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Wadada Leo Smith / Amina Claudine Myers: Central Park’s Mosaics of Reservoir, Lake, Paths and Gardens
by Karl Ackermann
Since the beginning of the 2000s, Wadada Leo Smith has produced a number of small masterpieces in the form of themed box sets. The prolific composer/trumpeter has aged into a creative period analogous to few of his contemporaries. His monumental Ten Freedom Summers (TUM, 2013)--a finalist for the Pulitzer Prize--America's National Parks (Cuneiform Records, 2016), and ...
Pearring Sound: My Multiverse
by Karl Ackermann
Jeff Pearring has a diverse cross-genre musical background, influencing his development in understated but effective ways. The alto saxophonist/composer, a Colorado native, is based in Brooklyn and had been mentored by the late jazz improviser and pianist Connie Crothers, sharing her tenaciously unconventional approach. Pearring led a group that included Crothers, on her final studio recording, ...
Nils Økland Band: Gjenskinn
by Karl Ackermann
Norwegian Nils Økland is known for his versatility in exploring various musical styles and string instruments. He is renowned for his virtuosity on the Hardanger fiddle, a Norwegian violin with eight or nine strings. His style often incorporates elements of Nordic traditional music, classical, jazz, and world music, creating a unique blend of original and unusual ...
Mal Waldron / Steve Lacy: The Mighty Warriors
by Karl Ackermann
Mal Waldron and Steve Lacy first played together in 1958 at the Bowery neighborhood's Five Spot. Their association was long, if not necessarily prolific on record. Though their personal styles contrasted, they frequently existed in a parallel universe. Both expatriates lived in Paris, were predisposed to the avant-garde, and shared a deep appreciation for Thelonious Monk's ...
Jonah Parzen-Johnson: You're Never Really Alone
by Karl Ackermann
You're Never Really Alone is the seventh solo album from baritone saxophonist Jonah Parzen-Johnson. “Solo" is misleading as Parzen-Johnson's nuanced use of electronics has consistently added the kind of multiple dimensions that belie the work of a single player. This album, in contrast, is wholly acoustic but showcases Parzen-Johnson's remarkable ability to create enigmatic, deeply moving ...
Miles Davis / John Coltrane: Live at the Washateria
by Karl Ackermann
Urban legend has it that in 1957 Miles Davis charged up to a frightened woman at the Washateria Laundromat on the corner of Lexington Avenue and 25th Street. He bellowed, “How long does this (expletive) dryer take to dry a pair of socks?" Before the terrified patron could answer, Davis spied John Coltrane in row two, ...
Matthew Shipp Trio: New Concepts in Piano Trio Jazz
by Karl Ackermann
Matthew Shipp with bassist Michael Bisio and drummer Newman Taylor Baker, issue their fifth album as the most enduring of Shipp's various trios. New Concepts in Piano Trio Jazz is another vehicle for the pianist/composer in which to express his singular, intricate vision. The perpetual sea-change artist believes that this album is a substantial leap ahead ...
Giuseppe Doronzo, Andy Moor, Frank Rosaly: Futuro Ancestrale
by Karl Ackermann
Within the diversity of Amsterdam's global, multi-cultural environment, Italian saxophonist & composer Giuseppe Doronzo called on the talents of UK guitarist Andy Moor and US drummer Frank Rosaly. The trio project, Futuro Ancestrale, is a collection of avant-garde improvisations marked by folkloric influences and experimentation. Three of the five compositions rose out of a request from ...
Adam Berenson: Dwelling on Magic Mountain
by Karl Ackermann
Pianist and keyboardist Adam Berenson excels in various music genres including jazz, classical and electronica. His solo box-set Every Beginning is a Sequel (Dream Play, 2020) found the exploratory composer employing an arsenal of keyboards and high-end synthesizers in his original compositions. Berenson returns to that general cache of instruments for Dwelling on Magic Mountain, another ...
Alma Tree: Sonic Alchemy Suprema
by Karl Ackermann
New York native Ra Kalam Bob Moses grew up in the same building as Max Roach, Art Blakey and Elvin Jones. Early on he saw performances by many of the best jazz drummers in history, including Roy Haynes, Rashied Ali, Milford Graves, Billy Higgins, and Ed Blackwell. As a teenager in the mid-1960s, he played with ...
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