Results for "Mark Corroto"
Chicago Edge Ensemble: The Individualists
by Mark Corroto
Let's trot out the old New York versus Chicago rivalry. Just like with their sports teams (Jets vs. Bears, Knicks vs. Bulls, etc.) music fans feel a need to chose sides. It has been like that since Louis Armstrong left the Windy City for the Big Apple in 1924 and Sun Ra in 1961. Sure NYC ...
Rodrigo Amado / The Bridge: Beyond The Margins
by Mark Corroto
You might think saxophonist Rodrigo Amado's quartet The Bridge is an allusion to Sonny Rollins' performing and recording hiatus between 1959 and 1961. One spent practicing on the Williamsburg Bridge which links Manhattan and Brooklyn. Besides the name, Amado's previous release, Refraction Solo Live At Church Of The Holy Ghost (Trost, 2022), his first unaccompanied recording, ...
Anna Webber: Shimmer Wince
by Mark Corroto
Some mechanical wristwatches have clear faces which allow the owner to observe the inner workings of the marvelous object. It is a wonder just how the timepiece utilizes its mainspring and gear train to drive the harmonic oscillator which keeps near perfect time. The same can be said of composer, saxophonist and flautist Anna Webber's investigation ...
Peter Brotzmann / Sabu Toyozumi: Triangle – Live at OHM, 1987
by Mark Corroto
Triangle--Live At OHM, 1987 is a recording of Peter Brotzmann in Japan. Here he is performing with master free jazz drummer Sabu Toyozumi. This is not the musicians first meeting. The pair have released a couple nearly impossible to find discs such as Live In Japan 1982 (Improvised Company, 1999) and Live In Okayama 1987 (Improvised ...
Transatlantic Five: Transitions
by Mark Corroto
There is an expression in meditation for when an individual is concentrating on their breath, “it's a simple practice, but not easy." A similar statement might be made about Transitions by the Transatlantic Five. The music is not simple, but it is easy. Easy, at least for this quintet. The American duo of Ken ...
Ingrid Laubrock: Monochromes
by Mark Corroto
Saxophonist & composer Ingrid Laubrock and her partner, drummer Tom Rainey self-released an ongoing series of spontaneous duets, the Stir Crazy Episodes, recorded during the pandemic lockdown. They were most likely a kind of pressure release mechanism for both artists. With Monochromes, Laubrock heads in the opposite direction by commissioning four musicians to pre-record tape pieces ...
Charles Mingus: At Antibes 1960 Revisited
by Mark Corroto
At Antibes could easily be an all-time favorite Charles Mingus recording if he had not produced such extraordinary sessions as Mingus Ah Um (Columbia, 1959), Charles Mingus Presents Charles Mingus (Candid, 1961), The Black Saint And The Sinner Lady (Impulse!, 1963) and Mingus Mingus Mingus Mingus Mingus (Impulse!, 1964). Listeners can make their own picks, but ...
Jeff Lederer: Balls of Simplicity
by Mark Corroto
To describe Jeff Lederer's latest offering, borrow a catchphrase from Monty Python's Flying Circus, “and now for something completely different." The saxophonist, clarinetist and composer might be best known for reimagining the music of Albert Ayler in both the traditions of the Shaker Christian sect or in a sea shanties format, his irreverent reimagining of Dixieland ...
Tomas Fujiwara’s 7 Poets Trio: Pith
by Mark Corroto
The instructions that came with Tomas Fujiwara's 2019 release, 7 Poets Trio (RogueArt), read, “I'd like to tell you as little as possible about this music before you listen to it... and create your own scenes for which these songs can be soundtracks." The same advice is warranted for Fujiwara's 7 Poets Trio follow up recording ...
Gard Nilssen's Supersonic Orchestra: Family
by Mark Corroto
Why can't all music be supersonic? That does not mean supersonic as in a speed exceeding that of sound, but sound that is sonically superlative. Drummer, composer, and bandleader Gard Nilssen's music is seemingly always sonically superb. His 17-piece Supersonic Orchestra was captured in 2022 at the Mondriaan Jazz Festival in Den Haag, Netherlands, for Family, ...
