Home » Jazz Articles » Lost & Found Recordings: Pepper Adams, Sheila Jordan, David S. War...

Lost & Found Recordings: Pepper Adams, Sheila Jordan, David S. Ware

By David Brown | The Jazz Continuum
March 22, 2022
Sign in to view read count

Click the play button to listen

This week, lost and found recordings featuring Monk & Coltrane's final tour together, a lost movie soundtrack from Monk, a Sheila Jordan album she doesn't remember making, and other lost and found studio and live recordings from Pepper Adams, Bill Dixon & Cecil Taylor, Harold Land, David S. Ware, Ella Fitzgerald, Tim Berne Snakeoil and more!

Playlist

Lee Morgan "Speedball" from Live at the Lighthouse (Blue Note) 0:11:54
Sheila Jordan "Comes Love" from Comes Love Lost Session 1960 (Capri) 0:14:04
Art Blakey "A Night in Tunisia" from First Flight to Tokyo: The Lost 1961 Recordings (Blue Note) 0:16:17
Tim Berne Snakeoil "Scanners" from Deceptive 4 (Intakt Records) 0:28:15
Harold Land "Vendetta" from Westward Bound! (Cellar Live Records) 0:34:41
Thelonious Monk "Rhythm-a-Ning" from Les Liaisons Dangereuses 1960 (Sam Records) 0:40:59
Miles Davis, John Coltrane "So What" from The Final Tour: Copenhagen, March 24, 1960 (Columbia) 0:47:46
John Coltrane "Untitled Original 11383" from Both Directions At Once: The Lost Album (Columbia) 1:02:22
Erroll Garner "Gypsy in My Soul" from Liberation In Swing: The Octave Records Story & Complete Symphony Hall Concert (Mack Avenue) 1:08:53
Ella Fitzgerald "Jersey Bounce" from The Lost Berlin Tapes (Verve Records) 1:12:01
Pepper Adams "Oleo" from Pepper Adams with The Tommy Banks Trio: Live at Room at the Top (Reel to Real) 1:16:36
Bill Dixon, Cecil Taylor "Piece Two" from Duets 1992 (Triple Point Records) 1:36:47
David S. Ware New Quartet "Reflection" from Theatre Garonne, 2008 (AUM Fidelity) 1:47:26

About Sheila Jordan

Instrument: Vocals

FOR THE LOVE OF JAZZ

All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

WE NEED YOUR HELP

To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.