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Albert Ayler Quartet: Reference: Albert Ayler Quartet Goin' Home 1964
by Mark Corroto
On February 24, 1964, Albert Ayler entered Atlantic Studios in New York City to record a series of compositions that would help define the saxophonist's legacy and, arguably, alter the course of jazz. The Cleveland, Ohio, native had recently returned from Europe, where he had performed with Cecil Taylor's quartet and at the urging of Swedish ...
Ivo Perelman, Elliott Sharp, Cyro Baptista: Triacontagon
by Mark Corroto
To better appreciate Triacontagon, it helps to wind the clock back to Brazilian saxophonist Ivo Perelman's recordings from the mid-to-late 1990s. Consider Man of the Forest (GM Recordings, 1994), Brazilian Watercolour (Leo Records, 1999) and Aquarela do Brazil (Atração Fonográfica, 1999). Each featured fellow São Paulo native, percussionist Cyro Baptista. Perelman, who began his musical life ...
Weave4: La Gomma Di Dante
by Mark Corroto
Did the quartet Weave4 reach back 700 years with an eraser and a comma to reimagine Dante Alighieri's famous words: “Midway upon the journey of our life, I found myself within a forest dark, for the straightforward pathway had been lost?" Well, not exactly. This French-Italian collective of pianist Benoit Delbecq, drummer Steve Arguelles, ...
Chad Fowler / Eri Yamamoto: Polkadots & Moonbeams
by Mark Corroto
Some of the finest duo recordings give the listener the sensation of eavesdropping on an intimate encounter. The recordings of Tony Bennett and Bill Evans come to mind, as does the music of Billie Holiday and Lester Young. Polkadots & Moonbeams, by pianist Eri Yamamoto and saxophonist Chad Fowler, creates that same feeling. Although recorded in ...
Tommy Muellner: Solitary Moon
by Mark Corroto
Today's hipster jazz musicians do not play standards. Perhaps “poseur" is a better description for artists who deliberately eschew classic compositions. Yet standards and familiar songs serve an important purpose in jazz: they provide a shared musical language, a lingua franca through which musicians communicate and listeners can measure the quality of an interpretation. Maybe, just ...
Irene Schweizer: Piano Solo: Prelude To A Kiss And More
by Mark Corroto
It might be a touch of hyperbole to say the world wasn't ready for Swiss pianist Irène Schweizer's 1986 recording Piano Solo: Prelude To A Kiss And More. Yet listening to it some 40 years later, that may well be your first thought. Schweizer (1941--2024) had already established herself as a formidable improviser through recordings such ...
Satoko Fujii Orchestra Kobe: After The Storm
by Mark Corroto
Pianist, composer and orchestra leader Satoko Fujii tends to resist comparisons between her career and that of Duke Ellington. The analogy, however, is difficult to avoid. At a time when maintaining a large ensemble is an increasingly rare undertaking, Fujii has led an astonishing number of them. Alongside her solo work, duos and quartets, there have ...
Earth Tongues: Phases
by Mark Corroto
When we think about a recording, we rarely consider its tactile qualities. We hear pulse, rhythm and momentum, the obvious physicality of sound. A rave, for example, can be experienced as much through the body as through the ears, its bass frequencies vibrating through bone and muscle. But the trio Earth Tongues approaches physicality from the ...
Simon Rose, et al.: One Voice
by Mark Corroto
What is more American than jazz? Historians generally agree that the music was born in New Orleans, forged from African musical traditions, European harmony and Caribbean rhythms. Alongside jazz, baseball and basketball are among America's great cultural inventions. Yet today, none of these belongs solely to the United States. Japan captured the imagination of baseball fans ...
Rodrigo Amado: Wailers
by Mark Corroto
A decade ago, it would have been easy to assume that saxophonist Rodrigo Amado's This Is Our Language (Not Two, 2015) was a singular encounter rather than the beginning of an enduring ensemble. Amado had previously collaborated with bassist Kent Kessler and drummer Paal Nilssen-Love on Teatro (European Echoes, 2006), while drummer Chris Corsano would join ...
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