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Musician

Lee Morgan

Born:

Lee Morgan was a jazz prodigy, joining the Dizzy Gillespie big band at 18, remaining a member for two years. Beginning in 1956, he began recording as a leader, mainly for the Blue Note label, eventually he recorded twenty-five albums for the company. Morgan's principal influence as a player was Clifford Brown, having had direct contact with him before Brown's premature death.

He was also a featured sideman on several early Hank Mobley records, and John Coltrane's Blue Train. On the latter LP, he even played a bent-up horn like Gillespie's. Joining Art Blakey's Jazz Messengers in 1958 further developed his talent as a soloist and writer. He toured with Blakey for a few years, and was featured on Moanin, which is probably Blakey's best known recording. When Benny Golson left the Jazz Messengers, Morgan persuaded Blakey to hire Wayne Shorter, a young tenor saxophonist, to fill the chair. This classic version of the Jazz Messengers, including Bobby Timmons and Jymie Merritt would record the classic The Freedom Rider album.

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Article: Radio & Podcasts

Don Was, A Strata East Memory, Khruangbin, and introducing Juan Chiavassa with George Garzone, Leo Genovese and John Patitucci

Read "Don Was, A Strata East Memory, Khruangbin, and introducing Juan Chiavassa with George Garzone, Leo Genovese and John Patitucci" reviewed by Hobart Taylor


Getting funky and abstract with a picante twist: New Music from Don Was, Khruangbin, SML, and introducing drummer Juan Chiavassa with his pals, George Garzone, John Pattitucci and Leo Genovese Playlist Host Speaks 00:00 Michael League/ Pedrito Martinez/Antonio Sánchez “Suuru)" from Elipsi (Groundup) 00:21 Lauren Henderson “Vida" from Sonidos (Brontosaurus) 7:01 Antonio Farao “Gospello)" ...

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Article: Multiple Reviews

A Savoy Revival: New OJCs from Hank Mobley & Yusef Lateef

Read "A Savoy Revival: New OJCs from Hank Mobley & Yusef Lateef" reviewed by C. Andrew Hovan


Although the Concord Music Group acquired the legendary Savoy Records archives in 2017, the catalog has seen little reissue activity since. Founded in 1942 by Herman Lubinsky, Savoy earned distinction for documenting rhythm and blues, gospel, and jazz over several decades. The label captured many of bebop's pioneering voices--Charlie Parker, Dexter Gordon, Kenny Clarke, and Dizzy ...

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Article: Album Review

Jimbo Ross: So Do It

Read "So Do It" reviewed by Jack Bowers


Jimbo Ross is a jazz musician who happens to play the violin, not a violinist who happens to play jazz. And yes, there is a difference. Actually, Ross plays a specially designed five-string electric viola/violin on So Do It, as he did on Jazz Passion and Latin Satin, his debut album for Bodacious Records in 2024, ...

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Article: Album Review

Jerry Weldon: The Summit

Read "The Summit" reviewed by Jack Bowers


"Keep it swinging." That is the concise credo of veteran tenor saxophonist Jerry Weldon who talks the talk and walks the walk on this galvanic concert date recorded in November 2024 at the New Brunswick (New Jersey) Performing Arts Center. The Summit is the name Weldon has bestowed on his able-bodied sextet, which he formed during ...

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Article: Multiple Reviews

The "Jazz Detective" Finds A New Muse, Reissues Lost Classics

Read "The "Jazz Detective" Finds A New Muse, Reissues Lost Classics" reviewed by Joshua Weiner


Joe Fields (1929-2017) was a jazz producer and record executive who worked for Columbia, MGM, Verve, and, most impactfully, at Prestige in the 1950s and 1960s. Shortly after Prestige was sold to Fantasy in 1971, ending a classic era for the storied label, Fields founded Muse Records to document the next phase in jazz. Muse brought ...

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Article: Album Review

Roberto Magris: Lovely Day (s)

Read "Lovely Day (s)" reviewed by Dan McClenaghan


Italian pianist Roberto Magris began his journey to the United States--specifically, Kansas City--in 2007, although his recording career began in 1990, in Europe. He expresses himself, for the most part, in the bebop mode--good old-fashioned bop. His inspirations: Lee Morgan, Elmo Hope, Cannonball Adderley and more. Magris found a home at Kansas City's JMood ...

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Article: Radio & Podcasts

Stanley Cowell, Charlie Rouse, and Darius Jones

Read "Stanley Cowell, Charlie Rouse, and Darius Jones" reviewed by Jerome Wilson


This show features newly reissued music by Stanley Cowell and Charlie Rouse as well as the usual collection of old and new jazz from Darius Jones, Joe Elefante, and Lauren Henderson among others. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill ...

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Article: Catching Up With

Chuck Mangione: Friend For Lovers

Read "Chuck Mangione: Friend For Lovers" reviewed by Chris M. Slawecki


This article first appeared on All About Jazz in September 2000. Chuck Mangione is best known as the trumpet player and composer of that ubiquitous tune, which taught millions worldwide that music “Feels So Good." But Chuck Mangione boasts serious Jazz chops: Before flying solo, he cut his teeth in the Woody ...

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Article: Catching Up With

Chuck Mangione: Back On Track

Read "Chuck Mangione: Back On Track" reviewed by Michael Ricci


This article first appeared on All About Jazz in June 1999... without embedded videos. For three decades, Chuck Mangione's infectious energy, unbridled enthusiasm, and pure joy have defined his deep passion for music. Born and raised in Rochester, New York, he first garnered attention playing with the Jazz Brothers alongside his older brother, Gap. ...


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