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588

Article: Album Review

Steve Lehman Octet: Travail, Transformation, and Flow

Read "Travail, Transformation, and Flow" reviewed by Troy Collins


On Travail, Transformation, and Flow saxophonist Steve Lehman continues down the creative path blazed on his previous release, On Meaning (Pi Recordings, 2007). In addition to updating the earlier session's rhythmic energy with even more audaciously contemporary beats, he presents the first jazz-oriented exploration of the musical concept known as spectral harmony. In spectral ...

480

Article: Album Review

Tyft: Smell The Difference

Read "Smell The Difference" reviewed by Troy Collins


Smell The Difference is the third album by Icelandic guitarist Hilmar Jensson's metallic power trio Tyft, which features longstanding members Andrew D'Angelo (alto saxophone and bass clarinet) and Jim Black (drums). Since the late nineties, Jensson has explored the fertile territory between popular music and jazz improvisation, both with his own ensembles and Jim Black's Alasnoaxis. ...

360

Article: Album Review

The New Mellow Edwards: Big Choantza

Read "Big Choantza" reviewed by Troy Collins


The New Mellow Edwards, an eclectic ensemble signed to artist-run, Brooklyn-based Skirl Records, is led by trombonist Curtis Hasslebring, who draws upon a variety of influences for his unorthodox jazz compositions, including neo-classical formalism, elastic funk and tuneful indie rock. One of Hasselbring's numerous side-projects, The New Mellow Edwards' impressive pedigree features clarinetist/tenor saxophonist ...

422

Article: Album Review

Josh Berman: Old Idea

Read "Old Idea" reviewed by Troy Collins


As co-leader of the Emerging Improvisers and Umbrella Collective with drummer Mike Reed, cornetist Josh Berman has been a pivotal force in the Chicago jazz scene. A regular member of Jason Adasiewicz's Rolldown, Jeb Bishop's Lucky 7's, Keefe Jackson's Project Project and Fast Citizens and Rob Mazurek's Exploding Star Orchestra, Berman has proven to be a ...

434

Article: Album Review

Nicole Mitchell's Black Earth Strings: Renegades

Read "Renegades" reviewed by Troy Collins


Chicago-based flutist, composer and bandleader Nicole Mitchell has presented her impressive skills in a wide range of contexts, from the intimate Indigo Trio with bassist Harrison Bankhead and drummer Hamid Drake to her flagship band, the Black Earth Ensemble. The later has demonstrated a remarkable ability to move from the eclectic modern jazz of Black Unstoppable ...

507

Article: Album Review

Rudresh Mahanthappa's Indo-Pak Coalition: Apti

Read "Apti" reviewed by Troy Collins


The story has been told before. While still in college, Indian-American saxophonist Rudresh Mahanthappa was given a CD of Kadri Gopalnath's Saxophone Indian Style as a joke by his older brother. But Mahanthappa was impressed by Gopalnath's ability to translate the microtonal intricacies of South Indian Carnatic music to the saxophone, which eventually resulted in their ...

392

Article: Album Review

Jon Irabagon with Mike Pride: I Don't Hear Nothin' But The Blues

Read "I Don't Hear Nothin' But The Blues" reviewed by Troy Collins


The saxophone and drum duo has long been an established jazz tradition, with Interstellar Space (Impulse!, 1965), John Coltrane's legendary duet album with Rashied Ali, widely considered the format's archetype. Containing a single 47-and-a-half minute improvisation, I Don't Hear Nothin' But The Blues is tenor saxophonist Jon Irabagon and drummer Mike Pride's bold contribution to the ...

442

Article: Album Review

Opsvik & Jennings: A Dream I Used To Remember

Read "A Dream I Used To Remember" reviewed by Troy Collins


With each succeeding album more impressive than the last, the chamber-pop duo Opsvik & Jennings have released their finest record to date with A Dream I Used To Remember. The third release from Norwegian bassist Eivind Opsvik and Oklahoma-born guitarist Aaron Jennings follows Floyel Files (NCM East, 2005) and Commuter Anthems (Rune Grammofon, 2007). Although their ...

415

Article: Album Review

Corey Wilkes & Abstrakt Pulse: Cries From Tha Ghetto

Read "Cries From Tha Ghetto" reviewed by Troy Collins


Trumpet player Corey Wilkes was just 24 when saxophonist Roscoe Mitchell recruited him to join the Art Ensemble of Chicago in 2003, four years after Lester Bowie's passing. Since then he has demonstrated remarkable technical and creative ability, serving as a sideman in James Carter's Quintet, Kahil El'Zabar's Ethnic Heritage Ensemble, Rob Mazurek's Exploding Star Orchestra ...

410

Article: Album Review

Avram Fefer Trio: Ritual

Read "Ritual" reviewed by Troy Collins


Saxophonist Avram Fefer has led a diverse career since his emergence in the early 1990s. An eclectic collaborator, Fefer has performed with pianist Bobby Few, The Last Poets, North and West African musicians, numerous acid jazz and trip-hop artists, and served in the big bands of Frank Lacy, Adam Lane, Butch Morris and David Murray, among ...


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