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Leslie Pintchik: Prayer For What Remains
by Jack Bowers
Pianist and composer Leslie Pintchik abandoned a promising career as an educator at New York's Columbia University in favor of writing and playing piano full-time. What has become clear since then, and especially on her eighth album, Prayer for What Remains, is that academia's loss is beyond any doubt the jazz world's gain. Pintchik leads her working trio here, with guest appearances by the esteemed soprano saxophonist Steve Wilson on two numbers and percussionist Satoshi Takeishi on ...
Continue ReadingLeslie Pintchik, Rich Halley, and Ryan Keberle
by Jerome Wilson
This show features a wide variety of musicians, including Leslie Pintchik, Owen Broder, Rich Halley, Geof Bradfield, Ryan Keberle and Alice Coltrane.Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic) 00:00 Conrad Herwig “Mellow Minor" from The Latin Side of McCoy Tyner (Savant) 1:17 Geof Bradfield “United" from Colossal Abundance (Calligram) 6:45 Host Speaks 14:19 Allison Miller's Boom Tic Boom “Speak Eddie" from ...
Continue ReadingSome Overlooked 2024 Releases
by Jerome Wilson
Here are reviews of some of the many worthwhile jazz albums that came out in the latter half of 2024. Leslie Pintchik Prayer For What Remains Pintch Hard Records 2024 The latest album by pianist Leslie Pintchik has a gentle, swinging calm to it. She maintains a lively rapport with bassist Scott Hardy and drummer Michael Sarin} as they work through the gentle push of “Later Than We Thought" ...
Continue ReadingLeslie Pintchik: Prayer For What Remains
by Dan McClenaghan
As a doctoral candidate at Columbia University studying 17th-century English literature and working as a teaching assistant, Leslie Pintchik could have moved into a life of academia. But, an old story: jazz called. She wanted a music career. A clear-eyed financial advisor might have tried to dissuade her, pointing out the problems and pitfalls of making a living in jazz. She probably would not have listened. In 2024, with eight fine albums under her belt, she offers up number nine, ...
Continue ReadingLeslie Pintchik: You Eat My Food, You Drink My Wine, You Steal My Girl!
by Angelo Leonardi
Anche in quest'album la sensibile pianista e compositrice di New York, ripropone l'organico degli ultimi due dischi con l'aggiunta del fisarmonicista Shoko Nagai. E nuovamente si rinnova la fragranza delle sue composizioni, dove la tensione jazzistica si alimenta di suggestioni latine o lascia spazio a intime melodie. Dopo essersi esibita professionalmente per un ventennio senza incidere nulla, dal 2004 a oggi Leslie Pintchik ha registrato sette album, presentando proprie composizioni accanto ai classici del songbook statunitense. Qui la ...
Continue ReadingLeslie Pintchik: You Eat My Food, You Drink My Wine, You Steal My Girl!
by Jerome Wilson
On this, her sixth album, pianist Leslie Pintchik shows that she can compose distinctive melodies. All of the original compositions she does on this CD are bright and memorable and even the two standards she covers are given surprising arrangements.She establishes herself from the beginning with the uniquely-titled “You Eat My Food." This turns out to be a nice piece of surging jazz-funk in the manner of early Herbie Hancock with a serpentine piano line and pithy accents ...
Continue ReadingLeslie Pintchik: You Eat My Food, You Drink My Wine, You Steal My Girl!
by Dan Bilawsky
If they gave out awards for album titles, this one would surely be in the running for top honors. “You eat my food, you drink my wine, you steal my girl" is a harsh and odd phrase that rolls off the tongue like some sort of backwoods country accusation-turned-lament, but its origins are far more urban in nature. While crossing a street in lower Manhattan, pianist Leslie Pintchik heard a nearby voice yell said curious and angry statement. Not one ...
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