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Musician

Rahsaan Roland Kirk

Born:

Kirk was born Ronald Theodore Kirk in Columbus, Ohio, but felt compelled by a dream to transpose two letters in his first name to make Roland. In 1970, Kirk added "Rahsaan" to his name. Preferring to lead his own groups, Kirk rarely performed as a sideman, though he did record with arranger Quincy Jones, Roy Haynes and had especially notable stints with Charles Mingus. He played the lead flute and solo on Jones' Soul Bossa Nova, a song popularized in the Austin Powers films (Jones 1964; McLeod et al. 1997). His playing was generally rooted in soul jazz or hard bop, but Kirk's knowledge of jazz history allowed him to draw on many elements of the music's history, from ragtime to swing and free jazz

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Article: Interview

Gary Bartz Is Nobody's Jazz Musician

Read "Gary Bartz Is Nobody's Jazz Musician" reviewed by Bridget A. Arnwine


Gary Bartz is nobody's jazz musician. What he has built and created as an artist with a career that spans six decades defies labels, especially ones that have storied racist connotations and otherwise derogatory origins like the word jazz. He is a composer of the finest order and as gifted as the most revered names in ...

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Article: Radio & Podcasts

RIP Eddie Palmieri, New Music from Karla Harris, Joe Farnsworth, and more, Birthday Music from Tony Bennett, Benny Carter, Allan Holdsworth, and More

Read "RIP Eddie Palmieri, New Music from Karla Harris, Joe Farnsworth, and more, Birthday Music from Tony Bennett, Benny Carter, Allan Holdsworth, and More" reviewed by David W. Daniels


This program features classic jazz, current jazz that is in the tradition of classic jazz, jazz fusion, and music by local (Atlanta) artists covering all forms of jazz. Today's program pays homage to the recently transitioned Eddie Palmieri during our classic jazz segment. In our new music segment, tracks from recent releases and advance tracks are ...

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Article: Radio & Podcasts

Live at Newport 1956-69 + New Releases

Read "Live at Newport 1956-69 + New Releases" reviewed by David Brown


Today we will bookend the show with new releases from Hiromi, Ambrose Akinmusire, Fred Hersch, Dan Weiss, and Phillippe Massé . In between, a summer selection of recordings originating from the Newport Jazz Festival between 1956 and 1969. Artists for this set will include Duke Ellington, Toshiko Akiyoshi, Dizzy Gillespie, Teddy Wilson, The Sextet, Thelonious Monk, ...

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Article: Album Review

Naïssam Jalal: Souffles

Read "Souffles" reviewed by Ian Patterson


Not one to stand still for long, flautist/vocalist Naïssam Jalal moves between at least eight different bands, four of which she leads. Born in France to Syrian parents, Jalal's music draws on a wide range of roots and traditions--from ritual trance to rap; from African and Middle Eastern rhythms to North Indian classical, jazz and free ...

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Article: Interview

Meet Andy Bey

Read "Meet Andy Bey" reviewed by Chris M. Slawecki


From the 1995-2003 archive: This article first appeared on All About Jazz in February 2000. Listening for the first time to Andy Bey is like stepping into a quiet, still lake. Your foot first parts a surface that's smooth and tranquil, but you can't really tell from that surface how deeply your foot must ...

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Article: Album Review

Caleb Wheeler Curtis: The True Story of Bears and the Invention of the Battery (Deluxe Edition)

Read "The True Story of Bears and the Invention of the Battery (Deluxe Edition)" reviewed by Paul Rauch


Caleb Wheeler Curtis is one of the more daring musicians in jazz today, not only in his approach to playing the saxophone, but in his fearless dedication to his own musical conceptions, expressed clearly in his original compositions. That daring and dedication can be equally attributed to many of the shakers and movers of modern jazz, ...

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Article: Album Review

Dorothy Ashby: Afro-Harping Deluxe Edition

Read "Afro-Harping Deluxe Edition" reviewed by Chris May


There are certain instruments that struggled for attention in the years when the jazz ecology was an overwhelmingly male preserve--or rather, when many men perceived jazz to be a male preserve, and a heterosexual, alpha male one at that. Exhibit A, the flute, was described by one leading male alto saxophonist, a near contemporary of Charlie ...

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Article: Album Review

Steve Marcus, Miroslav Vitous, Sonny Sharrock, Daniel Humair: Green Line

Read "Green Line" reviewed by Joshua Weiner


Several decades into the jazz reissue boom, first on CD and now increasingly on vinyl, one might imagine the bottom of the barrel is being scraped, and that any newly rediscovered obscurities might at this point have been best left alone. Yet so vast are the archives of recorded jazz that diamonds remain in the mine, ...

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Article: Radio & Podcasts

Freedom & American Themes + Captain Black Big Band

Read "Freedom & American Themes + Captain Black Big Band" reviewed by David Brown


Here is the show from Independence Day weekend with American and freedom themes as explored by jazz artists. From there, we'll check out some works from the Orrin Evans Captain Black Big Band, and more. Welcome friends and neighbors to The Jazz Continuum. Old, new, in, out... wherever the music takes us. Each week, we will ...


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