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Back In The Groove: Material Matters
by Tarik Townsend
An aspect of jazz that is often overlooked is the material. That is, the very tunes that the musicians are performing. Arguably more important than the key or the tempo, the song itself dictates where the musician's inspiration will go, and even that isn't always a sure thing. They're a launching pad and an indicator of an artist's imagination. The material can also lead the players into some fascinating places normally not tread by anyone else--including themselves. Some recent records ...
read moreTop Ten Lee Morgan Recordings
by Jason Innocent
These albums represent a diverse range of Lee Morgan's musical output and showcase his virtuosity, innovation, and contribution to jazz trumpet. The Sidewinder Blue Note Records 1963 Morgan's most famous and commercially successful release is this album. It features the catchy title track, which became a major hit and is now considered a jazz standard. Cornbread Blue Note Records 1965 This album showcases Morgan's exceptional ...
read moreThe Blue Note Label
by Jerome Wilson
This show, from July 2021, covers two hours worth of the extensive legacy of the Blue Note record label, examining some of the label's rich past as well as its present. The program goes all the way from Lee Morgan and Bud Powell to Joel Ross and Ambrose Akinmusire. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic) 00:00 Thelonious Monk “In Walked ...
read moreDefinitive Article Lee
by Patrick Burnette
Many moons ago on Episode 95 we did an podcast devoted to Freddie Hubbard, so in honor of the new Complete at the Lighthouse release, we thought it was time to do one for Lee Morgan But not to discuss Live at the Lighthouse because that's the way we roll. (Look me up on Facebook if you have questions about that release). We survey the trumpet master's brutally truncated career and ponder what might have been while enjoying one of ...
read moreHard Bop: Ten Essential Live Albums
by Chris May
"Fire! That's what people want. Music is supposed to wash away the dust of everyday life. You're supposed to make them turn around, pat their feet. That's what jazz is about. Play with fire. Play from the heart, not from your brain. You got to know how to make the two meet." So said drummer and hard bop pioneer Art Blakey in an interview with David Rosenthal in the 1980s. To which his partner in funk, the ...
read moreJoe Henderson: The Complete Joe Henderson Blue Note Studio Sessions
by Scott Gudell
If an artist stamps his jazz passport with any one of these labels--Blue Note, Verve, Milestone--it's pretty much a guarantee that you've arrived in style. Tenor saxophonist Joe Henderson has traveled with all three and more. The 2021 reissue from the prestigious Mosaic Records focuses on Henderson's 1960s tenure with Blue Note offers a new opportunity to experience an abundance of rich and creative jazz from the decade. Big band and bop were duking it out in the ...
read moreArt Blakey & The Jazz Messengers: First Flight to Tokyo: The Lost 1961 Recordings
by Mike Jurkovic
Perhaps Art Blakey's greatest gift was that he was able to—and also enabled you—to transport through time to when invention was new and not reheated, rebranded, or far worse, rejected out of hand. Just take his opening solo on the Charlie Parker-penned opener “Now's the Time" from the absolutely ribald and raucous First Flight To Tokyo: The Lost 1961 Recordings and get a riotous earful for yourself. Blakey bops, pops, and booms and you're there in the room in Tokyo, ...
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