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Lee Morgan
Born:
Lee Morgan was a jazz prodigy, joining the Dizzy Gillespie big band at 18, remaining a member for two years. Beginning in 1956, he began recording as a leader, mainly for the Blue Note label, eventually he recorded twenty-five albums for the company. Morgan's principal influence as a player was Clifford Brown, having had direct contact with him before Brown's premature death.
He was also a featured sideman on several early Hank Mobley records, and John Coltrane's Blue Train. On the latter LP, he even played a bent-up horn like Gillespie's. Joining Art Blakey's Jazz Messengers in 1958 further developed his talent as a soloist and writer. He toured with Blakey for a few years, and was featured on Moanin, which is probably Blakey's best known recording. When Benny Golson left the Jazz Messengers, Morgan persuaded Blakey to hire Wayne Shorter, a young tenor saxophonist, to fill the chair. This classic version of the Jazz Messengers, including Bobby Timmons and Jymie Merritt would record the classic The Freedom Rider album.
Omar Thomas, Joe Fielder, and Marilyn Crispell
by Jerome Wilson
This show features recent releases by Omar Thomas, Trio of Bloom, and Joe Fielder as well as older music from Marilyn Crispell, Eric Dolphy, and Lee Morgan.Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic) 00:00 New York Trio ...
Peter Evans: Ars Ludicra
by Fran Kursztejn
In the band's handful of releases the past decade, Peter Evans' Being & Becoming has defined itself by an unusual pattern of influence. As the former leader of superstar avant-garde quartet Mostly Other People Do the Killing, Evans has always played the agitator, the many-hats uncompromising auteur, challenging in both sonic intellect and actual practice. He ...
Daniele Cavallanti A World of Sound: A Wall of Sound
by Alberto Bazzurro
Non si può certo dire che Daniele Cavallanti difetti di coerenza. Dopo l'esperienza con gli Aktuala, sul finire degli anni Settanta ha iniziato a intrecciare la sua strada con quella di Tiziano Tononi, dal ché è nato poco dopo Nexus, e di lì tutta una storia comune in cui ognuno ha messo del suo. Del resto, ...
David Sneider: Introducing David Sneider
by Jack Bowers
What better way to introduce young trumpeter David Sneider than with one of his half-dozen buoyant new compositions, “Marvelous-Lee," the opening number on Sneider's congenial debut recording. That delightful salute to fellow trumpeter Lee Morgan also introduces one of Sneider's two front-line partners, tenor saxophonist Jacob Chung, and the ensemble's able rhythm section: pianist Tyler Henderson, ...
Don Was, A Strata East Memory, Khruangbin, and introducing Juan Chiavassa with George Garzone, Leo Genovese and John Patitucci
by Hobart Taylor
Getting funky and abstract with a picante twist: New Music from Don Was, Khruangbin, SML, and introducing drummer Juan Chiavassa with his pals, George Garzone, John Pattitucci and Leo Genovese Playlist Host Speaks 00:00 Michael League/ Pedrito Martinez/Antonio Sánchez “Suuru)" from Elipsi (Groundup) 00:21 Lauren Henderson “Vida" from Sonidos (Brontosaurus) 7:01 Antonio Farao “Gospello)" ...
A Savoy Revival: New OJCs from Hank Mobley & Yusef Lateef
by C. Andrew Hovan
Although the Concord Music Group acquired the legendary Savoy Records archives in 2017, the catalog has seen little reissue activity since. Founded in 1942 by Herman Lubinsky, Savoy earned distinction for documenting rhythm and blues, gospel, and jazz over several decades. The label captured many of bebop's pioneering voices--Charlie Parker, Dexter Gordon, Kenny Clarke, and Dizzy ...
Jimbo Ross: So Do It
by Jack Bowers
Jimbo Ross is a jazz musician who happens to play the violin, not a violinist who happens to play jazz. And yes, there is a difference. Actually, Ross plays a specially designed five-string electric viola/violin on So Do It, as he did on Jazz Passion and Latin Satin, his debut album for Bodacious Records in 2024, ...
Jerry Weldon: The Summit
by Jack Bowers
"Keep it swinging." That is the concise credo of veteran tenor saxophonist Jerry Weldon who talks the talk and walks the walk on this galvanic concert date recorded in November 2024 at the New Brunswick (New Jersey) Performing Arts Center. The Summit is the name Weldon has bestowed on his able-bodied sextet, which he formed during ...
The "Jazz Detective" Finds A New Muse, Reissues Lost Classics
by Joshua Weiner
Joe Fields (1929-2017) was a jazz producer and record executive who worked for Columbia, MGM, Verve, and, most impactfully, at Prestige in the 1950s and 1960s. Shortly after Prestige was sold to Fantasy in 1971, ending a classic era for the storied label, Fields founded Muse Records to document the next phase in jazz. Muse brought ...
