Since its inception in 2007, Lyte Records has earned a reputation as one of the very best labels in Ireland/Northern Ireland for independent jazz artists and creative musicians of various stripes. What started out as a very small, personal concern for Lyte Records founder David Lyttle
has grown into something much bigger; international recognition came Lyte Records' way for a jazz/hip-hop crossover album and the attention of producer Quincy Jones
has changed the life of one young musician on the label in particular. "It's the best of both worlds," says Lyttle. "I get a real buzz out of the music and I enjoy the business side a lot too."
Lyttle is one of the top jazz drummers/composers in Ireland and is highly respected in the UK and America too, having performed with saxophonists Dave Liebman
, Jean Toussaint
and Greg Osby
. His touring schedule is usually pretty hectic so it's a wonder he ever found time to set up a record label in the first place, though it was basically a logical step: "Generally it's the same kind of story with most musicians who set up a label," says Lyttle, "they're not at the stage where they can get a big record deal and they don't think a smaller deal is going to be very useful." Thus, Lyte Records came into being when Lyttle wanted to release his debut recording, True Story
(Lyte Records, 2007).
With his first record Lyttle chose to fly under the radar: "The first record didn't have distribution at that point and I didn't really want it either," he explains. "I just didn't think I was ready. I was happy with the album but at the same time I didn't want to make a big deal out of it." When Lyttle did try to get distribution for his record he had to make his first executive decision: "I had two offers. One of the companies was very good for jazz. It had a label, it had publishing, PR, everything. They were interested but only if it was jazz. They suggested I set up a label for other stuff."
Other stuff for Lyttle can mean quite a diverse range of music, from blues and classical to hip-hop. The idea of being hemmed in to just one genre of musicor even one genre of jazzsimply didn't appeal: "It kind of went against my whole idea of what I want, which is basically to have a structure and a brand for good, honest music. It has to be soulful, in the sense of being heartfelt. It has to have a lot of depth to it."
One young musician in the Lyte Record stable with a lot of soul and depth is Limerick-based Slovakian guitarist Andreas Varady, a virtuoso reared in the gypsy jazz tradition of guitarist Django Reinhardt
: "I first met Andreas Varady in 2009 I believe. He'd sent me a message on YouTube just saying he'd love to play with me." At the time Varady was eleven years old. "I thought, oh, it's just some kid," recalls Lyttle. "You do get a lot of messages like that from young artists because you have a label but I checked out the video and he was playing [guitarist] George Benson
style. He needed a bit of refining but he was pretty impressive."
Lyttle and Varady started playing together and Lyttle set up projects with other musicians. It wasn't long before other labels started showing an interest in signing the young virtuoso. Lyttle talked with Varady's parents and together they came to the conclusion that, like Lyttle himself a few years earlier, a low-key start would be in Varady's best interests: "We thought Andreas wasn't really ready to release a big album and it's easy for someone as young as that to get exploited, so we decided to release an album ourselves under Lyte records."
That album, Questions
(Lyte Records, 2010) was a co-led project between Varady, who had just turned 13, and Lyttle, and it received very positive reviews internationally: "That really brought Andreas to an international audience," says Lyttle. It certainly did. Within a year Varady was touring as a duo
with guitarist Martin Taylor
and in 2013 Quincy Jones took the teenage prodigy under his wing on a tour of Europe and Asia. Questions
was the second release on Lyte records, but three years on the catalog has reached a total of twenty releases: "It's not bad for an independent label over three or four years," admits Lyttle. "I didn't really think of it as a label until the fourth or fifth album when there was a little bit of a catalog. There wasn't even a website until the fourth album. Before that it was just to release my own music, help out a friend, that sort of thing. But once you've done a few things people start asking you and reaching out and sending you stuff."