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Musician

Lee Morgan

Born:

Morgan was a jazz prodigy, joining the Dizzy Gillespie big band at 18, remaining a member for two years. Beginning in 1956, he began recording as a leader, mainly for the Blue Note label, eventually he recorded twenty-five albums for the company. Morgan's principal influence as a player was Clifford Brown, having had direct contact with him before Brown's premature death. He was also a featured sideman on several early Hank Mobley records, and John Coltrane's Blue Train. On the latter LP, he even played a bent-up horn like Gillespie's. Joining Art Blakey's Jazz Messengers in 1958 further developed his talent as a soloist and writer

News: Video / DVD

New Hard-Bop Videos

New Hard-Bop Videos

Hard bop emerged in the early 1950s when a new generation of New York jazz musicians began combining original compositions with funky rhythms, a stronger, sophisticated beat and tightly arranged horns influenced by the rise of R&B. As the decade evolved, the hard-bop sound smoothed out, placing an emphasis on collective harmony and the driving force ...

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Article: Album Review

Roberto Magris & Eric Hochberg: Shuffling Ivories

Read "Shuffling Ivories" reviewed by Dan McClenaghan


You cannot get a sound that is more dead-center-of-the-U.S.A than pianist Roberto Magris and Eric Hochberg's Shuffling Ivories. This makes sense geographically as the disc comes from Kansas City's JMood Records, the label that seems intent on recording everything that Magris has to offer, including the pianist's 2020 magnum opus, Suite. Born in Trieste, ...

7

Article: Album Review

Out To Dinner: Play On

Read "Play On" reviewed by Kyle Simpler


Record producers don't always get the same amount of attention as the musicians featured on an album, but their role and influence is vital in the recording process. Take The Beatles' producer, George Martin, for example. His involvement brought the music to a new level. This is also the case with Blue Note co-founder Alfred Lion, ...

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Article: Interview

Clifton Anderson: Knowing the Road

Read "Clifton Anderson: Knowing the Road" reviewed by Barbara Ina Frenz


New York trombonist Clifton Anderson has mastered his instrument from the 1970s on in jazz programs of his home town outside the conservatory (which he also attended), that were initiated by leading spirits of the music such as Barry Harris, Sam Rivers, and Reggie Workman; these informal, professional jazz circles gave him information, insights and inspiration ...

Album

Just Coolin'

Label: Blue Note Records
Released: 2020
Track listing: Hipsippy Blues; Close Your Eyes; Jimerick; Quick Trick; M&M; Just Coolin’.

Album

The Complete Recordings

Label: Phono
Released: 2020
Track listing: CD1: Nutville; The Way You Look Tonight; Star Eyes; Minor Move; Everything Happens To Me; Good Old Soul; Up Tight’s Creek; Theme For Doris; Miss Hazel; True Blue; Nothing Ever Changes My Love For You. CD2: Back To The Tracks; Street Singer; The Blues And I; For Heaven’s Sake; The Ruby And The Pearl; Talkin’ About; One For Myrtle; Dhyana; David The King; Stranger In Paradise; The Waiting Game.

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Article: Radio

Hanksgiving - A Tribute to Hank Mobley - Companion Mixtape

Read "Hanksgiving - A Tribute to Hank Mobley - Companion Mixtape" reviewed by Ludovico Granvassu


This mixtape is a fun-filled companion to the two parts of our show “Hanksgiving -A Tribute to Hank Mobley," giving even more insight in the legacy of Hank Mobley as a saxophonist and composer through some of his gems and some of the best renditions of his tunes. [Listen to Part 1 and Part 2]

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Article: Album Review

Dave Young Quartet: Ides Of March

Read "Ides Of March" reviewed by Mark Corroto


Maybe the finest compliment you can bestow on an individual in our COVID-19 times is that he/she is a solid citizen, someone who takes it upon themselves to protect others from the dangers of this horrible virus. What does this have to do with the music of bassist/bandleader Dave Young? First, it is fundamental that all ...

4

Article: Album Review

George Coleman: In Baltimore

Read "In Baltimore" reviewed by Mike Jurkovic


At 85, tenor saxophonist George Coleman has sat in on and made his presence mightily known on a host of flat out, hard bopping sessions beginning with B.B. King through Max Roach, Miles Davis, Booker Little, Lee Morgan, Herbie Hancock and . . . well, you should have got the larger picture by now.


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