Results for "Trombone"

Benny Powell

Born: March 1, 1930

Born in New Orleans, Powell is, perhaps, best known for his 12-year tenure (1951-63) with Count Basie, and for his eight-bar contribution to the Count's all-time big hit, "April in Paris." But more than that, Powell, in his all-too-rare solos with the Basie band, displayed a blues-laced, story-telling approach to improvisation. Check out, for instance, his masterfully balanced two-chorus statement on "Blues Backstage" from 1954, or "In a Mellotone," recorded in a live performance five years later. After leaving Basie, Powell embarked upon a rich, diverse musical career. A versatile and accomplished player, he has worked extensively on Broadway, television, and on numerous recordings. During the 1960s and '70s, Powell graced the trombone sections of Duke Pearson's fine New York big band and the renowned Thad Jones-Mel Lewis Jazz Orchestra

Kid Ory

Born: December 25, 1886

Edward Ory was born in LaPlace, Louisiana, on Christmas Day 1886. As a child, he began to make music on homemade instruments. He soon was playing banjo, then switched to trombone. Ory went on to introduce and develop the “tailgate” style, in which the trombone plays a rhythmic line underneath the trumpets and cornets. By 1912 he was leading one of the best-known bands in New Orleans. Among its members at various times were several musicians who later were highly influential in jazz development, including Sidney Bechet, Johnny Dodds, Jimmy Noone, King Oliver, and Louis Armstrong

Louis Nelson

Born: September 17, 1902

Louis Nelson - trombone (1902 - 1990) Louis Nelson, a jazz trombonist who was the last surviving musician from the original Preservation Hall Band. At the time of his death, in 1990, age 87, Nelson was still playing at Preservation Hall twice a week with the Kid Sheik band, as well as leading his own band on Saturdays. His style ranged from the unbridled energy of traditional New Orleans jazz to the sweet, lyrical sliding melodies of the swing era. ''He was the last personal link to the original tailgate style,'' said the jazz historian Dick Allen. ''That's the way trombonists used to play in New Orleans - sitting on the tailgate of the wagon as they advertised dances.'' Mr

Dick Nash

Born: January 26, 1928

Richard Taylor Nash, for the best part of half a century Dick Nash has been 'first call' in the Hollywood studios, working with such great composers as Alfred Newman, Henry Mancini and John Williams, to name but a few. the well known studio musician, considered by composer, conductor Henry Mancini as his favorite trombonist, writing several arragments often featuring Dick as soloist on his soundtracks. Frank Capp also from the New England area, recommended Nash to conductor Ken Hanna who ran a regular Sunday afternoon rehearsal band. One of the trombone players couldn't make it so Dick sat in

Tricky Sam Nanton

Born: February 1, 1904

A native of the West Indies, Nanton joined the Ellington orchestra in 1926, as a trombonist. He was a key player in the development of the bands overall sound and also remembered for his use of the plunger mute. Joe Nanton, was born, in 1904. His professional career as a trombonist began in Washington with pianist Cliff Jackson. From 1923 to 1924 he worked with Frazier's Harmony Five. A year later he performed with banjoist Elmer Snowden. At age 22 Joe Nanton found his niche in Duke Ellington's Orchestra when he reluctantly took the place of his friend Charlie Irvis. He remained a member of the orchestra until his early death in 1946

Buddy Morrow

Born: February 8, 1919

Throughout his career, Buddy Morrow loved playing with big bands and doing what he could to keep nostalgic swing alive. He began playing trombone when he was 12 and within two years was working locally. Morrow developed quickly and moved to New York, where he studied at the Institute of Musical Art. He made his recording debut in 1936 with singer Amanda Randolph and trumpeter Sharkey Bonano. Morrow -- known as Moe Zudekoff until he changed his name in the early 1940s -- kept busy during the swing era, working with Artie Shaw (1936-37 and 1940), Bunny Berigan, Frank Froeba, Eddie Duchin, Tommy Dorsey (1938), Paul Whiteman (1939-40) and Bob Crosby

Glenn Miller

Born: March 1, 1904

Shortly after the beginning of the 20th century, in a small rural Southwestern Iowa town, a boy was born to Elmer and Mattie Lou Miller. The date was March 1, 1904 and the town was Clarinda. The boy that was born that night was named Alton Glen Miller (later changed to Glenn) and when he uttered his first cry, Clarinda heard Glenn Miller’s first "moonlight serenade." Glenn’s first serenade was not particularly unique as it had been sung by children for centuries and was barely heard across South 16th Street. However, his second Moonlight Serenade was a composition he wrote while studying music under Dr

Rob McConnell

Born: February 14, 1935

Rob McConnell (valve trombonist, arranger, composer, big band leader) was born on February 14, 1935 in London, Ontario, and passed away on May 1, 2010 in Toronto, Ontario at the age of 75 McConnell took up the valve trombone in high school and began his performing career in the early 50’s, performing with saxophonist Don Thompson in Edmonton, Bobby Gimby and fellow Canadian Maynard Ferguson.He also studied arranging and composition with Gordon Delamont. In 1968, Rob formed the Boss Brass, a big band that would become his primary performing and recording unit through the 1970’s and 80’s. A unique musical voice, cutting wit and meticulous leadership on the bandstand were just a few of McConnell’s trademarks.He was consummate professional, a perfectionist and difficult task master- an arranger of the highest order and one hell of a trombone player

Bob McChesney

Trombonist Bob McChesney was born in Baltimore, Maryland in 1956, and began studying the trombone at the age of nine. McChesney holds a bachelor's Degree from the State University of New York at Fredonia. In 1979, Bob moved to Los Angeles where he remains, working as a studio musician and in a wide variety of musical situations including film, television, records, jingles and can be heard on the most recent CD recordings by Grammy winner Diana Krall -”When I Look In Your Eyes”, Barry Manilow “Tribute to Sinatra”, Chicago “Night and Day- Big Band”, Natalie Cole, Mel Torme, Joey DeFrancesco, Art Garfunkel, Buddy Greco, Facundo Monty, Matt Catingub, Steve Allen, Adam Sandler, Bill Watrous, George Graham, Rebeka, Atlantic Rap - Tribute to Phil Collins, Louise Baranger, Barbara Morrison, Calabria Foti, Curtis Amy, Carl Saunders, Bobby Milano, Steve Lippia and Anita O'Day. As a jazz soloist, McChesney is featured on Horace Silver's first album for Sony/Columbia Records “Its Got To Be Funky” and on Bob Florence's Grammy winning CD “Serendipity 18”, and Florence's “Earth” and “All the Bells and Whistles”

Albert Mangelsdorff

Born: September 5, 1928

Trombonist Albert Mangelsdorff pioneered the art of jazz polyphonics, introducing to the avant-garde the symphonic tradition of playing multiple notes simultaneously. Born in Frankfurt, Germany, on September 5, 1928, Mangelsdorff grew up enthralled by jazz, devouring his older brother Emil's record collection. His uncle, a professional violinist, gave him music lessons as a teen, but the rise of the Third Reich forced him to keep his passion for jazz in check. Over time Mangelsdorff taught himself guitar, but following World War II he managed to acquire a used trombone in exchange for cigarettes he often played for audiences comprised of the American soldiers who remained stationed overseas, finally performing to crowds who shared his appreciation for jazz