Results for "Freddie Green"
About Freddie Green
Instrument: Guitar, acoustic
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Freddie Green

Born:
Freddie Green was the guitarist in what is generally considered to be the best rhythm section in the history of big band jazz, and dubbed the All-American Rhythm Section, which featured Count Basie, bassist Walter Page, and drummer Jo Jones. Green continued with the band until 1987. From the start Green earned a reputation as a stylist without equal, fans and fellow players referred to him as Mr. Rhythm with the utmost respect. Born in Charleston, South Carolina, on March 31, 1911, he began playing banjo at the age of 12. He got his first job locally with a band called the Nighthawks, then toured with the famous Jenkins Orphanage band, though Green himself was not a member of the school
Paul Quinichette: Like Basie

by C. Andrew Hovan
Like any business concerned with making a profit, the record industry has often resorted to questionable concepts, tributes, or other hooks to lure more costumers to their product. Currently we find ourselves in an era where the quality of original music is arguably on the decline, thus it has become even more prevalent to use nostalgia ...
Backgrounder: Freddie Green's Mr. Rhythm

Freddie Green, Count Basie's long-time rhythm guitarist, recorded just one album as a leader—Mr. Rhythm, for RCA in December 1955. Green's tenure with Basie date back to March 1937. On Mr. Rhythm, Green assembled an all-star group that was arranged like a pocket version of Basie's band, complete with Nat Pierce on piano: Joe Newman (tp), ...
The Scott Silbert Big Band: Jump Children

by Jack Bowers
The best music, in jazz or any other genre, is and should be timeless. To prove the point, the Scott Silbert Big Band celebrates the songs of a bygone era on its debut album, Jump Children, refreshing a number of memorable themes from the '30s, '40s and '50s and underscoring their relevance in an ultra-modern twenty-first ...
Shelly Manne, Alexis Cole & Susan Krebs

by Joe Dimino
We begin the 735th Episode of Neon Jazz with the talented jazz singer and actress Susan Krebs. Then it's on to her mentor, Sheila Jordan and wonderful young singer in Nicole Henry. Other artists ranging from Jackson Potter to David Finck keep releasing quality music and we are profiling them here at the show. Old school ...
Andy Farber and His Orchestra: Early Blue Evening

by Jack Bowers
Saxophonist Andy Farber's New York-based orchestra came together and cut its teeth as the onstage band for three hundred performances of After Midnight, a Broadway revue that paid tribute to Jazz Age nightclub luminaries from Duke Ellington, Jimmie Lunceford and Count Basie to Harold Arlen, Dorothy Fields and Jimmy McHugh. As one might presume from the ...
Ben Goldberg: Everything Happens To Be.

by John Chacona
The music of Ben Goldberg seems to come from a place outside of time--or maybe it comes from several times simultaneously. Maybe it's the instruments he chooses; while the clarinet family has been on the comeback trail in jazz for a quarter century, it's a sound that invariably invokes the New Orleans of a century ago. ...
Schapiro 17: Human Qualities

by Jack Bowers
Following its splendid premiere recording, an exploration of Miles Davis' unrivaled album Kind Of Blue (Capitol Records, 1959), composer/arranger Jon Schapiro's 17-member ensemble broadens its horizons on Human Qualities, pairing seven of the maestro's astute and adventurous charts with the Roberta Flack best-seller, The First Time Ever I Saw Your Face." This time around, Schapiro proves ...
Derrick Gardner & The Big dig! Band: Still I Rise

by Jack Bowers
Trumpeter Derrick Gardner, a Chicagoan who has performed around the world with a who's who of jazz luminaries from Count Basie, Dizzy Gillespie and Frank Foster to Nancy Wilson, Tony Bennett and Harry Connick Jr., to name only a few, traveled to Winnipeg, Canada, to assemble and record his Big Dig! Band, several sizes removed from ...
Prestige Records: An Alternative Top 20 Albums

by Chris May
Along with Alfred Lion's Blue Note and Orrin Keepnews' Riverside, Bob Weinstock's Prestige was at the top table of independent New York City-based jazz labels from the early 1950s until the mid 1960s. Like those other two labels, Prestige built up a profuse catalogue packed with enduring treasures. Originally a record retailer, Weinstock ...