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Buddy Morrow
Born:
Throughout his career, Buddy Morrow loved playing with big bands and doing what he could to keep nostalgic swing alive. He began playing trombone when he was 12 and within two years was working locally. Morrow developed quickly and moved to New York, where he studied at the Institute of Musical Art. He made his recording debut in 1936 with singer Amanda Randolph and trumpeter Sharkey Bonano. Morrow -- known as Moe Zudekoff until he changed his name in the early 1940s -- kept busy during the swing era, working with Artie Shaw (1936-37 and 1940), Bunny Berigan, Frank Froeba, Eddie Duchin, Tommy Dorsey (1938), Paul Whiteman (1939-40) and Bob Crosby
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Glenn Miller
Born:
Shortly after the beginning of the 20th century, in a small rural Southwestern Iowa town, a boy was born to Elmer and Mattie Lou Miller. The date was March 1, 1904 and the town was Clarinda. The boy that was born that night was named Alton Glen Miller (later changed to Glenn) and when he uttered his first cry, Clarinda heard Glenn Miller’s first "moonlight serenade." Glenn’s first serenade was not particularly unique as it had been sung by children for centuries and was barely heard across South 16th Street. However, his second Moonlight Serenade was a composition he wrote while studying music under Dr
Results for pages tagged "Trombone"...
Rob McConnell
Born:
Rob McConnell (valve trombonist, arranger, composer, big band leader) was born on February 14, 1935 in London, Ontario, and passed away on May 1, 2010 in Toronto, Ontario at the age of 75 McConnell took up the valve trombone in high school and began his performing career in the early 50’s, performing with saxophonist Don Thompson in Edmonton, Bobby Gimby and fellow Canadian Maynard Ferguson.He also studied arranging and composition with Gordon Delamont. In 1968, Rob formed the Boss Brass, a big band that would become his primary performing and recording unit through the 1970’s and 80’s. A unique musical voice, cutting wit and meticulous leadership on the bandstand were just a few of McConnell’s trademarks.He was consummate professional, a perfectionist and difficult task master- an arranger of the highest order and one hell of a trombone player
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Bob McChesney
Trombonist Bob McChesney was born in Baltimore, Maryland in 1956, and began studying the trombone at the age of nine. McChesney holds a bachelor's Degree from the State University of New York at Fredonia. In 1979, Bob moved to Los Angeles where he remains, working as a studio musician and in a wide variety of musical situations including film, television, records, jingles and can be heard on the most recent CD recordings by Grammy winner Diana Krall -”When I Look In Your Eyes”, Barry Manilow “Tribute to Sinatra”, Chicago “Night and Day- Big Band”, Natalie Cole, Mel Torme, Joey DeFrancesco, Art Garfunkel, Buddy Greco, Facundo Monty, Matt Catingub, Steve Allen, Adam Sandler, Bill Watrous, George Graham, Rebeka, Atlantic Rap - Tribute to Phil Collins, Louise Baranger, Barbara Morrison, Calabria Foti, Curtis Amy, Carl Saunders, Bobby Milano, Steve Lippia and Anita O'Day. As a jazz soloist, McChesney is featured on Horace Silver's first album for Sony/Columbia Records “Its Got To Be Funky” and on Bob Florence's Grammy winning CD “Serendipity 18”, and Florence's “Earth” and “All the Bells and Whistles”
Results for pages tagged "Trombone"...
Albert Mangelsdorff
Born:
Trombonist Albert Mangelsdorff pioneered the art of jazz polyphonics, introducing to the avant-garde the symphonic tradition of playing multiple notes simultaneously. Born in Frankfurt, Germany, on September 5, 1928, Mangelsdorff grew up enthralled by jazz, devouring his older brother Emil's record collection. His uncle, a professional violinist, gave him music lessons as a teen, but the rise of the Third Reich forced him to keep his passion for jazz in check. Over time Mangelsdorff taught himself guitar, but following World War II he managed to acquire a used trombone in exchange for cigarettes he often played for audiences comprised of the American soldiers who remained stationed overseas, finally performing to crowds who shared his appreciation for jazz
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Bill Lowe
Bass trombonist and tubaist Bill Lowe has been a major force in the music world for over thirty years as a performer, composer, producer, and educator. He has worked with most of the masters of African-American creative music, across all genres and musical cliques, from musical legends like {{Dizzy Gillespie}}, {{m: Eartha Kitt = 16569}}, and {{m: Clark Terry = 4882}}, to the leaders of the avant-garde like {{m: Muhal Richard Abrams = 3246}}, {{Henry Threadgill}}, and {{m: Cecil Taylor = 4823}}, to under-heralded greats like {{George Russell}}, {{m: James ‘Jabbo’ Ware = 2955}} and {{m: Bill Barron = 3657}}
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Melba Liston
Born:
Born in Kansas City, Melba moved to Los Angeles as a child, and became a working musician at age sixteen. She learned to arrange and write, as well as play, and quickly found herself snapped up by Gerald Wilson, who hired her as a copyist, arranger, and trombonist during the War. When Wilson's band broke up in 1948, she joined Count Basie, and in 1949, Dizzy Gillespie. Her writing and arranging were formidable, and after Dizzy's big band folded in 1957, she stayed busy in New York with writing and playing. She returned to Los Angeles in the late 1960s, and moved to Jamaica in 1974, to teach at the Institute of Music there
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Abe Lincoln
Born:
Abram "Abe" Lincoln was born in Lancaster, PA on March 29, 1907. At the age of 5, Abe began playing cornet. Under the direction of his father, Abe would practice scales every day and had to play them correctly each night before being permitted to go to bed. Not only would Abe have to play the scales correctly, he had to name the notes, name the fingering and the value of the notes. Soon, Abe was practicing marches, polkas - anything his father could get his hands on for him to play. However, contrary to his father's wishes, Abe would frequently ad lib around the melody. It was at this point that Abe's talent for improvisation began to emerge. In 1926, Abe replaced Tommy Dorsey in the California Ramblers
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George Lewis
Born:
George Lewis is a jazz trombone player and composer. In addition to his own recordings, he has recorded or performed with Anthony Braxton, Roscoe Mitchell, Conny Bauer and others. He is a contemporary and colleague of trombonist Ray Anderson. He also has a feature segment on Laurie Anderson's album Big Science. Lewis has long been active in creating and performing with interactive computer systems, most notably his software called Voyager, which "listens to" and reacts to live performers. Lewis gave an invited keynote lecture and performance at NIME-06, the sixth international conference on New Interfaces for Musical Expression, which was held at IRCAM, Paris, in June 2006. He is a member of the Association for the Advancement of Creative Musicians (AACM) and a graduate of Yale University, where he was tapped by the The Skull and Bones
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Frank Lacy
Born:
Ku-umba Frank Lacy is an American jazz trombonist
His father was a teacher who had played guitar with Illinois Jacquet, Eddie Cleanhead Vinson, and Arnett Cobb; his mother sang gospel music. He played piano from age eight, and played trumpet, euphonium, and tuba before settling on trombone at age 16.
He earned a bachelor's degree in physics[citation needed] before studying music at the Berklee College of Music,[citation needed] where he played with Branford Marsalis, Greg Osby, and Marvin Smith. Lacy then studied for his Masters degree at Mason Gross School of the Arts, Rutgers University





