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Musician

Albert Ayler

Born:

Tenor saxophonist Albert Ayler was born on July 13th 1936 in Cleveland Heights, Ohio. He learned to play the alto sax at a young age. His father, Edward, encouraged his musical interests and was his first teacher. Albert Ayler continued his musical education at John Adams High School, where he played oboe, and at the local music academy. His first gig was with Lloyd Pearson and his Counts of Rhythm when has was 15 in 1951. This led to a job with Little Walter Jacobs’ R&B band with whom he spent the following two summer vacations traveling. After graduating from high school in 1954 he went to a local college but financial difficulties forced him to leave college in 1956 and join the army

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Article: Album Review

Francois Carrier Ensemble featuring Mat Maneri /Tomasz Stańko / Gary Peacock / Michel Lambert: Openness

Read "Openness" reviewed by Mark Corroto


Openness waited nearly two decades on a shelf (ok, probably on a hard drive) before being released for our listening pleasure. Recorded on May 5 & 6, 2006 at the Théâtre La Chapelle in Montréal, Canada, these three precious discs document a meeting between Canadian saxophonist François Carrier and Polish trumpeter Tomasz Stańko. It is the ...

6

Article: Reassessing

The Time Is Now!

Read "The Time Is Now!" reviewed by Joshua Weiner


The early '70s were difficult times in the United States, not least for the jazz community. The optimism of the flower-power and peace movements had given way to political radicalism, conflict and paranoia, and the excitement of the initial free jazz and jazz-fusion eras had begun to wane. John Coltrane and Albert Ayler were dead. Miles ...

15

Article: Album Review

Paul R. Harding / Michael Bisio / Juma Sultan: They Tried to Kill Me Yesterday

Read "They Tried to Kill Me Yesterday" reviewed by Mark Corroto


When we speak of poetry and music, should we ask the chicken and the egg question? As in, which came first? Certainly there was music before spoken word, for imitations of bird calls and other nature sounds will have predated language. So, it's settled, right? Maybe, but not so fast. They Tried to Kill Me Yesterday ...

15

Article: Album Review

James Brandon Lewis: For Mahalia With Love (Expanded Edition)

Read "For Mahalia With Love (Expanded Edition)" reviewed by Chris May


Not since Oded Tzur's Isabela (ECM, 2022) has a comparably exalted tenor saxophone-led album come along, not until For Mahalia, With Love. Vaultingly great jazz and deep solace for the soul, For Mahalia, With Love was released in late 2023. An annual cycle for albums of this quality is actually a sufficiency, for there is enough ...

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Article: Play This!

James Brandon Lewis' Red Lily Quintet: Sparrow

Read "James Brandon Lewis' Red Lily Quintet: Sparrow" reviewed by Chris May


Here is the opening track from James Brandon Lewis' Red Lily Quintet's For Mahalia, With Love (TAO Forms, 2023), a celebration of the music of Mahalia Jackson, remaining true to its original essence but framing it in a jazz context. Not since Oded Tzur's Isabela (ECM, 2022) has such an exalted tenor saxophone-led album come along. ...

1

Article: Interview

Interview with Joe Lovano

Read "Interview with Joe Lovano" reviewed by Mark Felton


This interview was first published at All About Jazz in 1996. All About Jazz: The author of the liner notes of your latest release Quartets suggests that the current trend in jazz is towards a dialogue between the avant-garde and the tradition. How do you interpret that? Joe Lovano: Well, I don't ...

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Article: Multiple Reviews

The Complete Obscure Records Collection 1975-1978

Read "The Complete Obscure Records Collection 1975-1978" reviewed by Chris May


The first ever CD box set gathering the complete 10-album catalogue of Brian Eno's Obscure Records has been released by Italian-based label Dialogo. In the mid to late 1970s, Obscure gave a platform to some of the most significant young British composers of experimental music, together with a few Americans. In a quiet way spectacularly successful, ...

Article: Album Review

Albert Ayler: Summertime To Spiritual Unity Revisited

Read "Summertime To Spiritual Unity Revisited" reviewed by Giuseppe Segala


Tra gli anni Cinquanta e Sessanta del Novecento, una vorticosa accelerazione spinse le arti e alimentò la creatività verso esplorazioni audaci, esprimendo personalità e individualità di valore universale. Autentico visionario, tra urlo febbrile e tenera carezza, tra ruvida e profonda adesione alle radici afroamericane e tensione verso il futuro, tra riferimenti tematici trasfigurati, inni religiosi, marce ...

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Article: Album Review

Daunik Lazro, Benjamin Duboc, Mathieu Bec: Standards Combustion

Read "Standards Combustion" reviewed by Mark Corroto


The French trio of saxophonist Daunik Lazro, bassist Benjamin Duboc, and drummer Mathieu Bec has released a collection of music with the fitting title Standards Combustion. Their covers of two compositions each by John Coltrane and Albert Ayler, and one each by Steve Lacy and Wayne Shorter do not so much burn down these nuggets as ...


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