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Bill Dixon

Bill Dixon has been a driving force in the advancement of contemporary American Black Music for more than 45 years. His pioneering work as a musician and organizer in the early 1960’s helped lay the foundation for today’s creative improvised music scene in New York and beyond. In 1964, he founded the all-star artists collective, the Jazz Composers’ Guild, and produced and organized The October Revolution in Jazz, an unprecedented New York festival that helped put the so-called “new thing” on the cultural map.

A mentor to countless musicians, through both his teaching and his role as a producer for Savoy Records, Dixon turned his focus to education in the late 1960’s, serving for nearly 30 years on the faculty at the prestigious Bennington College, where he founded the historic Black Music Division in 1973.

ARTICLE: ALBUM REVIEW

New York Contemporary Five: Consequences Revisited

Read "Consequences Revisited" reviewed by Mark Corroto

This 2020 reissue of the New York Contemporary Five recordings from 1963-64 can't help but draw one's attention to the social unrest occurring in America in 2020. In 1964 the riots in Harlem and Philadelphia over police brutality were followed by similar riots a few years later in Watts, Newark, Detroit, etc. In the growing civil ...

ARTICLE: ALBUM REVIEW

Bob Gluck: Early Morning Star

Read "Early Morning Star" reviewed by Karl Ackermann

Composer/pianist/electronic artist Bob Gluck's musical repertoire is particularly diverse. Among his many electro-acoustic projects are the borderless duo album Textures and Pulsations (Ictus Records, 2012) with Aruán Ortiz, Tropelets (Ictus Records, 2014) featuring improvisations based on Jewish biblical chants, and Infinite Spirit (FMR Records, 2016) where he pays tribute to Herbie Hancock's Mwandishi Band. In the ...

ARTICLE: INTERVIEW

Matthew Shipp: Poetic Connection

Read "Matthew Shipp: Poetic Connection" reviewed by Seton Hawkins

It is difficult to describe the impact of pianist and composer Matthew Shipp without descending into hyperbole. A core figure in the now-legendary David S. Ware Quartet, a bandleader with a staggering recording output, a groundbreaking curator for the influential Blues Series of Thirsty Ear Records, Matthew Shipp has also more recently broken new ...

ARTICLE: ALBUM REVIEW

Mario Pavone: Philosophy

Read "Philosophy" reviewed by Giuseppe Segala

Ci sono musicisti che percorrono con discrezione il proprio itinerario artistico e, pur senza collocarsi nel novero dei protagonisti, si ritagliano un ruolo importante di connettori, di tenaci tessitori delle trame che rendono vitale e significativo un periodo artistico. Il contrabbassista Mario Pavone è senz'altro uno di questi. Un musicista prezioso, prodigo di iniziativa. Lo abbiamo ...

ARTICLE: ALBUM REVIEW

Taylor Ho Bynum 9-tette: The Ambiguity Manifesto

Read "The Ambiguity Manifesto" reviewed by Giuseppe Segala

All'interno della generazione di musicisti che si sono formati con Anthony Braxton negli anni Novanta, studiando presso di lui alla Wesleyan University e collaborando ai suoi lavori di quel periodo, Taylor Ho Bynum spicca insieme a Mary Halvorson per versatilità dinamica e dovizia progettuale. Bynum, nel periodo in cui ha diretto la Tri-Centric Foundation, dal 2010-2018, ...

ARTICLE: ALBUM REVIEW

Whit Dickey: Tao Quartets: Peace Planet & Box of Light

Read "Tao Quartets: Peace Planet & Box of Light" reviewed by Giuseppe Segala

Possiamo dire che l'assioma secondo il quale tutti i jazzisti sono sottovalutati, non sia poi così paradossale. Parliamo naturalmente dei musicisti che mettono al primo posto del loro operato il fare artistico e non la realizzazione di un prodotto solo ben accetto sul mercato. Spesso ci troviamo di fronte a musicisti che subiscono tale disattenzione in ...

ARTICLE: ALBUM REVIEW

Matthew Shipp String Trio: Symbolic Reality

Read "Symbolic Reality" reviewed by Karl Ackermann

Of the many formations in which Matthew Shipp works, his string trio is one of the most eclectic and appealing. Mat Maneri, William Parker and Shipp have covered the breadth of progressive improvised music from chamber to noise. Shipp has dabbled in electronica and hip-hop, but more often in the genre-less manner which makes him stand ...

ARTICLE: GENERAL ARTICLES

Bill Dixon e Cecil Taylor: iniziò a Verona

Read "Bill Dixon e Cecil Taylor: iniziò a Verona" reviewed by Angelo Leonardi

La pubblicazione di quest'inedita incisione in studio documenta un momento storico: il magistrale e fugace confronto artistico tra Bill Dixon e Cecil Taylor dell'estate 1992. I due protagonisti del free dettero il 25 giugno di quell'anno un concerto a Verona Jazz, nei giorni seguenti s'esibirono a Vienne (Francia) e subito dopo entrarono in studio ...

Cecil Taylor e Bill Dixon: esce l'inedito in studio del 1992

Label: Triple Point Records
Released: 2019
Track listing: Side A: Piece One; Piece Two.
Side B: Piece Three; Piece Four.
Side C: Piece Five; Piece Six; Piece Seven.
Side D: Piece Eight; Piece Nine; Piece Ten; Piece Eleven.


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