To pigeonhole a musician is to ghettoize a music. But we all do it. Yes, Kali Z. Fasteau is a pianist, but also a drummer, a cellist and a flutist. From her twenty plus recordings she refuses to be fixed with a descriptor. She also performs on the nai, kaval and shakuhachi flutes, is a vocalist, plays viola, violin, mizmar, soprano sax, synthesizers, and sanza. Like a modern Rahsaan Roland Kirk, she just makes music.
On Intuit she plays duos, alternating with L. Mixashawn Rozie and Kidd Jordan. Both performed on her previous disc Piano Rapture (Flying Note, 2014). Fasteau limits herself here (limits!) to drums, nai flute, viola, mizmar, vocals, and introduces a new instrument in her arsenal, the aquasonic or waterphone. Which she bows, taps and charms into a metallic hum to accompany Jordan's upper register tenor explorations on "Celestial Trolleycar." Fasteau's one-world music approach to improvisation draws from her residency in Africa singing "Soothe Sayer" to Rozie's West African djembe playing. What is extraordinary is the depth and diversity of the music contained here. Eyes closed and it's easy to picture Albert Ayler performing with Ronald Shannon Jackson when Rozie and Fasteau engage a tenor/drums duo on "Winged Horses." Highlights are her cello/tenor conversation with Jordan on "Lineage," where the pair deftly braid their two instruments into one voice and the flute and flute landscape of "Moonlight Swim" she creates with Rozie.
Intuit is pure musical jouissance.
Spring in Your Step; Subliminal Song; Outlands; Lineage; Air Reeds; Moonlight
Swim; Winged Horses; Celestial Trolleycar; Soothe Sayer; Tweets; Steering Joy.
Kali Z. Fasteau: drums, nai flute, viola, mizmar, aquasonic, cello, voice; Kidd
Jordan: tenor saxophone; L. Mixashawn Rozie: tenor saxophone, flute, djembe.
All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.
WE NEED YOUR HELP
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.