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Musician

Stan Getz

Born:

Beginnings... Stan Getz was born at St. Vincent's Hospital in Philadelphia, Pennsylvania on Feb. 2, 1927. He had one brother, Robert, who was born on October 30, 1932. His parents had come from the Kiev area in the Ukraine in 1903, tired and fearful of the Pogroms. The Getz family had first settled in West Philadelphia, but moved to New York City after Stan's fraternal uncle told them there were better jobs in New York. They lived first on the Lower East Side of Manhattan, and then moved up to the East Bronx.

Stan's father had many jobs, but he wasn't aggressive by nature and was thus often unemployed

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Article: Radio & Podcasts

Final Recordings of Jazz Masters of the 1950s and '60s

Read "Final Recordings of Jazz Masters of the 1950s and '60s" reviewed by Larry Slater


The 1950s and early '60s were a high point for jazz. Jazz was popular. You could hear it on TV, on college campuses, and on US State Department tours. It was an era of mind-boggling creativity. Cool jazz, hard bop, bossa nova and free jazz were all born and nurtured during these years. Many jazz musicians ...

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Article: Extended Analysis

At The Deer Head Inn: The Complete Recordings

Read "At The Deer Head Inn: The Complete Recordings" reviewed by Joshua Weiner


Pianist Keith Jarrett is the only artist with his own subheading on the main menu of ECM Records' new US website. That attests to his fruitful association, beginning in 1971 and continuing to the present day, with the independent German label known for its dedication to artistic freedom and beautiful sound. Though a series of strokes ...

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Article: Album Review

George Coleman: George Coleman with Strings

Read "George Coleman with Strings" reviewed by Jack Kenny


The allure of recording with strings has captivated many jazz icons, from Stan Getz and Dizzy Gillespie to, most famously, Charlie Parker. For some, it is a pursuit of a different kind of respectability, an envying nod to the classical world. For George Coleman, a revered NEA Jazz Master, it was a chance to expand his ...

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Article: Album Review

George Coleman: George Coleman with Strings

Read "George Coleman with Strings" reviewed by Dan McClenaghan


Tenor saxophonist George Coleman decided to leave the orbit of trumpeter Miles Davis in 1964. Or he got an elbow to the ribs and a hip check to leave the quintet, to be replaced by Wayne Shorter in the saxophone slot. Three top-notch live albums came out of the group that featured Coleman: In Europe: Live ...

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Article: Interview

Hal Galper: Adventures In The Zone

Read "Hal Galper: Adventures In The Zone" reviewed by Paul Rauch


This article was first published on All About Jazz on October 20, 2020. The career of Hal Galper has earned the pianist acclaim as both a performer and educator. Perhaps most importantly, it has drawn attention to his contributions to the music as a true innovator. While other pianists of his era gained more ...

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Article: Building a Jazz Library

Ornette Coleman's and Horace Silver's "Lonely Woman" — A Disambiguation

Read "Ornette Coleman's and Horace Silver's "Lonely Woman" — A Disambiguation" reviewed by Artur Moral


Reality is filled with confusion and misunderstandings; some are suggestive or creative, while others are disappointing or, worse, malicious. The jazz world is no stranger to the first type: specific compositions are often confused or misidentified as if they were the same. Usually, this happens because of similar melodies or titles that are sometimes identical. This ...

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Article: Album Review

Gonzalo Rubalcaba, Chris Potter, Larry Grenadier & Eric Harland: First Meeting: Live at Dizzy’s Club

Read "First Meeting: Live at Dizzy’s Club" reviewed by Mike Jurkovic


Let us not beat around the bush or obfuscate the obvious: First Meeting: Live at Dizzy's Club is as sweet a listen anyone can wish for or expect as simpatico luminaries--pianist Gonzalo Rubalcaba, saxophonist Chris Potter, bassist Larry Grenadier and drummer Eric Harland--take to Dizzy's stage. And command it, but not with a heavy hand or ...

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Article: Multiple Reviews

Piano Four-té: Keyboard Masters Delight On A Quartet of ECM Luminessence Vinyl Reissues

Read "Piano Four-té: Keyboard Masters Delight On A Quartet of ECM Luminessence Vinyl Reissues" reviewed by Joshua Weiner


Blue Note. Verve. Impulse! Prestige. Just saying the name of such storied jazz record labels immediately conjures up each one's distinct aesthetic, from the music to the cover art. Over the past half century, the German ECM label has earned its place in this pantheon by steadfastly following its own vision, perhaps best summed up by ...

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Article: Catching Up With

Chad Eby: A Closer Look at His Life, Work, and Tribute to a Legend

Read "Chad Eby: A Closer Look at His Life, Work, and Tribute to a Legend" reviewed by La-Faithia White


Saxophonist Chad Eby has been a vital presence in the North Carolina jazz scene. Since 2006, he has served as Associate Professor in the Miles Davis Jazz Studies program at the university of North Carolina at Greensboro, where he plays a key role in shaping the next generation of jazz musicians. In addition to his work ...


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