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Mats Gustafsson / Ken Vandermark / Tomeka Reid / Chad Taylor: PIVOT
by Mark Corroto
Do not judge a friend for buying a lottery ticket when the jackpot climbs to some astronomical sum. The odds of hitting the winning combination may be just as astronomical, but the dollar spent buys something more valuable than probability: a few hours of dreaming, imagining another life. Speaking of combinations, the newly formed quartet Pivot ...
Tatsuya Yoshida / Martín Escalante: The Sound of Raspberry
by Mark Corroto
This LP may be the revelation of 2025--or a sonic ordeal, depending on your tolerance for noise and your grasp of history. Japanese drummer Tatsuya Yoshida and Mexican saxophonist Martín Escalante met at the perfect moment in December 2023 to record 14 tracks at Tokyo's Bar Aja. The result, The Sound of Raspberry, is the love ...
Miguel Zenón Quartet: Vanguardia Subterránea: Live at The Village Vanguard
by Mark Corroto
The perfect sports analogy for saxophonist and composer Miguel Zenón might just be baseball legend Roberto Clemente. Both were born in Puerto Rico, and both are revered as masters of their respective crafts. Clemente was a perennial All-Star, a World Series MVP, a Gold Glove winner and a National League batting champion. Zenón, for his part, ...
Neil Charles Quartet: Dark Days
by Mark Corroto
In 2025, amid global unrest and political fracture, the 1963 March on Washington for Jobs and Freedom can feel like a distant dream, and Dr. Martin Luther King Jr.'s “I Have a Dream" speech like a myth from a gentler past. Has social media, with all its noise and manipulations, induced a kind of societal amnesia? ...
Rodrigo Amado / Chris Corsano: The Healing
by Mark Corroto
Imagine the blank canvas that tenor saxophonist Rodrigo Amado and drummer Chris Corsano set out to fill in this live recording from Lisbon, Portugal's ZDB in September 2016. Between them, they have nearly three hundred recordings and three times as many performances--an arsenal of sounds, textures, and ideas ready for deployment. Their orbits often intersect: Amado ...
Shifa شفاء - Rachel Musson, Pat Thomas, Mark Sanders: Ecliptic
by Mark Corroto
Some books are divided into chapters--numbered, titled, and carefully structured. The musical equivalent is the tracklist: segmented, labeled pieces presented in order. But Ecliptic by the trio Shifa (شفاء, Arabic for “healing") rejects that format entirely. This 46-minute set of improvised music by saxophonist Rachel Musson, pianist Pat Thomas and drummer Mark Sanders unfolds without titles, ...
Olie Brice Quartet: All It Was
by Mark Corroto
Bassist Olie Brice wears the title of Mr. Inside/Mr. Outside with remarkable ease. Equally adept in free improvisation and structured composition, Brice moves fluidly between extremes. His work with improvisers such as Tobias Delius and Mark Sanders on Somersaults (Two Rivers, 2015), or with Paul Dunmall on The Laughing Stone (Confront, 2023), exemplifie his outside approach. ...
Muriel Grossmann: MGQ Live Im King Georg, Köln
by Mark Corroto
Muriel Grossmann has firmly established herself in the realm of spiritual groove jazz. With her 19th release as a leader, the Paris-born, Vienna-raised saxophonist--now based in Spain--presents her first live recording. Joined by her long-standing ensemble MGQ, which features Serbian-born guitarist Radomir Milojkovic and drummer Uros Stamenkovic, along with Spanish Hammond B3 organist Abel Boquera, the ...
Gabriele Mitelli Three Tsuru Origami: Colapesce
by Mark Corroto
The second release from Gabriele Mitelli's Three Tsuru Origami ensemble shifts from the literal to the symbolic, expanding both in concept and personnel. Their debut, Three Tsuru Origami (We Insist!, 2022), was a meditation on birds and migration. This follow-up, Colapesce, draws inspiration from the 12th-century Sicilian legend of a half-man, half-fish who sacrifices himself to ...
Keefe Jackson / Jakob Heinemann / Adam Shead: Stinger
by Mark Corroto
Stinger marks the debut release from the trio of saxophonist Keefe Jackson, bassist Jakob Heinemann and drummer Adam Shead. Yet, from the cohesion and interplay captured on this recording, it is clear these three musicians have collaborated extensively. The group exemplifies the Chicago ethos of collective creation--both in compositional approach and improvisational execution. Jackson and Heinemann ...
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