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Freddie Green
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Freddie Green was the guitarist in what is generally considered to be the best rhythm section in the history of big band jazz, and dubbed the All-American Rhythm Section, which featured Count Basie, bassist Walter Page, and drummer Jo Jones. Green continued with the band until 1987. From the start Green earned a reputation as a stylist without equal, fans and fellow players referred to him as Mr. Rhythm with the utmost respect. Born in Charleston, South Carolina, on March 31, 1911, he began playing banjo at the age of 12. He got his first job locally with a band called the Nighthawks, then toured with the famous Jenkins Orphanage band, though Green himself was not a member of the school
Jazz on Soul, Pop, Rock, Folk, and other intangible territories - Part 2
by Artur Moral
Part 1 | Part 2 James Carter soloing on a song by Sting? A prolific French guitarist and producer, approaching his thousandth album, deconstructing one of Billy Joel's most candid love songs? A Spanish trumpeter translating the Bee Gees into the jazz language? Yes, all this will happen in this second installment of a ...
How Ahmad Jamal Got His Groove Back
by Chuck Lenatti
Part 1 | Part 2 | Part 3 | Part 4 Though he was well-versed in the musical vernacular of blues, big bands, bebop and hard bop, piano trios and singers, as well as European classical music, pianist Ahmad Jamal seemed out of step as jazz fused with rock and R&B in the 1970s. ...
Nicola Caminiti: Adam Arturo
by John Chacona
Every generation or so, a rhythm section comes along and changes the game. Think of Count Basie's “All-American Rhythm Section" with Freddie Green, Walter Page and Jo Jones, or Herbie Hancock, Ron Carter and Tony Williams from Miles Davis' second great quintet. It's up to history to render the verdict about pianist Lex Korten, bassist Ben ...
John Basile: Heatin' Up
by Bill Milkowski
John Basile's warm tone and impeccable articulation on Heatin' Up at first may trigger memories of the late, great Pat Martino, an iconic guitarist whom Basile obviously admires. But listen closer to the elegant phrasing, the confident use of space and “less is more" approach he applies to tunes like Cy Coleman's “See Saw," the oft-covered ...
Kansas City Jazz: A Little Evil Will Do You Good
by Andrew Hunter
Kansas City Jazz: A Little Evil Will Do You Good Con Chapman 358 pages ISBN: # 978 1 80050 282 6 Equinox Publishing Limited 2023 In January 1920, the Eighteenth Amendment to the United States Constitution came into effect, ushering in 14 years of Prohibition and, inadvertently, a golden ...
Paul Quinichette: Like Basie
by C. Andrew Hovan
Like any business concerned with making a profit, the record industry has often resorted to questionable concepts, tributes, or other hooks to lure more costumers to their product. Currently we find ourselves in an era where the quality of original music is arguably on the decline, thus it has become even more prevalent to use nostalgia ...
Backgrounder: Freddie Green's Mr. Rhythm
Freddie Green, Count Basie's long-time rhythm guitarist, recorded just one album as a leader—Mr. Rhythm, for RCA in December 1955. Green's tenure with Basie date back to March 1937. On Mr. Rhythm, Green assembled an all-star group that was arranged like a pocket version of Basie's band, complete with Nat Pierce on piano: Joe Newman (tp), ...
The Scott Silbert Big Band: Jump Children
by Jack Bowers
The best music, in jazz or any other genre, is and should be timeless. To prove the point, the Scott Silbert Big Band celebrates the songs of a bygone era on its debut album, Jump Children, refreshing a number of memorable themes from the '30s, '40s and '50s and underscoring their relevance in an ultra-modern twenty-first ...
Shelly Manne, Alexis Cole & Susan Krebs
by Joe Dimino
We begin the 735th Episode of Neon Jazz with the talented jazz singer and actress Susan Krebs. Then it's on to her mentor, Sheila Jordan and wonderful young singer in Nicole Henry. Other artists ranging from Jackson Potter to David Finck keep releasing quality music and we are profiling them here at the show. Old school ...
