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Jackie McLean, Eugene Chadbourne, and Miho Hazama

by Jerome Wilson
Technical difficulties prevented me from recording last week's show, so instead here is a vintage one from February 9, 2021. The musicians featured here include Jackie McLean, Susan Alcorn. Miho Hazama, Dave Burrell, and Eugene Chadbourne. Playlist Henry Threadgill Sextett I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic) 00:00 John Abercrombie Ralph's Piano Waltz" from Timeless (ECM) 00:58 Wes Montgomery Double Deal" from The Best of ...
Continue ReadingJackie McLean: Let Freedom Ring to Destination...Out! Revisited

by Stefano Merighi
Rivisitando la vita e la carriera dell'altosassofonista e compositore Jackie McLean, mi viene naturale avvicinarle a quelle di Paul Bley. Entrambi hanno iniziato da ragazzini, conoscendo i maestri e suonando con loro; sia McLean che Bley hanno potuto affinare la propria personalità accanto ai più grandi creatori di jazz (Hawkins, Parker, Mingus, Rollins, Davis, Coleman, tra gli altri..); tutti e due erano spesso al posto giusto nel momento giusto ed hanno sviluppato un carattere indipendente e incurante del mainstream, con ...
Continue ReadingKenny Dorham: From 'Round Midnight At The Cafe Bohemia To Matador Revisited

by Chris May
In his mostly sane and admirable book Black Nationalism and the Revolution In Music (Pathfinder Press, 1970), Frank Kofsky describes Kenny Dorham as house trained." The calculated insult attempts to conflate Dorham's respect for form and structure with an Uncle Tom outlook on the world. Some might say Dorham would have been justified in following (or, rather, anticipating) the example of the writer Stanley Crouch, who on spotting in a Manhattan restaurant a critic who had recently dissed one of ...
Continue ReadingA Conversation with Jackie McLean

by AAJ Staff
From the 1995-2003 archive: This article first appeared at All About Jazz in October 1998. All About Jazz: You grew up in the same neighborhood as Bud Powell. How did he impact your life? And, what was Bud Powell the man like? Jackie McLean: He certainly lived in the vicinity of my neighborhood. He wasn't really a neighbor. I lived on 158th street and he lived on 140th, so it was quite a distance to walk. ...
Continue ReadingTina Brooks Quintet: The Complete Recordings

by Chris May
Mosaic Records' spring 2020 release The Complete Hank Mobley Blue Note Sessions 1963-70, the second of the label's box sets devoted to the copiously recorded (and rightly so) Hank Mobley, prompts thoughts of another of Blue Note's singular hard-bop tenor saxophone stylists. Unlike Mobley, Tina Brooks was woefully under-recorded, making just four albums under his own name. But like Mobley, Brooks had an instantly recognisable sound, was a spellbinding soloist and was also a gifted composer. In addition to his ...
Continue ReadingHank Mobley: The Complete Hank Mobley Blue Note Sessions 1963-70

by C. Andrew Hovan
The music world has changed considerably since Michael Cuscuna and Charlie Lourie founded their boutique reissue label Mosaic Records back in 1983. From its inception, vinyl was still the preferred format, shortly to be overtaken by the popularity of the compact disc. At the cusp of vinyl's recent resurgence, Mosaic briefly got back into that format only to find themselves on the brink of closing up shop. Fortunately, the powers that be have forged on and recent CD boxed sets ...
Continue ReadingTwo Different Fates - Jackie McLean & Tina Brooks (1960 - 1963)

by Russell Perry
Fate could not have treated Blue Note saxophonists Tina Brooks and Jackie McLean more differently. While McLean released nine LPs for Prestige and two dozen for Blue Note between 1956 and 1967, only one of Tina Brooks' four Blue Note sessions was released in his lifetime. Yet their collaborations on McLean's Jackie's Bag and the unreleased Brooks session Back to the Tracks, are among the highlights of the hard bop era. McLean went on to the record a series of ...
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