Try as he might, Pat can't escape Mike's jones for jazz mixed with politics, so he submits, and the boys look at examples of art-music and political rhetoric in jazz by musicians alienated by the last few years of political events. Do the bastards pontificate more than the music they're criticizing? You be the judge. Cutting edge acts such as Black Sabbath, Jethro Tull, and the Go-Go's give Pop Matters that contemporary vibe it so desperately needs.
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