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Ahmad Jamal
Born:
In 1951, Mr. Jamal first recorded 'Ahmad's Blues' on Okeh Records. His arrangement of the folk tune 'Billy Boy', and 'Poinciana' (not his original composition), also stem from this period. In 1955, he recorded his first Argo (Chess) Records album that included 'New Rhumba', 'Excerpts From The Blues', 'Medley' (actually 'I Don't Want To Be Kissed'), and 'It Ain't Necessarily So' —all later utilized by Miles Davis and Gil Evans on the albums "Miles Ahead" and "Porgy and Bess." In his autobiography, Mr. Davis praises Mr. Jamal's special artistic qualities and cites his influence. In fact, the mid-to-late 1950's Miles Davis Quintet recordings notably feature material previously recorded by Mr. Jamal: 'Squeeze Me', 'It Could Happen To You', 'But Not For Me', 'Surrey With The Fringe On Top', 'Ahmad's Blues', 'On Green Dolphin Street' and 'Billy Boy'.
William Hill III: Keep it Movin'
by Paul Rauch
The story surrounding the young Detroit pianist William Hill III reads like many in today's jazz world--raised in the fertile ground of a dynamic local jazz scene and then on to New York to pursue the music. This is the case even when that local scene is one of the most prolific in the history of ...
Results for pages tagged "Ahmad Jamal"...
Franck Amsallem
Born:
Franck Amsallem was born in 1961 in Oran (Algeria), and then grew up in Nice, France. His parents, having repatriated the family piano, started him on classical piano at seven, which he gave up a few years later. The large family, the cramped apartment weren’t at all propitious surroundings for the old teacher’s stale lessons. Still, however, the family owned a large collection of 45 RPM records where Ray Charles mixed with Glenn Miller and the Four Tops. In all logic then, he was seduced in adolescence, by the sound of the blues and swing and started taking music lessons at the Nice Conservatory where, considered too old for the piano (!), he signed up for classical saxophone and soon earned a first prize.
Exploration by the Marcus Roberts Trio, Interview with VA Virginia Schenck re Jazz at All Saints Including Nnenna Freelon & Brandee Younger, Keyboard Jazz With Bobby Timmons, Joey DeFrancesco, Azymuth and More
by David W. Daniels
Interview with local Atlanta jazz vocalist “VA" Virginia Schenck about the Jazz At All Saints series, which will include Nnenna Freelon and Brandee Younger. End of the month keyboard special--featuring organists, pianists, Fender Rhodes and synthesizer jazz artists. Playlist Marcus Roberts Trio “Exploration"--from Time And Circumstance (Columbia) 00:00 Interview Segment #1 with VA Virginia ...
The Summer Knows (un été 42)
by Artur Moral
Not so young, but still foolish: arduous is the path chosen by pianist, composer and singer Franck Amsallem, a lesser-known figure--outside his immediate performance circle--even among some of the jazz world's most avid and encyclopedic enthusiasts. Nevertheless, this musician's name should appear in that roster of outstanding French baby boomer keyboardists mentioned in Pierre de Bethmann: ...
Hal Galper: Adventures In The Zone
by Paul Rauch
This article was first published on All About Jazz on October 20, 2020. The career of Hal Galper has earned the pianist acclaim as both a performer and educator. Perhaps most importantly, it has drawn attention to his contributions to the music as a true innovator. While other pianists of his era gained more ...
Tyler Henderson: Love Endures
by Pierre Giroux
Pianist Tyler Henderson's Love Endures is a rare artifact of musical honesty, an album that trades studio gloss for the imperfect magic of real-time interaction. Recorded in the attic of a house owned by a devoted jazz aficionado in Vancouver, BC, the session's unusual environment--unadorned acoustics, no headphones, no overdubs--sets the tone for a recording that ...
Gato Barbieri: Standards Lost ad Found 2
by Alberto Bazzurro
Su doppio LP o CD singolo esce il secondo volume di questo ampio corpus di inediti meritoriamente riesumato da Marco Pennisi della Red. Otto i brani complessivi di questa nuova tranche, con geometrie alquanto particolari, con doppio Gato (e il secondo brano è quel “In Search Of The Mystery" che l'anno prima aveva “battezzato" il primo ...
Mark Masters Ensemble: Sam Rivers 100
by Dan McClenaghan
The Mark Masters Ensemble released Porgy and Bess Redefined! (Capri Records) in 2005. The music was taken from the George Gershwin/DuBose Heyward English-language opera, which was first performed in 1935. Masters' take on the classic was brilliantly expressed by the ensemble, who dug into his adventurous charts with freedom mixed with respect for the familiar and ...
Triology: The Slow Road
by Pierre Giroux
In The Slow Road, the Canadian trio Triology--comprised of pianist Miles Black, guitarist Bill Coon, and bassist Jodi Proznick--joins forces with the inimitable tenor saxophonist Scott Hamilton to present a recording that swings with warmth, restraint, and unfailing musicality. This is chamber jazz at its most elegant, invoking the refined spirit of classic drummerless trios such ...
