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Jackie McLean
Born:
John Lenwood (Jackie) McLean was an alto saxophonist, composer, bandleader and educator, born in New York City. His father, John Sr., who died in 1939, played guitar in Tiny Bradshaw's orchestra. After his father's death, his musical education was continued by his godfather, by his stepfather, who owned a record store, and by several noted teachers. He also received informal tutoring from neighbours Thelonious Monk, Bud Powell, and Charlie Parker. During high school he played in a band with Kenny Drew, Sonny Rollins, and Andy Kirk Jr. (the tenor saxophonist son of Andy Kirk). He recorded with Miles Davis, on Davis' Dig album, when he was 19 years old
Ulysses Owens, Jr. and Generation Y: A New Beat
by Jack Bowers
The rhythms presented on award-winning drummer Ulysses Owens Jr.'s latest album are not exactly A New Beat, as they have been heard in various configurations for at least eighty years or more, but they do provide a plausible indication of the path that Art Blakey's legendary Jazz Messengers would presumably have followed had Blakey lived into ...
Peter DiCarlo: The Other Side
by Jack Bowers
The Other Side is the second album by New York City-bred alto saxophonist Peter DiCarlo who now lives and works in Izmir, Turkey. Unlike the first, which was emphatically straight-ahead, this one blends elements of fusion and traces of a Turkish accent within DiCarlo's usual plain- spoken approach. Even so, the album's seven ...
Two-Trumpet Cacophony
by AAJ Staff
This article was first published at All About Jazz in February 2002. Miles had it figured out: never record with another trumpeter in a small group setting--it just don't work. Or was it his ego? Two, three, and multi-trumpet small group ensembles represent an obscure configuration in modern jazz. This position contrasts sharply ...
Ulysses Owens, Jr. and Generation Y: A New Beat
by Glenn Astarita
A New Beat, crafted by the multi-Grammy award-winning drummer Ulysses Owens Jr. and his Generation Y outfit, materializes as a vivid emblem of jazz's evolving dynamics. This album, an amalgamation of nine tracks, epitomizes the fusion of classic jazz standards with inventive perspectives. Among its highlights, Bird Lives" notably shines for its technical brilliance and tribute ...
One For All: Blueslike
by C. Andrew Hovan
As the timeworn adage goes, sometimes the best things come from situations where one is asked to function in less than ideal circumstances. When you have little time to analyze things and go with pure instincts, there's an air of veracity and spontaneity to the results that is seldom arrived at by any other means. Although ...
The Qow Trio: The Hold Up
by Neil Duggan
Anyone whose musical taste yearns for the type of '50s and '60s sounds of artists such as Sonny Rollins, Jackie Mclean and Lee Morgan, may find The Hold Up is just what they seek. This is the second album from the Qow Trio (pronounced Cow). Taking their name from a composition on Dewey Redman's album, Coincide ...
David Ambrosio's Civil Disobedience: 50 Years in the Making
by Paul Rauch
Modern jazz has never been more prolific. Nonsense you say? With most recording and touring jazz musicians coming out of institutions of higher learning these days, jazz listeners can encounter top line players in virtually any major city in the United States. What's happening in New York is happening in Seattle, Denver, Detroit or Cleveland in ...
Brian Lynch: Con Clave Vol.2
by C. Andrew Hovan
The jazz musician's road to success and sustainability is a rocky one, marked with more than its share of ups and downs. Becoming the norm as of late, those with the strongest staying power have increased their flexibility by becoming more diverse in their efforts. The affect is thus twofold-providing an income to pay the rent, ...
Steve Davis: Steve Davis Meets Hank Jones, Vol. 1
by Dave Linn
Trombonist Steve Davis was born in Worcester, MA, in 1967, and in 1989 graduated from Hartt School's Jackie McLean Institute. It was McLean's guidance and recommendation which allowed Davis to land his first major performance with Art Blakey in NYC. His lyrical, hard-swinging style gained him broad recognition and, in 1998, he won the TDWR (Rising ...