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Art Farmer
Born:
Born on Aug. 21, 1928, in Iowa, Farmer was raised in Phoenix, Arizona along with his twin brother Addison. They moved to Los Angeles in 1945 and during the late '40s,
Farmer worked with the West Coast based bands of Jay McShann, Johnny Otis, Roy Porter and Benny Carter. He also worked with Wardell Gray and in 1952-'53 he went to Europe on the same Lionel Hampton tour as Clifford Brown, Gigi Gryce and Quincy Jones. Upon his return he decided to settle in New York City and shortly thereafter, he worked with Gryce (1954-'56), Horace Silver (1956-'58) and Gerry Mulligan (1958-'59).
A Farewell to Madrid's Café Central
by Artur Moral
It happened to Chicago with The London House and The Velvet Lounge; it happened to San Francisco with the Black Hawk Club and the Keystone Corner; and, of course, it happened to New York City with Cafe Society, Sweet Basil, Village Gate and Jazz Standard. It has also happened in many other places and cities around ...
Exploration (Don Friedman Quartet), Classic Jazz from Miles Davis, Dinah Washington, Freddie Hubbard, Recent Jazz from Tina May, Dave Douglas, Michael Mayo, Birthday Music from Ike Quebec, Malachi Thompson, Vital Information, and more
by David W. Daniels
The program will feature classic jazz, current jazz that is in the tradition of classic jazz, jazz fusion, and music by local artists covering all forms of jazz. We do this in three segments, each an hour long: 1: Classic jazz; 2: Recent jazz that is in the tradition; and 3: Jazz musicians who had birthdays ...
Cécile McLorin Salvant's Ogresse At Carnegie Hall
by Adam Beaudoin
Cécile McLorin Salvant Carnegie Hall Ogresse New York, NY May 21, 2025 The relationship between jazz and classical music has a long, complicated history. Musicians themselves tend to care more about the music than concepts of genre, and you only need to listen to the echoes of French Impressionism ...
Louis Stewart: I Thought About You
by Ian Patterson
For jazz guitar fans, and for aficionados of Irish guitarist Louis Stewart in particular, the 2022 relaunch of '70s label Livia Records has been manna from heaven. This is the born-again label's fifth reissue of the great Dublin six-stringer's out-of-print recordings since the series launched with Stewart's other 1977 album Out on His Own (Livia Records, ...
Chad McCullough: Transverse
by Dan McClenaghan
Chance encounters can be fortuitous and fruitful. Trumpeter Chad McCullough, on a visit to Macedonia to convene with family, found his way into a small cafe in Skopje, the capital of Independent North Macedonia, where he encountered a local trio: pianist Gordon Spasovski, bassist Kiril Tufekcievski and drummer Viktor Filipovski. McCullough had his horn with him. ...
Kevin Goss: Gratitude
by Kevin Goss
As I approached the “big five-oh," I started doing some thinking about how much I have to be grateful for: a supportive family, meaningful friendships, and music. I wasn't supposed to make it to the “big oh-five," but I beat the odds and, in the years since, it is my family, friends, and music that have ...
Jeff Rupert, 3 Cohens, and Last Exit
by Jerome Wilson
This show features a wide variety of jazz musicians, such as Jeff Rupert, Bobby Kapp, 3 Cohens, Donald Byrd, and Last Exit. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic} 00:00 Mathis Picard “The Creation of the World" ...
Prescribing Jazz: A Top Ten
by Artur Moral
National Doctors' Day is celebrated unevenly across our mistreated planet. It is absent in most countries, while it is observed as a holiday in a few. Coinciding (in the United States and Australia) with this day of recognition for a vital profession, this article is especially directed to the entire jazz-loving medical community, focusing on six ...
James Williams: I Fall In Love Too Easily
by Artur Moral
Several factors hinder the enduring legacy of a figure like James Williams: a limited discography as a leader, curtailed by his deep commitment to teaching and early death, the frustrating unavailability of much of his published work in both physical and digital formats, lacking even a partial retrospective compilation, and, not a minor issue, a name ...
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