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About Lee Morgan

2

Radio & Podcasts

Classic jazz from Arthur Prysock, Lee Morgan and recently releases from Elijah Rock, Lisa Hilton, and more

Read "Classic jazz from Arthur Prysock, Lee Morgan and recently releases from Elijah Rock, Lisa Hilton, and more" reviewed by David W. Daniels

by David W. Daniels

Classic jazz from Arthur Prysock, Lee Morgan, Harold Land, and others. Rereleased jazz from Tommy Smith, and recently released jazz from Gregory Groover and Nat Adderley, Jr along with several more. Recognizing birthdays for Al Foster, Lizz Wright, Jimmy Herring, and others. Playlist Don Friedman Quartet “Exploration" from Dreams And Explorations (Riverside) 00:00 Arthur Prysock “In The Rain" from Arthur Prysock '74 (Old Town) 8:31 Dizzy Gillespie “Careless Love" from 1961-1964 The Classic Philips Albums (Enlightenment) 12:04 Kenny ...

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21

Album Review

Lee Morgan: Here's Lee Morgan

Read "Here's Lee Morgan" reviewed by C. Andrew Hovan

by C. Andrew Hovan

While Craft Recordings' new OJC reissue series has largely drawn from its treasure trove of Prestige and Riverside titles, the label recently expanded its scope to include two standout jazz albums from Chicago's historic Vee-Jay Records. Founded in 1953 by husband-and-wife team James Bracken and Vivian Carter, Vee-Jay was not only one of the earliest Black-owned and woman-owned labels but also a remarkably eclectic imprint. Known for its blues releases--and even some early Beatles records--Vee-Jay also documented top-tier ...

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19

What is Jazz?

Back In The Groove: Material Matters

Read "Back In The Groove: Material Matters" reviewed by Tarik Townsend

by Tarik Townsend

An aspect of jazz that is often overlooked is the material. That is, the very tunes that the musicians are performing. Arguably more important than the key or the tempo, the song itself dictates where the musician's inspiration will go, and even that isn't always a sure thing. They're a launching pad and an indicator of an artist's imagination. The material can also lead the players into some fascinating places normally not tread by anyone else--including themselves. Some recent records ...

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14

Top Ten List

Top Ten Lee Morgan Recordings

Read "Top Ten Lee Morgan Recordings" reviewed by Jason Innocent

by Jason Innocent

These albums represent a diverse range of Lee Morgan's musical output and showcase his virtuosity, innovation, and contribution to jazz trumpet. The Sidewinder Blue Note Records 1963 Morgan's most famous and commercially successful release is this album. It features the catchy title track, which became a major hit and is now considered a jazz standard. Cornbread Blue Note Records 1965 This album showcases Morgan's exceptional ...

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4

Radio & Podcasts

The Blue Note Label

Read "The Blue Note Label" reviewed by Jerome Wilson

by Jerome Wilson

This show, from July 2021, covers two hours worth of the extensive legacy of the Blue Note record label, examining some of the label's rich past as well as its present. The program goes all the way from Lee Morgan and Bud Powell to Joel Ross and Ambrose Akinmusire. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic) 00:00 Thelonious Monk “In Walked ...

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1

Radio & Podcasts

Definitive Article Lee

Read "Definitive Article Lee" reviewed by Patrick Burnette

by Patrick Burnette

Many moons ago on Episode 95 we did an podcast devoted to Freddie Hubbard, so in honor of the new Complete at the Lighthouse release, we thought it was time to do one for Lee Morgan But not to discuss Live at the Lighthouse because that's the way we roll. (Look me up on Facebook if you have questions about that release). We survey the trumpet master's brutally truncated career and ponder what might have been while enjoying one of ...

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49

Building a Jazz Library

Hard Bop: Ten Essential Live Albums

Read "Hard Bop: Ten Essential Live Albums" reviewed by Chris May

by Chris May

"Fire! That's what people want. Music is supposed to wash away the dust of everyday life. You're supposed to make them turn around, pat their feet. That's what jazz is about. Play with fire. Play from the heart, not from your brain. You got to know how to make the two meet." So said drummer and hard bop pioneer Art Blakey in an interview with David Rosenthal in the 1980s. To which his partner in funk, the ...

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