Paul Butterfield and Buddy Guy. In high school, he played in bands covering pop and soul classics, James Brown and other dance material. Later, Bill studied music at the University of Northern Colorado before attending Berklee College of Music in Boston where he studied with John Damian, Herb Pomeroy and Michael Gibbs. In 1978, Frisell moved for a year to Belgium where he concentrated on writing music

Article: Album Review

Margherita Fava: Tatatu

Read "Tatatu" reviewed by Neri Pollastri


Ventottenne veneta di formazione classica, la pianista Margherita Fava è stata fulminata dal jazz nel 2013, quasi per caso, e da allora ha coltivato la sua formazione in quella direzione, trasferendosi negli U.S.A. prima con una borsa di studio, poi stabilmente, insegnando. Ed è negli Stati Uniti, nell'Ohio, che ha registrato questo suo primo disco, prodotto ...

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Article: Play This!

Lyle Mays: Ascent

Read "Lyle Mays: Ascent" reviewed by Scott Lichtman


In 1986, master keyboardist Lyle Mays--known for his role in the Pat Metheny Group--issued his first solo album, Lyle Mays. It's full of compositions and improvisations that merit close listening, but the most astonishing piece may be “Ascent." The song's extended guitar solo, from Bill Frisell, redefines the sonic territory that an electric guitar can claim. ...

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Article: Album Review

Wes Montgomery: Maximum Swing: The Unissued 1965 Half Note Recordings

Read "Maximum Swing: The Unissued 1965 Half Note Recordings" reviewed by Mario Calvitti


La Resonance Records, etichetta californiana legata a un'organizzazione non-profit dedita a preservare l'arte e l'eredità della musica jazz, prosegue instancabile la sua attività di archeologia musicale pubblicando questo doppio CD di Wes Montgomery col trio del pianista Wynton Kelly al famoso club di New York Half Note nel 1965, all'incirca nello stesso periodo delle esibizioni raccolte ...

Article: Album Review

Todd Sickafoose: Bear Proof

Read "Bear Proof" reviewed by Vic Albani


Era dai fasti di Tiny Resistors (uscito nel 2008 per la Cryptogramophone dell'amico Jeff Gauthier e che invitiamo a riascoltare per la bellezza che lo ammanta) che il signor Todd Sickafoose non regalava al mondo un nuovo lavoro. Inneggiato da più voci quale coerente ed intelligentissimo musicista nonché compositore e produttore Sickafoose è stato ...

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Article: Opinion

When is a Jazz Festival (Not) a Jazz Festival?

Read "When is a Jazz Festival (Not) a Jazz Festival?" reviewed by John Kelman


This article was first published at All About Jazz on May 20, 2011. It's becoming almost pandemic for jazz festivals around the world to be challenged for deciding to broaden their programming into areas either peripherally related to jazz... or, in some cases, away from jazz entirely. Festivals like the near-iconic Montreux Jazz Festival, ...

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Article: Album Review

John Surman: Words Unspoken

Read "Words Unspoken" reviewed by Mike Jurkovic


Hypnotic and many of its antonyms--stimulating, arousing, reviving--are old school hyperbole which very often separates the hack from the veteran of critical science. But sometimes those everyday words are exactly what need to be said to tell of music unlike everyday and most others. Words Unspoken is just that. Blowing free and unhindered since ...

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Article: Radio & Podcasts

Jeff Parker, Pascal Le Boeuf, and Franz Koglmann

Read "Jeff Parker, Pascal Le Boeuf, and Franz Koglmann" reviewed by Jerome Wilson


This show features newer music from musicians such as Pascal Le Boeuf, Billy Mohler, and Gabriel Espinosa and older music from the likes of Jeff Parker, Andrew Hill and Franz Koglmann. Playlist The Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & ...

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Article: Album Review

Elan Mehler: Trouble In Mind

Read "Trouble In Mind" reviewed by John Chacona


There's a scene in Michael Cimino's 1978 film The Deer Hunter where five friends celebrate a successful hunt at the bar owned by their older companion. The mood is celebratory, but as John (George Dzundza), the bar's owner, sits down at the piano to play Chopin's G-Minor Nocturne, the room grows quiet. Three of the younger ...

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Article: Radio & Podcasts

Favourite Releases of 2023

Read "Favourite Releases of 2023" reviewed by Maurice Hogue


For a show that doesn't turn to tradition very often, there is one on One Man's Jazz: the first show of a new year features the host's favourite releases of the outgoing year. 2023 was an excellent year for new albums--post-pandemic inspiration perhaps? Regardless, big props are due to the artists who create this music and ...


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