Home » Jazz Articles » Radio & Podcasts » Leslie Pintchik, Rich Halley, and Ryan Keberle
Leslie Pintchik, Rich Halley, and Ryan Keberle
Click the play button to listen
Playlist
- Henry Threadgill Sextett "I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic) 00:00
- Conrad Herwig "Mellow Minor" from The Latin Side of McCoy Tyner (Savant) 1:17
- Geof Bradfield "United" from Colossal Abundance (Calligram) 6:45
- Host Speaks 14:19
- Allison Miller's Boom Tic Boom "Speak Eddie" from No Morphine No Lilies (Foxhaven) 15:34
- Rich Halley 4 "Retrograde" from Dusk and Dawn (Pine Eagle) 18:24
- Host Speaks 27:58
- Dave Brubeck Quartet "Gone With The Wind" from Live from the Northwest, 1959 (Brubeck Editions) 30:41
- Owen Broder "Wabash Blues" from Hodges: Front and Center, Vol. 2 (Outside In) 38:38
- Host Speaks 43:38
- Aline's Etoile Magique "Cosmos" from Eclipse (Elastic) 44:22
- Steve Ramsdell "Lisboa Siesta" from Looking For... (Kopaesthetic) 49:31
- Ryan Keberle & Catharsis "Sonic Living" from Music Is Connection (Alternate Side) 53:12
- Host Speaks 59:12
- Alice Coltrane "Turiya and Ramakrishna" from Ptah the El Daoud (Impulse) 1:01:31
- Annie Chen Octet "Orange Tears Lullaby" from Secret Treetop (Self Produced) 1:09:45
- Host Speaks 1:16:43
- Chico Hamilton "The Dealer" from The Dealer (Impulse) 1:18:27
- Jamie Saft/Steve Swallow/Bobby Previte "You Don't Know The Life" from You Don't Know The Life (RareNoise) 1:24:42
- Host Speaks 1:30:51
- Kevin O'Connell Quartet "A Thought" from Hot New York Minutes (Self Produced) 1:32:46
- Ben Markley "Sun on the Snow" from Our Walk (Nocturne) 1:35:57
- Host Speaks 1:44:40
- Leslie Pintchik "Banquet" from Prayer For What Remains (Pintch Hard) 1:45:48
- New York Standards Quartet "Peace" from Heaven Steps to Seven (Whirlwind) 1:51:10
- Art Ensemble Of Chicago "Odwalla / The Theme" from Selected Recordings (ECM) 1:55:17
About Leslie Pintchik
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.
