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Erroll Garner
Born:
Born in Pittsburgh in 1921 (Sy Johnson's biographical note in The Erroll Garner Songbook has June 15, 1923 as Garner's birthdate), Errol Garner started playing piano at the age of two (three according to Johnson). He never learned to read music, probably because it was never a necessity for him. He learned to play the 'novelty' styles of Zez Confrey and others from listening to 78 records, a style which used steady left hand chord rhythms to support very free right-hand melodic interpretations. This provided a perfect basis for the hard-swinging jazz style that Garner was to pioneer. At the age of seven, Garner began appearing on radio station KDKA in Pittsburgh with a group called the Candy Kids, and by the age of eleven he was playing on the Allegheny riverboats
Roberto Magris: Lovely Day (s)
by Dan McClenaghan
Italian pianist Roberto Magris began his journey to the United States--specifically, Kansas City--in 2007, although his recording career began in 1990, in Europe. He expresses himself, for the most part, in the bebop mode--good old-fashioned bop. His inspirations: Lee Morgan, Elmo Hope, Cannonball Adderley and more. Magris found a home at Kansas City's JMood ...
Final Recordings of Jazz Masters of the 1950s and '60s
by Larry Slater
The 1950s and early '60s were a high point for jazz. Jazz was popular. You could hear it on TV, on college campuses, and on US State Department tours. It was an era of mind-boggling creativity. Cool jazz, hard bop, bossa nova and free jazz were all born and nurtured during these years. Many jazz musicians ...
The Summer Knows (un été 42)
by Artur Moral
Not so young, but still foolish: arduous is the path chosen by pianist, composer and singer Franck Amsallem, a lesser-known figure--outside his immediate performance circle--even among some of the jazz world's most avid and encyclopedic enthusiasts. Nevertheless, this musician's name should appear in that roster of outstanding French baby boomer keyboardists mentioned in Pierre de Bethmann: ...
Pierre de Bethmann: Sharing a Musical Breakfast in Lyon
by Artur Moral
If interviewing a musical figure is usually a great experience, having a face-to-face conversation with one is a true privilege. Besides, it is April in Lyon, cherry trees in blossom... and the roofs of the capital of the French region of Auvergne-Rhône-Alpes shine under a splendid spring sun. Pierre de Bethmann, winner of the 2024 Victoire ...
Unearthed & Unforgettable: The Lost Tapes of Just Jazz
by Hank Hehmsoth
Rediscovering Just Jazz: A Lost Archive of Jazz Legends Returns Unearthed after more than 50 years, the Just Jazz video archives represent one of the most significant rediscoveries in jazz history. Produced by NEA Jazz Master Dan Morgenstern and originally broadcast in 1970 on WTTW Chicago, these rare recordings capture intimate, electrifying performances by some of ...
Sullivan Fortner, Sasha Berliner, Herbie Hancock
by David Brown
This week on The Jazz Continuum, the spotlight turns to pianist and composer Sullivan Fortner, a dynamic presence in modern jazz. Known for his nuanced touch and bold improvisational voice, Fortner has made a mark through collaborations with vocalists Kurt Elling and Cécile McLorin Salvant, and through his acclaimed trio, solo, and duo recordings--including an intimate ...
Kevin Fort: Everything I Love
by Dan McClenaghan
The ghosts of pianists past inhabit the music of Kevin Fort. The Chicago-based piano man's third album release, Everything I Love, keeps a grip on the tradition with an eye to right now on this ten-tune workout that includes five engaging Fort originals and and five well-chosen standards, incuding the Cole Porter title tune, the Rodgers ...
Jazz Continuum Latin Edition
by David Brown
This week, we're featuring the Jazz Continuum Latin Edition. Let's dive into some Latin sounds from NYC, starting with Pete Rodriguez's “I Like It (I Like It Like That)," followed by the Joe Cuba Sextet and Nuyorican percussionist Ray Barretto. We'll also spotlight two albums from this weekend in history: Kenny Dorham's Afro-Cuban (1955) and McCoy ...
Ariane Racicot: Danser avec le feu
by Dan McClenaghan
The piano trio is a tried and true jazz format. Art Tatum, Erroll Garner, Red Garland and Ahmad Jamal made their marks there. Also Bill Evans, Marc Copland and Brad Mehldau, and so many others. And let us not forget Fred Hersch and a hundred or so more. Some artists, feeling constrained by the ...
