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About Stan Getz

8

Album Review

Norman Granz: The Sound Of America

Read "The Sound Of America" reviewed by Richard J Salvucci

by Richard J Salvucci

If there were a more important “back office" figure in the history of American jazz than Norman Granz, who would it be? When Granz first heard Coleman Hawkins, he knew that the music was going to have a major role in his life--but he did not yet know how many others would be in his debt as well. Hundreds, if not thousands of musicians would owe him a living. Some, like Oscar Peterson and Ella Fitzgerald, would nearly become his ...

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1

Radio & Podcasts

Final Recordings of Jazz Masters of the 1950s and '60s

Read "Final Recordings of Jazz Masters of the 1950s and '60s" reviewed by Larry Slater

by Larry Slater

The 1950s and early '60s were a high point for jazz. Jazz was popular. You could hear it on TV, on college campuses, and on US State Department tours. It was an era of mind-boggling creativity. Cool jazz, hard bop, bossa nova and free jazz were all born and nurtured during these years. Many jazz musicians at the peak of their craft flourished alongside veterans of the swing era.In this hour, you'll hear the final recordings of some ...

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7

Liner Notes

Verve's Bossa Nova U.S.A.

Read "Verve's Bossa Nova U.S.A." reviewed by Arnaldo DeSouteiro

by Arnaldo DeSouteiro

Paul Desmond: Samba with Some Barbecue Originally titled “Struttin' with Some Barbecue" in 1941, this Satchmo tune lost its Dixie beat and got a bossa groove in the hands of the infallible Don Sebesky. Brazilian drummer Airto Moreira, then a newcomer in the New York jazz scene, provides a fiery propulsion to Paul Desmond's lyrical approach and “dry martini" alto sound. Different from the sad results of pseudo-bossa albums by Gene Ammons, Sonny Rollins, and so many others, this is ...

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17

Album Review

Various Artists: The Birth of Bop

Read "The Birth of Bop" reviewed by Richard J Salvucci

by Richard J Salvucci

Someone famously called jazz the sound of surprise, but all too often, what is on offer is the dull hum of routine. Or something like that. This historic reissue is, however, anything but routine. This is not the first time that Teddy Reig's Savoy sides have been reissued (was he also the mysterious Buck Ram listed as producing one track?), but Craft Recordings took a lot of trouble to produce this very fine selection. If a listener were, ...

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2

Radio & Podcasts

Saxophonists, Classic and Contemporary

Read "Saxophonists, Classic and Contemporary" reviewed by Jerome Wilson

by Jerome Wilson

This show features a wide variety of saxophonists, both as soloists and bandleaders. It includes iconic players like Stan Getz and Roscoe Mitchell as well as today's stars with Melissa Aldana and Miguel Zenon. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic) 00:00 Art Pepper “Blues In" from Modern Art (Blue Note) 1:00 Lee Konitz “I'll Remember April" from Seven Classic Albums ...

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7

Radio & Podcasts

Jazz and Bossa Nova - Gilberto, Jobim, Bonfa, Getz (1958 - 1963)

Read "Jazz and Bossa Nova - Gilberto, Jobim, Bonfa, Getz (1958 - 1963)" reviewed by Russell Perry

by Russell Perry

Fueled by the 1959 international release of the movie “Black Orpheus" and through reports from US jazz players returning from South American tours, the Brazilian music bossa nova (Portugese for “new trend" or “new wave") found its way into American jazz in the early 1960s, becoming a permanent part of the jazz fusion. Stan Getz, in particular, appreciated bossa nova as the interaction between cool jazz and samba and collaborated successfully with many of the pioneers of the new music, ...

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18

Album Review

Stan Getz: Getz At The Gate

Read "Getz At The Gate" reviewed by Chris May

by Chris May

Connoisseurs of Stan Getz continue to get lucky with newly discovered live recordings. The last was Moments In Time (Resonance, 2016), a single CD documenting parts of a week-long residency with a quartet including pianist JoAnne Brackeen in San Francisco in 1976. Getz At The Gate, recorded fifteen years earlier, is another substantial addition to Getz's catalogue. Over two CDs, or three LPs if you prefer, it includes all 139 minutes which Getz's band performed at New York's ...

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