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Dave Brubeck

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Brubeck's mother studied piano in England and intended to become a concert pianist; at home she taught piano for extra money. Brubeck was not particularly interested in learning by any particular method, but preferred to create his own melodies, and therefore avoided learning to read sheet music. In college Brubeck was nearly expelled when one of his professors discovered that he could not read sheet music. Several of his professors came forward arguing for his ability with counterpoint and harmony, but the school was still afraid that it would cause a scandal, and only agreed to let Brubeck graduate once he promised never to teach piano

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Article: Interview

Jeremy Monteiro: No Black Tie Required

Read "Jeremy Monteiro: No Black Tie Required" reviewed by Ian Patterson


Jeremy Monteiro has been Singapore's unofficial jazz ambassador since the late 1970s, carving out a pioneering path around the world. The first South East Asian to perform at the Montreux Jazz Festival and the first S.E. Asian to record for the Verve label, Monteiro has made a habit of playing with the very best, from James ...

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Article: Extended Analysis

The Complete Louis Armstrong Columbia & RCA Victor Studio Sessions 1946-66

Read "The Complete Louis Armstrong Columbia & RCA Victor Studio Sessions 1946-66" reviewed by Skip Heller


Louis Armstrong officially returned to small band leadership May 17, 1947 via a triumphant concert at Town Hall that was less comeback than reaffirmation. It was even the dawn of his second great period, full of recordings that stood tall with his epochal 1920's output, and the subsequently-assembled Louis Armstrong and his All Stars would immediately ...

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Article: Album Review

Brent Jensen: More Sounds of a Dry Martini

Read "More Sounds of a Dry Martini" reviewed by Jack Bowers


Two decades have passed since alto saxophonist Brent Jensen recorded his debut album for Origin Records, Sounds of a Dry Martini: A Tribute to Paul Desmond, in 2001. To Jensen's surprise, the album became so enormously popular that the possibility of a sequel was envisioned. There was, however, one large stumbling block—by 2007, Jensen had sold ...

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Article: Album Review

Lamb Anderson Sorgen: First Mile

Read "First Mile" reviewed by Mike Jurkovic


You can discredit the human imagination for any number of horrendous things. But when used right, things like First Mile happen. Some odd quirk in the continuum comes along and you find three far-travelled veterans, namely pianist Chuck Lamb (Dry Jack, Brubeck Brothers), drummer Harvey Sorgen (Hot Tuna, Anthony Braxton, Paul Simon, {[Bill Frisell}}) and bassist ...

1

Article: Album Review

Dennis Winge: What are the Odds?

Read "What are the Odds?" reviewed by Kyle Simpler


Even though a lot of recorded music relies on “comfort zone" time signatures like 4/4 or 3/4, many musicians still like exploring more unusual time signatures. Probably the most notable example of this rhythmic experimentation is Dave Brubeck's landmark 1959 album Time Out (Columbia). Considering that this is one of the most popular albums in jazz ...

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Article: Album Review

Jeremy Monteiro: Live at No Black Tie

Read "Live at No Black Tie" reviewed by Pierre Giroux


Kuala Lumpur (capital of Malaysia) is not on the tip of everyone's tongue as a jazz audience or recording destination. However that might be under reconsideration with the release of Live At No Black Tie , a live trio session headed by Singapore pianist Jeremy Monteiro, accompanied by two American jazz notables, bassist Jay Anderson and ...

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Article: Take Five With...

Take Five with Will Lyle

Read "Take Five with Will Lyle" reviewed by AAJ Staff


Meet Will Lyle Born in Southern California, Will began studying cello when he was three and also played drums, guitar, piano and percussion, taking up the electric bass at the age of 12. “I had aspirations to become a producer and I originally went to Berklee for musical production, but during my freshman year I heard ...

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Article: Album Review

Albert Ayler Quintet: 1966: Berlin, Lörrach, Paris & Stockholm. Revisited

Read "1966: Berlin, Lörrach, Paris & Stockholm. Revisited" reviewed by Mark Corroto


It may sound odd to describe the music that Albert Ayler's quintet performs here as the musical equivalent of comfort food, but these sounds can be associated with security and nostalgia. They are a reminder of the spark ignited by this tenor saxophonist from Cleveland. Ayler, maybe more than any artist of his day, paved the ...


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