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About Quincy Jones

Results for pages tagged "Quincy Jones"...

Musician

Quincy Jones

Born:

An impresario in the broadest and most creative sense of the word, Quincy Jones’ career has encompassed the roles of composer, record producer, artist, film producer, arranger, conductor, instrumentalist, TV producer, record company executive, magazine founder, multi-media entrepreneur and humanitarian. As a master inventor of musical hybrids, he has shuffled pop, soul, hip-hop, jazz, classical, African and Brazilian music into many dazzling fusions, traversing virtually every medium, including records, live performance, movies and television.

Celebrating more than 60 years performing and being involved in music, Quincy’s creative magic has spanned over six decades, beginning with the music of the post-swing era and continuing through today’s high-technology, international multi-media hybrids. In the mid-50’s, he was the first popular conductor-arranger to record with a Fender bass. His theme from the hit TV series Ironside was the first synthesizer- based pop theme song. As the first black composer to be embraced by the Hollywood establishment in the 60’s, he helped refresh movie music with badly needed infusions of jazz and soul. His landmark 1989 album, Back On The Block–named “Album Of The Year” at the 1990 Grammy Awards– brought such legends as Dizzy Gillespie, Ella Fitzgerald, Sarah Vaughan and Miles Davis together with Ice T, Big Daddy Kane and Melle Mel to create the first fusion of the be bop and hip hop musical traditions; while his 1993 recording of the critically acclaimed Miles and Quincy Live At Montreux, featured Quincy conducting Miles Davis’ live performance of the historic Gil Evans arrangements from the Miles Ahead, Porgy and Bess and Sketches of Spain sessions, garnered a Grammy Award for Best Large Jazz Ensemble Performance. As producer and conductor of the historic “We Are The World” recording (the best-selling single of all time) and Michael Jackson’s multi-platinum solo albums, Off The Wall, Bad and Thriller (the best selling album of all time, with over 50 million copies sold), Quincy Jones stands as one of the most successful and admired creative artist/executives in the entertainment world.

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Article: Album Review

Raphael Meleteas: Someone Else

Read "Someone Else" reviewed by Maciej Stasiowski


It is September already, and the days arrive tinted by the fallen leaves' reds and yellows. Somehow, we are thrown back to late August, finally granted enough time to enjoy a cool drink and listen to the record, just like people used to in the pre-accelerationist era. On Raphael Meleteas's very brief debut LP, musical arrangements ...

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Article: The Blue Note Portal

Disconfusion

Read "Disconfusion" reviewed by Blue Note Portal


The 1973 Lincoln Continental took the curves of Topanga Canyon Boulevard like a ship in a slow swell. In the back seat sat Jimmy Smith--forty-four years old, the undisputed godfather of soul-jazz, and currently he was stewing. Damn, it's come to this, Jimmy thought, staring out at the dark oak trees sliding past the windows. ...

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Article: Radio & Podcasts

Birthday Remembrances for Jack DeJohnette, Mulgrew Miller, and others

Read "Birthday Remembrances for Jack DeJohnette, Mulgrew Miller, and others" reviewed by David W. Daniels


In addition to the musicians named in the headline, we recognize the birthdays of Ben Sidran, Patti Austin, Oscar Peterson, and others. More classic jazz from Sonny Rollins, Gene Krupa wih Anita O'Day, and additional artists. Newly released music from Tommy Smith, Joe Alterman, David Sanchez, and more.Playlist Grachan Moncur III “Sonny's Back!" from ...

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Article: Album Review

Peggy Lee: Too Marvelous for Words

Read "Too Marvelous for Words" reviewed by C. Michael Bailey


“Every musician in town wanted that gig... She got whoever she wanted, because she was so good."  --pianist Lou Levy, as quoted by James Gavin in Is That All There Is?: The Strange Life of Peggy Lee (Atria Books, 2014) Born Norma Deloris Egstrom in Jamestown, North Dakota, in 1920, Peggy Lee ...

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Article: Big Band in the Sky

Alan Greenspan, 1926–2026: The Reedman Who Conducted the Economy

Read "Alan Greenspan, 1926–2026: The Reedman Who Conducted the Economy" reviewed by Kofi Adjepong-Boateng


He kept the clarinet. Sixty years after he last played for money, the central banker still had the instrument from his dance-band days; when a television crew trooped in, he turned it over in his hands but would not play it, remembering too well how it was supposed to sound. Alan Greenspan, who died ...

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Article: Live Review

Laurie Moore Trio at Leith Jazz & Blues Festival

Read "Laurie Moore Trio at Leith Jazz & Blues Festival" reviewed by Mark McKergow


Laurie Moore Trio Bowler's Rest, Leith A Tribute to the Bass Boss Edinburgh June 6, 2026 Young double bassist Laurie Moore confidently led his trio through two full sets of A Tribute to the Bass Boss, celebrating the music of bass legend Ray Brown. The musicianship was top-class, the program well ...

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Article: Interview

Author George Cole On Miles Davis' Final Decade

Read "Author George Cole On Miles Davis' Final Decade" reviewed by Jack Kenny


All About Jazz interviews George Cole author of The Last Miles, which concentrates on the final period of Miles Davis' life. Cole also maintains a website with additional interviews and research about Davis' life between 1980 and 1991. In these pages John Kelman wrote about The Last Miles: The Music of Miles Davis, 1980-1991, “There ...

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Article: Radio & Podcasts

Quincy Jones, Dan West, BLCK Madonna & Kate Olson

Read "Quincy Jones, Dan West, BLCK Madonna & Kate Olson" reviewed by Joe Dimino


We launch into the 951st episode of Neon Jazz with a fresh surge of energy, led by Seattle saxophonist Kate Olson and music from her 2026 release So It Goes. From there, we rewind to a true giant--Quincy Jones--spinning early cuts from his 1965 gem Quincy Plays for Pussycats, setting a timeless tone right out of ...

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Article: Album Review

Danny Gatton: Danny Gatton and Funhouse - Live at the Holiday Inn 1987

Read "Danny Gatton and Funhouse - Live at the Holiday Inn 1987" reviewed by Kevin Poindexter


Danny Gatton is a guitarist more “heard of" than heard. A guitarist's guitarist, Gatton was known as “The Humbler," a nickname bestowed upon him by another fine guitarist, Amos Garrett. The story goes that Garrett would play his band a tape that he had of a live recording of Gatton and whenever he felt like his ...


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