Results for "Ella Fitzgerald"
About Ella Fitzgerald
Instrument: Voice / vocals
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Ella Fitzgerald
Born:
Dubbed "The First Lady of Song," Ella Fitzgerald was the most popular female jazz singer in the United States for more than half a century. In her lifetime, she won 13 Grammy awards and sold over 40 million albums. Her voice was flexible, wide-ranging, accurate and ageless. She could sing sultry ballads, sweet jazz and imitate every instrument in an orchestra. She worked with all the jazz greats, from Duke Ellington, Count Basie and Nat King Cole, to Frank Sinatra, Dizzy Gillespie and Benny Goodman. (Or rather, some might say all the jazz greats had the pleasure of working with Ella.) She performed at top venues all over the world, and packed them to the hilt
A Slightly Latin Set, Wilbur Ware at 100, and the Wailin' Mailman from DC
by David Brown
This week we kick things off with a slightly Latin set with Roland Kirk, Aymee Nuviola, Tito Puente and Michel Camilo. Then three pieces of silver from Horace Silver move into a birthday tribute set to bassist Wilbur Ware. Coming home from the DC Jazz fest had me listening to DC artists such as Ellington and ...
Veronica Swift: Veronica Swift
by Katharine (Katchie) Cartwright
Veronica Swift is a masterful jazz singer. Her craft is immaculate. She scats like nobody's business and her texted improvisations are inventive. What's more, she always seems to sing straight from the heart. All that might be enough for some people, not Swift. She is an artistic adventurer who wonders aloud on social media: “What would ...
Shear Brass: Celebrating Sir George Shearing
by Neil Duggan
The work of the late George Shearing, or Sir George Shearing OBE to give him his full title, is the subject of the debut album from Shear Brass, a band dedicated to playing new arrangements of his music. They are led by Shearing's great nephew, drummer Carl Gorham. The album, Celebrating Sir George Shearing, features eleven ...
Jimmy Rowles
by Carol Sloane
Part 1 I had just finished my night's work at a long-since vanished jazz club in Greenwich Village called Hopper's. I was singing with The New York Jazz Quartet: Sir Roland Hanna, George Mraz, Richie Pratt, and Frank Wess. The year was 1977. Mraz said he was going to walk over to Bradley's* to listen to ...
The Continuing Evolution of Kurt Elling
by Mathew Bahl
"I feel like at this point in my career I don't have to prove that I can do fifteen different things to greater or lesser degrees of expertise." Kurt Elling is discussing the genesis of his latest record, Flirting With Twilight. “I've made these roller coaster rides every time," says the Chicago-based jazz singer ...
Paula West and the Art of Making Art
by Mathew Bahl
Jazz singing is like a horse race. To the casual eye, all the horses in the stall look the same. But they aren't. Some have more talent. Some are better trained. Some have better jockeys. Some are more exciting to watch. But no matter what we see or don't see, what the odds might be, or ...
Tierney Sutton: An Instrumentalist’s Singer
by Mathew Bahl
"Jazz demands something of you," says Tierney Sutton. The Los Angeles based singer is discussing the challenge of selling complicated, improvised music in a culture addicted to simple, pre-packaged formulas. “Being barraged in the media teaches people not to engage, not to seek great art, not to listen with their own ears, not to ...
The Jazz Education of Ian Shaw
by Mathew Bahl
A few notable exceptions aside, great jazz musicians are not born; they are created. Most young musicians start by absorbing the work of important influences and then, through practice and live performance, decide what to keep, what to modify and what to discard. Ultimately, originality is less a byproduct of inspiration and more the end result ...
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