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12

Article: Live Review

Kurt Elling and Peter Erskine at the Michigan Theater

Read "Kurt Elling and Peter Erskine at the Michigan Theater" reviewed by C. Andrew Hovan


Kurt Elling Celebrates Weather Report featuring Peter Erskine Michigan Theater 49th Performance of the 146th UMS Season Ann Arbor, Michigan April 11, 2025 With two Grammy Awards to his name and a long list of press accolades--including holding the top spot in the DownBeat Critics and Readers Polls for over ...

21

Article: Interview

Peter Erskine: Revisiting Weather Report

Read "Peter Erskine: Revisiting Weather Report" reviewed by C. Andrew Hovan


A standout drum prodigy of his generation, Peter Erskine began playing at the age of four. After honing his skills at Interlochen, he launched his professional career in 1972 with Stan Kenton. Four years later, he joined Maynard Ferguson before making a pivotal move, replacing Alex Acuña in Weather Report. In the spring ...

34

Article: Profile

A Brief Guide To Ukrainian Jazz: Part 2

Read "A Brief Guide To Ukrainian Jazz: Part 2" reviewed by Ian Patterson


Part 1 | Part 2 | Part 3 | Part 4 The second installment of A Brief Guide To Ukrainian Jazz--a series developed with the cooperation of the Ukrainian Institute--introduces five more highly talented jazz artists/groups from Ukraine. In addition, we profile the jazz festivals and jazz clubs that are keeping the Ukrainian jazz ...

45

Article: Building a Jazz Library

Joni Mitchell Jazzed: Ten Essential Mitchell Covers

Read "Joni Mitchell Jazzed: Ten Essential Mitchell Covers" reviewed by Ian Patterson


Canadian singer-songwriter Joni Mitchell's spectacular transition from acoustic folk singer in the '60s through folk-rock 'n' roller in the early '70s to leader of jazz-inflected bands in the mid-'70s was a gradual process. This musical transformation can be traced over the course of five albums for Asylum, beginning with the multi-million seller and Grammy-winner Court and ...

Album

Burnin’ in Bordeaux: Live in France 1969

Label: Elemental Music
Released: 2024
Track listing: The Scavenger; Manhã De Carnaval; Work Song; Somewhere; Why Am I Treated So Bad; Experience In E; Blue ‘n’ Boogie; Come Sunday; Walk Tall (Baby, That's What I Need); Mercy, Mercy, Mercy; The Scene; Oh Babe.

1

Article: Take Five With...

Take Five with Bassist Anthony Muthurajah

Read "Take Five with Bassist Anthony Muthurajah" reviewed by AAJ Staff


Meet Anthony Muthurajah Anthony Muthurajah is a Bahrain-born Sri Lankan bassist whose musical journey began at age 12 as a church band drummer. He later picked up the guitar and bass, and at 17, moved to Chennai, India, where he became immersed in the gospel scene. In 2010, he moved to Kuala Lumpur to study at ...

26

Article: Building a Jazz Library

Top Ten Sci-Fi Jazz Albums

Read "Top Ten Sci-Fi Jazz Albums" reviewed by Chris May


On The Launch Pad Robert Frosch, head honcho at the National Aeronautics and Space Administration from 1977 to 1981, wrote that at cocktail parties he was sometimes asked whether NASA had some gizmo or other that had recently been brought to fictional life in a sci-fi book or movie. If Frosch's answer was “No," the next ...

2

Article: Radio & Podcasts

The Sound of the Fender Rhodes, Part 1

Read "The Sound of the Fender Rhodes, Part 1" reviewed by Len Davis


Cannonball Adderley, Miles Davis, Joe Zawinul and Freddie Hubbard. Classics from the '70s featuring the Fender Rhodes. This show was inspired by Chris Mays' outstanding article, Ten Supreme Fender Rhodes Albums. Playlist The Cannonball Adderly Quintet “Mini Mamma" from Why Am I treated So Bad (Blue Note) 00:00 Miles Davis “Splash" from The Complete ...

1

Article: Radio & Podcasts

Scrolling Down the Leaderboard

Read "Scrolling Down the Leaderboard" reviewed by Monk Rowe


70

Article: Building a Jazz Library

Ten Supreme Fender Rhodes Albums

Read "Ten Supreme Fender Rhodes Albums" reviewed by Chris May


In 1965, reeling from the impact of Motown and the Brit invasion led by the Beatles, and about to be hit by the triple whammy that was acid rock and the rebel culture that went with it, jazz was on the back foot. Its relevance as entertainment, art form and spiritual sustenance was under threat, at ...


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