Results for "Lester Young"
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Lester Young
Born:
Lester "Prez" Young was one of the giants of the tenor saxophone. He was the greatest improviser between Coleman Hawkins and Louis Armstrong of the 1920s and Charlie Parker in the 1940s. From the beginning, he set out to be different: He had his own lingo; In the Forties, he grew his hair out. The other tenor players held their saxophones upright in front of them, so Young held his out to the side, kind of like a flute (see picture above). Then, there was the way he played: Hawkins played around harmonic runs. He played flurries of notes and had a HUGE tone that the other tenor players of the day emulated. Young used a softer tone that resulted In a soft, light sound (if you didn't know better, you would think the two were playing different instruments). Young used less notes and slurred notes together, creating more melodic solos. He played the ordinary in an extraordinary way, using a lot of subtleties to produce music that Billie Holiday said flips you out of your seat with surprise.
Ivo Perelman / Nate Wooley: Polarity 2
by Mark Corroto
Polarity 2, the follow up to the first Polarity (Burning Ambulance, 2021) by saxophonist Ivo Perelman and trumpeter Nate Wooley, is the antithesis of its title. Never could it be said the musicians display opposite or contradictory tendencies with this recording. The best you can say is that the two musicians are the opposite sides of ...
Buddy Rich Trio: Buddy Rich Trios
by Bruce Klauber
In 2023, some 36 years after his death, the name of Buddy Rich is still synonymous with the word “drums" in many quarters, as is his reputation as a swinging, driving, fiery, and charismatic drummer/leader of a series of superb big bands, roughly in existence from 1966 until his passing in 1987. What is not generally ...
Fred Hersch: Alive... And Kicking
by Jiaowei Hu
Few musicians have shaped jazz with such elegant, instinctive, and intimate variations as Fred Hersch. Constantly. Over four decades, life's ups and downs have not stopped him from coming back, time and again, to performing live. No word other than “alive" can be more suitable for the pianist, and it is no coincidence that he chose ...
Jazz Musician of the Day: Lester Young
All About Jazz is celebrating Lester Young's birthday today! Lester “Prez" Young was one of the giants of the tenor saxophone. He was the greatest improviser between Coleman Hawkins and Louis Armstrong of the 1920s and Charlie Parker in the 1940s. From the beginning, he set out to be different: He had his own lingo; In ...
The Jazz Historian: John Edward Hasse
by B.D. Lenz
Jazz is not simply a style of music; it is also a culture. The impact of this cultural force has had many ups and downs throughout the last century but, undeniably, has been felt worldwide across all nations and all languages. With such a storied past, it's important that an account of its beginnings and those ...
Matt Otto: Umbra
by Dan McClenaghan
This music--nine Matt Otto originals--has the feeling of shadowy sounds. Shapes without defined borders emerge. On the opener, “Little Things," the core trio--the leader plus bassist Jeff Harshbarger and drummer John Kizilarmut--are joined by Fender Rhodes player Matt Villinger and guitarist Alex Frank. The electronic resonance gives the sound an alluring and shadowy blur, as does ...
The Best of Tony Bennett
by Chris M. Slawecki
"Tony Bennett is the best singer in the business, the best exponent of a song," Frank Sinatra once said. “He's the singer who gets across what the composer has in mind, and probably a little more. There's a feeling in back of it." Tony Bennett began his career as a singing waiter in his ...
A Fireside Chat With Tony Bennett
by AAJ Staff
This interview was first published on All About Jazz in September 2001. Tony Bennett hails from a period in Americana where style loomed larger than sustenance and men were less than men without a martini or scotch in one hand and a cigar or cigarette burning from the other. Those were the days. And ...
One of the Boys in the Band: Discovering my Dad
by George Gozzard
George Gozzard was the baby of a pretty large family the jazz trumpeter Harry Roy Gozzard raised. Harry was one of those great working musicians we heard about in the 1930s and through the 1950s who played jazz and dance band gigs interchangeably. These were the days of months long (if not longer) engagements musicians would ...
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