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David S. Ware

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David S. Ware played the saxophone for over 40 years. First in New Jersey public school bands, and in informal practice sessions with Sonny Rollins as a youth in the '60s; then as part of the fertile NYC Loft Jazz era of the '70s. During this decade, he joined the Cecil Taylor Unit and Andrew Cyrille's Maono. He also worked together with drummers Beaver Harris and Milford Graves. In the early '80s he toured Europe with both Andrew Cyrille and his own trio. In mid-decade, Ware purposefully engaged himself in a period of extensive woodshedding - in order to further develop both his personal sound and his visionary group concept. The '90s saw the full-on actualization of this group, and the recognition of David S

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Article: Album Review

Matthew Shipp: The Piano Equation

Read "The Piano Equation" reviewed by Giuseppe Segala


È difficile non riconoscere fin dalle prime battute lo stile pianistico di Matthew Shipp: l'articolazione del tocco che combina geometrie complesse, dure, spigolose, e volate leggere, quasi noncuranti su alcuni passaggi; l'indugiare sulle sonorità scure di certi accordi e cluster; il soffermarsi su motivi ostinati, liberandosi di essi attraverso virate repentine di atmosfera; i contrasti dinamici. ...

5

Article: Interview

Guillermo E. Brown: Freedom of Music

Read "Guillermo E. Brown: Freedom of Music" reviewed by AAJ Staff


From the 1995-2003 archive: This article first appeared at All About Jazz in April 2002. When it comes to music, Guillermo E. Brown is something of an omnivore. Whether it be calypso, out jazz, hip hop, or electronica, Brown is all ears. That makes the 25 year-old New Yorker something of an exception to ...

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Article: Album Review

Luís Vicente / John Dikeman / William Parker / Hamid Drake: Goes Without Saying, But It's Got To Be Said

Read "Goes Without Saying, But It's Got To Be Said" reviewed by Mark Corroto


It has been more than half a century since the oracles Albert Ayler and John Coltrane proclaimed their message of freedom to the people of earth. Please excuse the grandiosity of the above statement, but after those two giants passed, a shift in consciousness began to take hold. In the biography of William Parker Universal Tonality: ...

News: Birthday

Jazz Musician of the Day: David S. Ware

Jazz Musician of the Day: David S. Ware

All About Jazz is celebrating David S. Ware's birthday today! David S. Ware played the saxophone for over 40 years. First in New Jersey public school bands, and in informal practice sessions with Sonny Rollins as a youth in the '60s; then as part of the fertile NYC Loft Jazz era of the '70s. During this ...

3

Article: Album Review

David S. Ware New Quartet: Théâtre Garonne, 2008

Read "Théâtre Garonne, 2008" reviewed by Giuseppe Segala


È giusto ricordare un gigante come David S. Ware. La quantità di energia e poesia che egli convoglia nella propria musica e nel suono poderoso del sax tenore (e stritch) lo accomuna a grandi come Sonny Rollins, John Coltrane, Albert Ayler. L'etichetta AUM Fidelity lo ricorda con merito nella collana a lui appositamente dedicata, denominata DSW-ARC ...

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Article: Album Review

DUX Orchestra: Duck Walks Dog (With Mixed Results)

Read "Duck Walks Dog (With Mixed Results)" reviewed by John Sharpe


The cover of the 1994 archival recording Duck Walks Dog (With Mixed Results) by the DUX Orchestra presents an intriguing line up which combines American free jazzers with Swedish baritone saxophonist Mats Gustafsson. Even within the New York City contingent there is diversity, as veteran stickman Walter Perkins (who played with Sonny Rollins, Roland Kirk and ...

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Article: Album Review

Okuden Quartet: Mat Walerian/Matthew Shipp/William Parker/Hamid Drake: Every Dog Has His Day But It Doesn't Matter Because Fat Cat Is Getting Fatter

Read "Every Dog Has His Day But It Doesn't Matter Because Fat Cat Is Getting Fatter" reviewed by Karl Ackermann


A student of eastern philosophy and Japanese culture, reed player/composer Mat Walerian coined the Okuden series name from a Japanese word meaning “inner teachings." Walerian had studied piano at six and taught himself saxophone while in his teens. He expanded his self-taught regime to include clarinet and flute in 2008-9. Walerian has sporadically taken lessons from ...

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Article: Radio

Music from new label Tao Forms

Read "Music from new label Tao Forms" reviewed by Bob Osborne


Tao Forms is a new recording label launched in Spring 2020. Drummer—improviser—composer Whit Dickey is both the creative director and executive producer of this fresh endeavour. Matthew Shipp's The Piano Equation was the label's inaugural release. It was followed by Expanding Light, which is the new work by Whit Dickey himself. The music is distributed by ...

5

Article: Radio

Highlights of Jazz in the Late 1990s (1995 - 1999)

Read "Highlights of Jazz in the Late 1990s (1995 - 1999)" reviewed by Russell Perry


This is the 96th of 100 programs in the Jazz at 100 series. As we present more recent music, we face the historian's dilemma, what performances will have lasting value? What players will be remembered for their contributions to advancing the music? What trends will turn into dominant themes? We are following the lead of critic ...


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