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Lee Morgan

Born:
Lee Morgan was a jazz prodigy, joining the Dizzy Gillespie big band at 18, remaining a member for two years. Beginning in 1956, he began recording as a leader, mainly for the Blue Note label, eventually he recorded twenty-five albums for the company. Morgan's principal influence as a player was Clifford Brown, having had direct contact with him before Brown's premature death.
He was also a featured sideman on several early Hank Mobley records, and John Coltrane's Blue Train. On the latter LP, he even played a bent-up horn like Gillespie's. Joining Art Blakey's Jazz Messengers in 1958 further developed his talent as a soloist and writer. He toured with Blakey for a few years, and was featured on Moanin, which is probably Blakey's best known recording. When Benny Golson left the Jazz Messengers, Morgan persuaded Blakey to hire Wayne Shorter, a young tenor saxophonist, to fill the chair. This classic version of the Jazz Messengers, including Bobby Timmons and Jymie Merritt would record the classic The Freedom Rider album.
Roberto Magris: Lovely Day (s)

by Dan McClenaghan
Italian pianist Roberto Magris began his journey to the United States--specifically, Kansas City--in 2007, although his recording career began in 1990, in Europe. He expresses himself, for the most part, in the bebop mode--good old-fashioned bop. His inspirations: Lee Morgan, Elmo Hope, Cannonball Adderley and more. Magris found a home at Kansas City's JMood ...
Stanley Cowell, Charlie Rouse, and Darius Jones

by Jerome Wilson
This show features newly reissued music by Stanley Cowell and Charlie Rouse as well as the usual collection of old and new jazz from Darius Jones, Joe Elefante, and Lauren Henderson among others. Playlist Henry Threadgill Sextett I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill ...
Chuck Mangione: Friend For Lovers

by Chris M. Slawecki
This article first appeared on All About Jazz in September 2000. Chuck Mangione is best known as the trumpet player and composer of that ubiquitous tune, which taught millions worldwide that music Feels So Good." But Chuck Mangione boasts serious Jazz chops: Before flying solo, he cut his teeth in the Woody ...
Chuck Mangione: Back On Track

by Michael Ricci
This article first appeared on All About Jazz in June 1999... without embedded videos. For three decades, Chuck Mangione's infectious energy, unbridled enthusiasm, and pure joy have defined his deep passion for music. Born and raised in Rochester, New York, he first garnered attention playing with the Jazz Brothers alongside his older brother, Gap. ...
Lee Morgan: Here's Lee Morgan

by C. Andrew Hovan
While Craft Recordings' new OJC reissue series has largely drawn from its treasure trove of Prestige and Riverside titles, the label recently expanded its scope to include two standout jazz albums from Chicago's historic Vee-Jay Records. Founded in 1953 by husband-and-wife team James Bracken and Vivian Carter, Vee-Jay was not only one of the ...
Interpreting the Lennon/ McCartney Songbook: Part 2, Rubber Soul and Revolver

by Larry Slater
The songwriting team of John Lennon and Paul McCartney became increasingly sophisticated by the mid 1960s. McCartney was the more knowledgeable musically, as he played piano and understood harmony (though he never did learn to read music). Much of John Lennon's writing had a harder edge, and he had a way with lyrics. The albums Rubber ...
Piano Four-té: Keyboard Masters Delight On A Quartet of ECM Luminessence Vinyl Reissues

by Joshua Weiner
Blue Note. Verve. Impulse! Prestige. Just saying the name of such storied jazz record labels immediately conjures up each one's distinct aesthetic, from the music to the cover art. Over the past half century, the German ECM label has earned its place in this pantheon by steadfastly following its own vision, perhaps best summed up by ...
Barbara Bruckmüller Jazz Orchestra, feat. Aruán Ortiz: A Chain of Moments

by Artur Moral
Julio Cortázar's Rayuela (1963), Mark Z. Danielewski's House of Leaves (2000) and Chris Ware's Building Stories (2012) are novels--both written and graphic--that stand out, not just for their literary merit, but also for the various ways readers can engage with them. A similar phenomenon occurs on the listening level with A Chain Of Moments: Suite in ...
Under Review: The Not-So-Simple Art Of Book Reviewing

by Duncan Heining
Jazz books occupy a tiny sector of the publishing industry, within which any book selling between 500-1000 copies counts as a success. Biographies of major figures might command mid-four figure sales but even then come nowhere near troubling the best-seller tables in the New York Times or Guardian. On All About Jazz, between 900 book reviews ...