From a musical family, Kali. Z. Fasteau played piano, cello, flute, and sang since early childhood in Paris and New York. Specializing in spontaneous composition, she performs on nai, kaval and shakuhachi flutes, voice, piano, drum set, viola, mizmar, soprano sax, sanza, and cello. She studied the music of Asia, Africa, 20th Century Europe and Jazz, and traveled for 14 years, living in India (2 years), Turkey (1 year), Nepal, Morocco, Senegal, Congo, Italy, Holland (3 years), France (many years), Denmark, Belgium, Switzerland, Finland, Zimbabwe, Mali, Niger, Yugoslavia, Germany, Greece, Haiti and America, performing in music festivals, concerts, national radio, TV, and film soundtracks. Kali. Z recorded 20 albums as leader, 16 on FLYING NOTE Records.
Kali’s recording and performing associates include: Donald Rafael Garrett, Kidd Jordan, Archie Shepp, Beaver Harris, Rashied Ali, William Parker, Newman Baker, Warren Smith, Michael Wimberly, L. Mixashawn Rozie, Jeanne Lee, Marilyn Mazur, Joseph Jarman, Joe McPhee, Hamid Drake, Bobby Few, Noah Howard, Sabir Mateen, and many others. Kali’s ensembles played her original compositions at New York’s Town Hall, Lincoln Center & Guggenheim Museum, Museum of Modern Art in Paris, Museum Theatre in Chennai, India, Boston Center for the Arts, Vision Festival (NYC), Kerava Jazz Festival (Finland) , Uncool Festival (Switzerland), JVC Festival, Harare International Arts Festival (Zimbabwe), Pisa Jazz Festival, Istanbul Jazz Festival, Livorno Jazz Festival, Kiahkeya Festival, and hundreds more worldwide.
Kali. Z. taught people of all ages around the world to make and play bamboo flutes, and has conducted seminars on world music and improvisation at Friends World College, Pacifica Graduate Institute, The New School (NY), New York Open Center, and Berklee College of Music. She formulated her theory of spontaneous composition, entitled “The Tao of Music” in 1974, published in five languages in music journals internationally.
A small sampling of Press Acclaim:
"I give this 5 stars.
She’s got that microtonal thing happening. This is
beautiful!" CASSANDRA WILSON, DOWNBEAT
"Part of New York's original free-jazz scene, Kali has a fierce dedication to music as pure, forceful, exploratory sound. She blends cultures and tones...it's world music as constant rapture." Ben Ratliff, The NEW YORK TIMES
"Fasteau's powerful free improvisations extend the legacy of John Coltrane, with her own distinct exploratory voice and luxurious sound. With ecstatic, but disciplined fervor, clarity of thought and freely flowing imagination, she packs a wealth of expression into a single utterance." Steve Holtje, JAZZIZ
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A small sampling of Press Acclaim:
"I give this 5 stars.
She’s got that microtonal thing happening. This is
beautiful!" CASSANDRA WILSON, DOWNBEAT
"Part of New York's original free-jazz scene, Kali has a fierce dedication to music as pure, forceful, exploratory sound. She blends cultures and tones...it's world music as constant rapture." Ben Ratliff, The NEW YORK TIMES
"Fasteau's powerful free improvisations extend the legacy of John Coltrane, with her own distinct exploratory voice and luxurious sound. With ecstatic, but disciplined fervor, clarity of thought and freely flowing imagination, she packs a wealth of expression into a single utterance." Steve Holtje, JAZZIZ
“Fasteau leads the fifteen live recordings on Vivid with agility and grace, with precision and freedom, with driving force and haunting beauty. Moving from soprano sax to drum set to a variety of indigenous reed instruments to mind-bending vocal glossolalia, hers is an ancient-to-future aesthetic, clearly connected to Yusef Lateef, Wayne Shorter and the Art Ensemble of Chicago’s wide-ranging culture blend.” Pete Gershon, Ed: SIGNAL to NOISE
“Multi-instrumentalist improv-goddess Kali Z. Fasteau brings it all full circle. On Vivid, supported by a stellar line-up of William Parker, Joe McPhee, Sabir Mateen, Hamid Drake and Ron McBee, Fasteau freely explores the synthesis of improvisation and worldly sounds…this is truly wonderful music…Highest recommendation!” Jeff Gibson, OTHER MUSIC
“Calling Fasteau a “composer and multi-instrumentalist” is like calling Einstein “a clever little guy.” Fasteau’s sound is infused with the expansiveness of her world travels and moves effortlessly through many different styles. But it is Fasteau herself that makes this CD special. Her utter at-homeness with the music is the artist’s loss of ego, where a musician lets the music take over and play itself. A recording of rare beauty and virtuosity.” Richard Kadrey, SAN FRANCISCO CHRONICLE
"Fasteau has mastered the searing energy language of her male free jazz peers, yet she offers her own unique take. Her soprano sax playing, alongside William Parker, Bobby Few, Noah Howard and Daniel Carter is every bit as robust as her formidable compatriots." A. C. Lee, THE WIRE
“VIVID is a masterpiece in Fasteau’s rich gallery of work. Her multi-instrumental improvisations, balancing intricate pulsating rhythms with deep-rooted melodies, are only a prelude to her astonishing vocals. Kali’s understanding of the relationship between India’s music and spiritual life brings a clarity to her synthesis of Indian microtonality and the evanescent chromatic freedom of avant-garde jazz….William Parker’s sonorous drones interact beautifully with Fasteau’s nai and kaval flutes…and the telepathic exchanges between Fasteau and Joe McPhee are the high points of this recording. The two musicians evoke dramatically shifting moods, developing fierce microtonal intensity in their soprano saxophone dance on ‘Red’, and offering a tender, elegant exchange on ‘Chartreuse.’
A project as clear-spirited as VIVID makes Kali Fasteau look like the avant-garde’s Joan of Arc" John Swenson, SONICNET.com
"Four Aces - A Hands-down Classic!" rating from ALTERNATIVE PRESS - A.P. Magazine. Only 4 out of 100 albums reviewed received the Four Aces rating. The writer said, "...a special synthesis of head and heart. This is undoubtably one of the richest and most polished contributions to the free-jazz genre that a listener could ever hope to encounter."
“A human warmth, a spirituality that makes us feel the cosmic embrace of the world.” Stefano Archangeli, MUSICA JAZZ
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