Home » Search Center » Results: Dan McClenaghan
Results for "Dan McClenaghan"
Dan McClenaghan's Best Releases of 2019
by Dan McClenaghan
The music keeps moving forward, evolving to higher levels. My search for the best jazz recordings of 2019 led me to these outstanding CDs. These are presented in the order in which I discovered them. Iro Haarla, Ulf Krokfors & Barry Altschul Around Again Tum Records Finnish pianist Iro Haarla ...
Roberta Piket: Domestic Harmony: Piket Plays Mintz
by Dan McClenaghan
Pianist Roberta Piket was subbing in trombonist Joey Sellers' band in 1998 when she first met drummer Billy Mintz. In an All About Jazz interview, in 2011 with Victor Schermer, Piket said of that first encounter: “I noticed Billy, because the room was very dark, and yet he was wearing sunglasses; he seemed very strange. But ...
Satoko Fujii & Tatsuya Yoshida: Baikamo
by Dan McClenaghan
Some of pianist Satoko Fujii's most explosive music comes with her work with drummer Tatsuya Yoshida. Their duo outings under the name Toh-Kichi, including Erans (Tzadik, 2005) and Toh-Kichi (Victo, 2002) are raucous affairs that veer in an out of mayhem, as are their recordings with the Satoko Fujii Quartet, including Vulcan, (2001), Zephyros (2003), and ...
Marc Copland: And I Love Her
by Dan McClenaghan
In any discussion concerning the best of the modern piano trios in jazz, Marc Copland's name has to come up. Pianist Copland--who, oddly, began his jazz career as a saxophonist--shuffles trio mates often, having employed bassist Gary Peacock and drummer Paul Motian, and drummer Jochen Rueckert, and drummer Bill Stewart and bassist Drew Gress, in a ...
Daniel Schläppi / Marc Copland: Alice's Wonderland
by Dan McClenaghan
Alice's Wonderland is the third duo outing from bassist Daniel Schlappi and pianist Marc Copland, following Essentials (Catwalk, 2012) and More Essentials (Catwalk, 2015). Both Copland and Schlappi have carved out their spots as leaders of various sized ensembles, but the leaderless duo outing format seems to fit both instrumentalists well—Copland has teamed with bassist Gary ...
Hal Galper Trio: The Zone: Live At The Yardbird Suite
by Dan McClenaghan
Pianist Hal Galper has rounded out a career spanning five decades with his stint at Origin Records, beginning with Furious Rubato (2007) and wrapping things up--or so it was rumored--with 2018's Cubist. Most of these are trio affairs featuring bassist Jeff Johnson and drummer John Bishop, with Cubist adding saxophonist Jerry Bergonzi to the mix. All ...
Remy Le Boeuf: Assembly Of Shadows
by Dan McClenaghan
Remy Le Boeuf's Assembly Of Shadows, an ambitious jazz orchestra recording, opens with his original composition, the cinematic “Strata," followed by a majestic take on alto saxophonist Ornette Coleman's “Honeymooners," a tune from the free jazz pioneer's Virgin Beauty (Portrait Records, 1988). These sounds--collectively clocking in at fifteen and a half minutes--set the stage for the ...
Emilio Solla Tango Jazz Orchestra: Puertos: Music From International Waters
by Dan McClenaghan
Tango music was born in the late nineteenth century in the ports along the shore of the Rio de la Plata which flows to the ocean along the border between Argentina and Uruguay. A sound of the poorer locales, it was a melting-pot music, drawing from European, Native American, Spanish-Cuban, African and Argentinian folk music influences. ...
Andrew Dickeson: Groove!
by Dan McClenaghan
You've got to love a lack of pretense. Australian drummer Andrew Dickeson's Groove! seems--initially at least, with the set's opener, “I'm Old Fashioned"--to be introducing a breezy and unpretentious piano trio affair. The tune has a carefree bounce, and the old put-down of “cocktail piano jazz" comes to mind--though what exactly is wrong with music from ...
Michael Dease: Never More Here
by Dan McClenaghan
Trombonist Michael Dease released Bonafide (Posi-Tone Records) in 2018. The disc was a testament to some of his influences—pianist Geri Allen, trumpeter Marcus Belgrave, trombonist J.J. Johnson. For his 2019 testament, Never No More Here, he tips his hat to saxophonist Charlie Parker. But he doesn't cover “Confirmation" “or “An Oscar For Treadwell" or “Segment," familiar ...
