1,108

Sonny Simmons

By

Sign in to view read count
I was mostly influenced by nature rather than musicians, except for Charlie Parker, because he sounded just like a bird.
Alto saxophonist Sonny Simmons was born on Sicily Island, Louisiana. At a young age, he moved to Oakland, California with his family, bringing the budding musician into contact with touring musicians like Duke Ellington and Charlie Parker as well as local modernists. By the early '60s, Sonny had moved to LA to record and work with altoist Prince Lasha; in 1963 Simmons moved to New York to play and record with Eric Dolphy, Elvin Jones and other major figures in the new jazz. With his then wife, trumpeter Barbara Donald, Sonny recorded as a leader and in 1970 returned to the West Coast. Family and personal problems kept him out of the music in the '70s and '80s, but he was given the chance of a new career in the '90s. He is currently working with Michael Marcus in the Cosmosamatics and the Millennium Group.

All About Jazz: So you were born in Louisiana, right?

Sonny Simmons: Yeah, that's right. Let me tell you the story from the beginning. My parents and all my other relatives lived on this little backwoods island called Sicily Island, Louisiana. Most of them were musicians; I grew up in the church with my papa, and he was a drummer and a vocalist. My mother was a vocalist in the women's choir. I was born August 4, 1933 and when I was a little boy in church with my papa, he bought me an old squeeze-box accordion, and I used to play that in church - it was as old as the hills. It was a squeeze-box so you just had to pull it back and forth like a loony-tune thing. No keys, nothin'. I had to feel the pressure on a certain distance of pulling and pushing. I learned how to play it in church with different religious hymns at that time; I think I was about six. I was born with music, and I had a natural born talent, so to speak. We lived on this island; my parents built a big farm and we were wealthy, but it was really the white man's farm. We had everything on that farm, and at that time everything was organic - no pesticides, so I grew up in a natural, organic environment with everything on the island and we didn't have to go to any stores to buy anything.

AAJ: How big was this island? Was it big enough to encompass several other families?

SS: It was a small island, and most of the other people on that island during that time were my relatives. My grandmother had this big radio, an International console radio, and I used to have her turn it on and I would listen to music, mostly classical and I would hear a little Duke Ellington and a little Count Basie - that was back in 1939 when the war was raging in Europe. I used to hear a lot of beautiful music, but the most beautiful music I heard on the island was from the birds and the singing cranes and all those beautiful creatures on the island. The whole island sounded like a symphony in the spring and the summer - it was so beautiful, and I think about that to this day how beautiful my childhood was. Music was in my soul, and so that was my background.

AAJ: What precipitated the move to California?

SS: Well my papa was a traveling preacher and the director of the choir; he was a great vocalist and could really sing. He knew that living in the South at that time he wanted the family to move to higher ground and a better life, and he was such a great preacher that he went to California in 1944 and the people liked him so much that this rich black woman, a fortune-teller, had a lot of property and fell in love with his talent. She told him that she would sell him a house to get his family to Oakland, California so he wouldn't have to go back to the South. She sold him a big three-story house, and my parents had four boys (I was the first born) at the time and so we all moved to California. He was a noted preacher; he was famous in certain areas of California at that time, he'd be traveling and preaching, come home and take care of his family.

AAJ: How did you go from the squeeze-box to playing reed instruments? What did you start on and how did you get to playing the alto?


Tags

comments powered by Disqus

More Articles

Read Charles Lloyd: The Winds Of Grace Interview Charles Lloyd: The Winds Of Grace
by Ian Patterson
Published: July 14, 2017
Read Randy Weston: Music of The Earth Interview Randy Weston: Music of The Earth
by R.J. DeLuke
Published: June 28, 2017
Read Nicole Johänntgen: Henry And The Free Bird Interview Nicole Johänntgen: Henry And The Free Bird
by Ian Patterson
Published: June 27, 2017
Read Aaron Parks: Rising To The Challenge Interview Aaron Parks: Rising To The Challenge
by R.J. DeLuke
Published: June 21, 2017
Read Generation Next: Four Voices From Seattle Interview Generation Next: Four Voices From Seattle
by Paul Rauch
Published: June 19, 2017
Read "Tony Monaco: Taking Jazz Organ to the Summit" Interview Tony Monaco: Taking Jazz Organ to the Summit
by C. Andrew Hovan
Published: August 31, 2016
Read "Remembering Milt Jackson" Interview Remembering Milt Jackson
by Lazaro Vega
Published: March 27, 2017
Read "Matthew Shipp: Let's Do Lunch!" Interview Matthew Shipp: Let's Do Lunch!
by Yuko Otomo
Published: January 16, 2017
Read "Dave Douglas and the Art of Festival Direction" Interview Dave Douglas and the Art of Festival Direction
by Libero Farnè
Published: March 18, 2017
Read "Tim Bowness: Ghost Lights and Life Sentences" Interview Tim Bowness: Ghost Lights and Life Sentences
by John Kelman
Published: February 19, 2017

Support All About Jazz: MAKE A PURCHASE  

Support our sponsor

Upgrade Today!

Musician? Boost your visibility at All About Jazz and drive traffic to your website with our Premium Profile service.

Donate!