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9

Article: Book Review

Glastonbury 50

Read "Glastonbury 50" reviewed by Ian Patterson


Glastonbury 50 Michael Eavis & Emily Eavis 304 Pages ISBN: 978-1-4091-8393-8 Trapeze 2019 Published in time for Christmas 2019, Glastonbury 50 was intended as part of the build up to the legendary festival's 50th anniversary in 2020. That was before COVID-19 changed everything. Glastonbury 2020 was cancelled, with the ...

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Article: Interview

Camilla George: Warrior Charge

Read "Camilla George: Warrior Charge" reviewed by Chris May


In 2017, alto saxophonist and composer Camilla George's band was the support act for a Dee Dee Bridgewater gig at the London Jazz Festival. After George had finished her set, Bridgewater, who had been listening in the wings, came onstage, took the mike, and announced: “The world is safe because we have Camilla." Others in Cadogan ...

Results for pages tagged "Fela Kuti"...

Musician

Fela Kuti

Born:

Fela Kuti was one of Africa's most controversial musicians and throughout his life he continued to fight for the rights of the common man (and woman) despite vilification, harassment, and even imprisonment by the government of Nigeria.

Born to Yoruban parents, Kuti was strongly influenced by both parents, his mother being Funmilayo, a leading figure in the nationalist struggle. Practically all of his records are dominated by political events and discussions from the approach of Pan- Africanism.

In 1954, Kuti joined the Cool Cats as a singer in that highlife band (highlife being the rage of the Lagos music scene at the time). During this period Kuti developed his own unusual sound which he described as highlife-jazz. In 1968 Kuti announced the arrival of Afro-beat, within the year was promoting his sound all over the USA on a 10- month tour where he became influenced by American jazz. He did some recordings in that came to be known as the “'69 Los Angeles Sessions,” that were remarkable, an indication of a maturing sound and of the raucous, propulsive music that was to mark Fela's career. When he returned to his homeland he opened a nightclub, the Shrine, and changed the name of his band to Africa 70 (and later to Egypt 80).

8

Article: Live Review

Dele Sosimi Afrobeat Orchestra at the Jazz Cafe

Read "Dele Sosimi Afrobeat Orchestra at the Jazz Cafe" reviewed by Chris May


Dele Sosimi Afrobeat Orchestra / Yung Afriqa Pioneers The Jazz Cafe London January 24, 2020 Time was when if Londoners wanted to hear authentic live Afrobeat they needed to take a flight to West Africa, preferably Nigeria. Not anymore. All they need do in 2020 is take the ...

2

Article: Album Review

London Afrobeat Collective: Humans

Read "Humans" reviewed by Bruce Lindsay


Hard-driving, politically-charged, rhythmic, irresistibly-danceable music; what else could be expected from a band that mixes influences from Fela Kuti, Parliament/Funkadelic, Frank Zappa, and Nile Rogers and Bernard Edwards into one exciting and uplifting musical pot? Such expectations are high, but the London Afrobeat Collective meets them with ease. There have been a few personnel ...

Article: Album Review

Michael Leonhart: Suite Extracts Vol. 1

Read "Suite Extracts Vol. 1" reviewed by Angelo Leonardi


Credo proprio di non esagerare ma è dall'uscita di There Comes a Time di Gil Evans che non ascoltavo un album orchestrale così eclettico nella sintesi di materiali diversi. Il nuovo disco di Michael Leonhart segue il debutto di The Painted Lady Suite (Sunnyside 2018), il maestoso affresco musicale che evocava l'impressionismo del primo Evans, con ...

11

Article: Live Review

Jazz In Marciac 2019

Read "Jazz In Marciac 2019" reviewed by Martin McFie


Jazz In Marciac Marciac, France July 30, 2019 to August 4, 2019 How does a remote village in South West France end up hosting an international jazz festival for 42 years? The logistics come later, but the answers to most questions about Jazz in Marciac lie in the superb quality ...

61

Article: Profile

We Out Here: The Fast-Forward Evolution of British Jazz

Read "We Out Here: The Fast-Forward Evolution of British Jazz" reviewed by Chris May


After a lifetime in the shadow of its American parent, British jazz is finally coming of age. A community of young, London-based musicians is forging a style which, while anchored in the American tradition, reflects the modern Caribbean and African cultural heritages of the majority of its vanguard players. The music also addresses the race, class ...

5

Article: Live Review

Nice Jazz Festival 2019

Read "Nice Jazz Festival 2019" reviewed by Martin McFie


Nice Jazz Festival Théâtre de Verdure Nice, France July 16-20, 2019 Sebastien Vidal, the artistic director of the Nice Jazz Festival, expressed his goals for 2019 as diversity and inclusivity. The Festival takes place in the center of the city, near a tram line station. They welcomed forty ...

7

Article: Live Review

Montreux Jazz Festival 2019

Read "Montreux Jazz Festival 2019" reviewed by Martin McFie


Montreux Jazz Festival Montreux, Switzerland June 28 to July 13, 2019 Montreux Jazz festival began in 1967, driven by the vision of Claude Nobs in collaboration with Geo Voumard, Rene Langel, and the Office of Tourism in their hometown Montreux, on Lake Geneva. This year 2019, was the 53rd edition. ...


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