All About Jazz

Home » Articles » CD/LP/Track Review

Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...

3

Barnicle Bill Trio: No Black Tie

Ian Patterson By

Sign in to view read count
Barnicle Bill Trio dates to 2009, when drummer John Engels, bassist Mark Haanstra and alto saxophonist Miguel Martinez moved beyond jam sessions to the recording studio. BBT's eponymous debut (Self Produced, 2010) served up straight ahead, old-school jazz standards, with singer-songwriter Elvis Costello's "Almost Blue" the sole nod to modern times. BBT's second recording features another helping of standards, with two originals suggesting the trio is beginning to forge a more distinctive personality. The set was recorded live at No Black Tie, Kuala Lumpur's top jazz venue for local and visiting musicians.

Haanstra is often found in more progressive settings such as Yuri Honing Wired Paradise, with whom he recorded the intoxicating White Tiger (Jazz in Motion Records, 2010), or the Amsterdam Percussion Group, which has collaborated with drummer Terry Bozzio. Here, the bassist chalks up many a mile of probing walking bass lines, showing that he's equally at home in the swing and blues traditions. Engels keeps it in the pocket and Martinez leads the way with mellifluous flowing lines that belong to an alto lineage stretching from Lester Young, Charlie Parker and Bunky Green to Steve Coleman and Greg Osby.

The trio eases from the relaxed swing of pianist Thelonious Monk's "Brilliant Corners" and the up-tempo, Parker-esque "Three Little Words" to the beautifully plaintive ballad "Little Girl I Miss You"— a highlight of the set; Martinez and Haanstra's emotive playing conveys a yearning that gains in intensity, while Engels' skittering brushes have a restless edge. The legendary Dutch drummer, veteran of sessions with trumpeters Dizzy Gillespie and Chet Baker, saxophonists Stan Getz, Ben Webster and Johnny Griffin, and bassist Hank Jones, is in fine form; his subtle hands blur the line between sticks and brushes, particularly on "Three Little Words, where he drops occasional bass bombs to great effect.

The trio ups the tempo on Monk's "Straight No Chaser" and stretches out on alto saxophonist Jackie McLean's "Dr. Jeckyll." Martinez seems particularly inspired on his former teacher's much covered standard, endlessly weaving sinewy lines as Haanstra's double-time walking bass and Engel's constant ride cymbal spur him on. Haanstra's extended solo, accompanied by rumbling drums and hissing cymbals, steers the music in a more contemplative direction before Martinez opens the throttle once again in breathless conclusion. Martinez is also a fine balladeer and his rendition of "For All we Know" is as soulful and as tender as a moonlit slow dance.

The bluesy swinger "Vancouver Nights" is credited to pianist/bandleader Duke Ellington, but proves illusive to trace and may be a Ronald William Collier composition from a rather forgettable 1967 session Ellington made with Collier's Canadian big band. Martinez's own "Free like a Bird" is an uncomplicated swing affair, though there's an inescapable charm in the undulating alto and bass lines. Martinez's "Cruel Calypso" rounds off a tight trio performance in celebratory Caribbean style.

The BBT could knock this stuff out ad infinitum—doubtless with the panache and soul on display here—yet if the trio is to grow, then a few more originals might be the way forward.

Track Listing: Brilliant Corners; Free Like a Bird; Three Little Words; Little Girl I Miss You; Vancouver Lights; Straight No Chaser; For All We Know; Dr. Jekyll; Sweet and Lovely; Cruel Calypso.

Personnel: Miguel Martinez: alto saxophone; John Engels; drums; Mark Haanstra: bass.

Title: No Black Tie | Year Released: 2013 | Record Label: Self Produced

Tags

comments powered by Disqus

Related Articles

Read Fullmoon CD/LP/Track Review
Fullmoon
by Karl Ackermann
Published: April 24, 2018
Read Arise! CD/LP/Track Review
Arise!
by Chris May
Published: April 24, 2018
Read Plus One CD/LP/Track Review
Plus One
by Jerome Wilson
Published: April 24, 2018
Read Never Bet The Devil Your Head CD/LP/Track Review
Never Bet The Devil Your Head
by Troy Dostert
Published: April 24, 2018
Read Oscar Peterson Plays CD/LP/Track Review
Oscar Peterson Plays
by Dan McClenaghan
Published: April 23, 2018
Read State Of The Baritone Volume 2 CD/LP/Track Review
State Of The Baritone Volume 2
by Mark Corroto
Published: April 23, 2018
Read "Rev" CD/LP/Track Review Rev
by Dan McClenaghan
Published: October 17, 2017
Read "Open Borders" CD/LP/Track Review Open Borders
by Mike Jurkovic
Published: November 16, 2017
Read "Phenobarbital Sessions" CD/LP/Track Review Phenobarbital Sessions
by Hrayr Attarian
Published: February 2, 2018
Read "Free Sessions Vol. 1: Planets Of Kei" CD/LP/Track Review Free Sessions Vol. 1: Planets Of Kei
by Mark Sullivan
Published: October 27, 2017
Read "Rain or Shine" CD/LP/Track Review Rain or Shine
by Jack Bowers
Published: December 15, 2017
Read "Nigerian Spirit" CD/LP/Track Review Nigerian Spirit
by James Nadal
Published: May 29, 2017