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Albert Ayler
Born:
Tenor saxophonist Albert Ayler was born on July 13th 1936 in Cleveland Heights, Ohio. He learned to play the alto sax at a young age. His father, Edward, encouraged his musical interests and was his first teacher. Albert Ayler continued his musical education at John Adams High School, where he played oboe, and at the local music academy. His first gig was with Lloyd Pearson and his Counts of Rhythm when has was 15 in 1951. This led to a job with Little Walter Jacobs’ R&B band with whom he spent the following two summer vacations traveling. After graduating from high school in 1954 he went to a local college but financial difficulties forced him to leave college in 1956 and join the army
Prophecy Live, First Visit
By Albert Ayler
Label: Ezz-thetics
Released: 2025
Track listing: Spirits; Wizard; Ghost 1st Variation; Prophecy; Ghost 2nd Variation; Saints; Ghosts; Wizard;
Children; Spirits (theme).
John Dikeman: Old Adam On Turtle Island
by John Sharpe
Committed improviser John Dikeman assembles a crack Amsterdam domiciled quartet to navigate Old Adam On Turtle Island, a song cycle that probes the intersections of colonization, religion, and their potential to inspire transcendence or tyranny. The framework is deliberately loose: a schematic more than a score, allowing the musicians to chart the course collectively. Themes emerge ...
Lucian Ban: jazz, musica popolare della Romania e l'alter ego Mat Maneri
by Neri Pollastri
Originario della Romania, sebbene da quasi trent'anni residente a New York, il pianista Lucian Ban alterna da tempo le proprie produzioni originali alla ricerca sulla musica della propria terra, quasi sempre assieme al violista Mat Maneri, con il quale forma da anni uno stretto sodalizio artistico. Dopo aver più volte parlato dei suoi album dedicati alla ...
Piano Four-té: Keyboard Masters Delight On A Quartet of ECM Luminessence Vinyl Reissues
by Joshua Weiner
Blue Note. Verve. Impulse! Prestige. Just saying the name of such storied jazz record labels immediately conjures up each one's distinct aesthetic, from the music to the cover art. Over the past half century, the German ECM label has earned its place in this pantheon by steadfastly following its own vision, perhaps best summed up by ...
Vicenza Jazz - New Conversations 2025
by Libero Farnè
Vicenza Jazz 2025 Varie sedi Vicenza 15--25 maggio 2025 Vicenza Jazz--New Conversations ha sempre portato un sottotitolo che mettesse in evidenza il tema su cui di anno in anno si concentrava prevalentemente. Questa ventinovesima edizione ha evitato di celebrare anniversari o di puntare i riflettori su uno strumento principe, ...anche se, ...
Sun Ra: Nuits De La Fondation Maeght (Sun Ra)
by John Sharpe
Discoveries of lost tapes are often trumpeted as legendary or revelatory, but in the case of the greatly expanded Nuits De La Fondation Maeght, the hype feels entirely warranted. The release offers a comprehensive view of a pivotal moment in Sun Ra's career. In 1970, Sun Ra was invited to play at the ...
William Parker / Hugo Costa / Philipp Ernsting: Pulsar
by John Sharpe
Inestimable bassist William Parker has made hundreds of records, but this unlikely meeting with two stalwarts of the Rotterdam scene, Portuguese alto saxophonist Hugo Costa and German drummer Philipp Ernsting, should not to be overlooked. The Dutch-based pair invited Parker to join them for a recording in October 2023 and Pulsar is the splendid result. Costa ...
Albert Ayler Trio: Prophecy Live, First Visit
by Glenn Astarita
This 1964 New York City recording, now remastered and released on the Ezzthetics label, captures Albert Ayler with Gary Peacock and Sunny Murray at a crucial juncture in the saxophonist's development. This performance at the Cellar Cafe marks an early, vital snapshot of a trio that would become foundational to the free jazz movement. It is ...
Albert Ayler Trio: Prophecy Live, First Visit
by Mark Corroto
No jazz artist has been as polarizing as Albert Ayler. Listeners either revere him as a prophet or dismiss him as a charlatan. To some, his music is a divine revelation; to others, an indecipherable cacophony. But while Ayler's music was undeniably radical, he was no insurrectionist-- he was simply a true original. His sound was ...
